Tito i ja

Goran Markovic, known more for his dramatic work, achieved something that's eluded many great filmmakers - both smart and funny comedy. Based loosely on his own life as a kid growing up in Tito's communist Yugoslavia in the 1950s, the movie centers around 10-year-old Zoran whose inspired poem about Tito written on a spur-of-the-moment-basis as an in-class assignment, earns him a trip with other deserving pupils retracing Tito's "revolutionary trails" in Tito's hometown of Kumrovec.

One gets the feeling that this film was 25 years in the making and that Markovic had this idea all throughout his career but was just waiting for the right political atmosphere to finally make it.

Movie is very heartwarming even though it hints at many unpleasant aspects of the communist regime in Yugoslavia. It doesn't give into the temptation of using this setting to get cheap and obvious laughs or to sprinkle in personal political statements together with the humour. Instead, it deals with everything in a light but intelligent manner, takes time to set up the supporting characters and delivers fabulous entertainment.

Great stuff.

"Tito i ja" is one of the best Yugoslavian movie creations ever. A tale of a boy growing up in a world divided between communists and the "other" ones, gives a great representation of Yugoslavian socialism. Unfortunately, many parts of this movie are not easy to understand unless a viewer is very familiar with the life of Josip Broz Tito, Yugoslavia, etc.

Brilliant Plot, Acting is once in a lifetime. The Historical reference's are on the money. Politcally correct for that time period, and the spirit of the people is dead on.Character development leaves you with the feeling you have meet them before. Lighting, costume, script are to die for.The children are complete and believable as 1954 Yugoslavia. I was almost waiting for Italian subtitles. Every actor carried their own weight on the story. The dream sequence's are original, full of Historical footage and well edited in to the theme and story development. Close quarters living is the thread that ties the plot and development together.

"Tito i ja" or "Tito and me" is beyond any doubt one of the best Serbian movies of all times. There are several reasons for such an opinion.

It's a comedy and satire shaped movie with a serious background story concerning the values in the post WW2 Yugoslavian society. Obsession with Marshall Tito, the undisputed ruler and the political system which follows his character is the main theme, seen through a child's perspective. The main character, a 10 year old boy Zoran from Belgrade tries to find himself between his divers family, friends, girls who he starts to notice and a communist regime which infiltrates all the life's pores. Love can be confusing and Zoran will discover that during the boy scout expedition to the Tito's native village Kumrovec. A convincing performance was also given by Lazar Ristovski (Comrade Raja), a party instructed delegate whose task was to plan and execute the expedition. The cynicism and narrow minded appearance of his character does represent the true state of the communist regime and it's impact on daily life.

"Tito i ja" is also the best and probably the last good work of Goran Markovic, who for reasons unknown utterly lost his common sense and creativity after this movie, and started making rubbish.

Narrated by the main protagonist - 10-year old Zoran, "Tito i ja" uses plenty of comedic tones, warm atmosphere," and almost takes shape of a family movie in order to poke fun at the cult of Tito in the former Yugoslavia and to pinpoint cracks and contortions in the Yugoslav society during the communist period. Young Dimitrie Vojnov gives a heartfelt performance as Zoran who was not only able to hold his own amidst all the peer pressure and propaganda, but actually effected people around him. In the supporting cast, Lazar Ristovski of the "Underground" fame got another outstanding role under his belt as a dogmatic "young pioneers" instructor driven to suicide by Zoran's unrealized nonconformity.