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The cultural references of Wayne's World may date it a bit, but the nature and personality of its humor set it apart. There is a kind of naive benevolence and boundless joy which makes this movie so lovable. Its aimless plot and exaggerated humor are cute, without ever transcending that barrier into maudlin sentiment. This is a difficult mix to achieve, especially when so many comedians go out of their way to achieve "street credibility" through as much forced vulgarity and stereotypical humor as possible. Campbell and Carvey's characters were the ultimate comedic anti-heroes for generation X, even more so than Jay and Silent Bob, Bill and Ted, or Beavis and Butthead. They championed amateurism, paraded self-affecting humor, and became worshiped for telling everyone they weren't worthy. If '60s pop culture encouraged people to "do your own thing," Wayne and Garth were the genuine article in the '90s. Two complete geeks had fun acting as themselves, and became celebrated in the process. One of the true comedy classics of our time. 8.5/10

I've always found Mike Myers to be something of an acquired taste and struggle to warm to his work. Wayne's World is the one exception, and surely the highlight of his career. The film is fairly novel in its design and has a lot of very witty moments. Dana Carvey is arguably the star of the show, playing the uniquely amusing Garth to perfection. Tia Carrere and Rob Lowe round out a pretty strong cast with decent, if slightly cheesy, performances.

I would agree that the film has aged a lot since its release, but it serves as a cultural reference point and will remain a very nostalgic and enjoyable viewing experience for people of a certain age. The subversive takes on mainstream films become a bit tiresome and the love triangle story is a little corny but this is not a film that needs analysing in great detail. A fun movie, with its own unique vibe and styling.

Penelope Spheeris (also of the Decline of Western Civilization Series and Suburbia) was chosen as the director of Mike Myers and Dana Carvey's SNL creation. This is the film that catapulted both comedians' careers into the stratosphere. 1992 is an interesting time in alternative rock history between the peak of grunge in 1991, and the coming crest of the "punk revival" in 1994 with Green Day, Offspring and Rancid. Wayne's World reveled in this new "alternative rock," music a concept which was at the time much more flexible than it is now. Rife with irony, alternative rock was eventually the name given to the music that blended aspects of rock, metal, punk, pop, and eclectic "weirdness." While Wayne is the more metal half of the excellent duo, Garth is the grunge/nerd/"punk" side of the equation.

Heavy metal rock and roll fandom provides the backdrop for a non-stop train wreck of social satire. Only in 1992; and only in Meyer's and Carvey's comedic genius could Aurora, Illinois ever seem so cool. Wayne's World, in the film's plot, is the name of a Cable Access television show (dare I say "DIY") hosted by Wayne Campbell and Garth Algar. Rob Lowe plays Benjamin, an advertising scout/producer who is looking for talent to promote a chain of video game arcade stores. He finds his muse in the low-brow witticism, promptly signs the boys, and sets them up in a proper television studio. A battle ensues between Ben and Wayne for the affection of one way-hot Cassandra (Tia Carrere) who is easily lured away from Wayne at the first flourish of Benjamin's bountiful extravagance. Wayne and Garth's plans to win back Cassandra culminate in the film's tripartite finale.

"...with an underlying revisionist's conceit that belied the film's emotional attachments to the subject matter..." the film was truly entertaining, whimsical, and relevant. And to reassure Garth; No, it did not suck.

Wayne's World (1992)

*** (out of 4)

Highly entertaining big-screen version of the Saturday Night Live skit has best buds Wayne Campbell (Mike Myers) and Garth Algar (Dana Carvey) partying and doing their public television show without much stress in their lives. This all changes once they meet up with a crooked producer (Rob Lowe) who decides to exploit their show. WAYNE'S WORLD isn't one of the greatest movies ever made but it's certainly charming and funny enough for what it is. I'd also say it's safe to say that this is one of the better SNL transitions to the movies and a lot of the credit has to go to its two stars. I think both Wayne and Garth would be downright annoying characters had the performances been off in any way but both Myers and Carvey really took these guys and made them, at times, stupid but also very charming and just the type of people you'd want to hang out with. There are all sorts of funny moments throughout the picture but the real highlights deal with the boys and their interactions with other people. Lara Lynn Boyle as Wayne's ex-girlfriend gets all sorts of funny moments as does Brian Doyle-Murray who ends up being a sponsor who gets on the wrong side of Wayne. There's also Ed O'Neill in a small role as well as Meat Loaf and Chris Farley. Also on hand is a terrific bit from Alice Cooper who nearly steals the film with the performance of "Feed My Frankenstein" and the hilarious backstage access where he talks about Milwaukee. Lowe also deserves a lot of credit with his comedy here as he's perfect as the snake in the grass. Even Tia Carrere does a nice job. Director Penelope Spheeris does a very good job at keeping the film moving at a very good pace and there's no question that she knows how to stage the various bits of classic rock music throughout. Fans of the SNL material are certainly going to eat this up as its as fresh today as it was when it was first released.

As a middle-aged lover of world and art-house cinema, the lovably goofy Waynes World might seem an odd one for me to like and enjoy.

I've never owned it myself but as it's just been on Channel 4, I thought I'd see it once again, to see how it still fares. Though it's far from being my favourite movie of all time, it still hits the targets its designed to and manages to smell sweet when compared to the more recent torrent of comparative sewage that is hailed as gross-out 'comedy'.

Oddly, perhaps, it's impossible to dislike or find the two (Mike Myers and Dana Carvey) super-geeks annoying. The film is bright and breezy and rolls along like a continual Friday night out and the rock music references, including the famous Bohemian Rhapsody sung in their tiny car, always welcome.

The dream women in their lives are indeed good-looking girls and their portrayal are a fair balance between teenage male hormonal fantasy and real people with substance and character.

Considering Waynes World is supposed to be a Cult Movie, I'm surprised how few reviews there are here, on Amazon. Whether new audiences will ever warm to WW is a different matter altogether but for of us who's seen it come, go and now hang around, it still offers many pleasures.