South Central

This movie makes you care about its characters. This should be said about all films, but this one accomplishes it where others do not. The story revolves around a young man in South Central Los Angeles who is involved in a gang that is slowly making itself successful by selling drugs. He goes to jail after being convicted of shooting another gang lord. While in prison, his son grows up and is drawn by the romance and easy money of his father's old gang, and becomes involved as well. The story is a little over-simplistic, and the dialogue is a bit thin at times. But the director and cast rise to the challenge and turn this into a film about relationships and philosophy, rather than going for the easy solution of shooting off as many guns as possible. The ending is one of the most sappy we've seen in a while (just a bit too much 'Mom and apple pie'), but given the situation you are willing to go with it. While it's not perfect, this film ultimately works -- which is better than 95% of this genre.

This is a very good movie and a realistic view of south central at the time. I lived there and this is one of the few movies that showed a realistic view of life. Glenn Plummer should get more props for his acting. Some parts of this movie touched a lot of us on the streets, the acting is great. This movie laid the foundation for other popular hood movies like boyz n da hood and others, but it is much more than a hood movie it takes you through the struggles of life on the streets and how sometimes you can't help the situation that you're in. It tells of a man who had a messed up childhood, and who had to get his life together to save his son from the same hardships that he had growing up without a dad.It ends up being a true love story.. the love between a real father and his son.

This movie was filmed around the time of the Rodney King riots that ripped South Central Los Angeles. Let's face it, the heart and soul of Los Angeles isn't Hollywood. It's the people like in this movie who try to make living, earnestly, honestly, and respectively. Sadly, this film is still realistic to the plight of urban problems. I spent a lot of time in one of the great urban cities of the East Coast and the problems of poverty, the lure of leading drug dealing lives is real and tempting, domestic violence, child abuse, gangs, etc. still exist and will exist much to the attempts of prevention or society ignoring their presence. Anyway, this film is truly about the heart and soul of a city of ten million Angelenos and the father's attempt to save his son from a life of crime, violence, death, and drugs in the city. It's not an easy battle.

I just wanna say that I caught the last hour of the movie, I have no idea how it started but I was watching the DVD lady Jane and I paused to see what's on TV and there it was, South Central, and I watched the part in prison where Ali defends his friend from the mob inside by giving them what they need from cigarettes and services in return to stay away from the black inmate. The encounter between Ali and boy's father where he describes what happened to his son was the most powerful scene I've seen in any movie, it brought me literarly to tears. Another strong scene was the final 5 minutes, I'll let you discover it for yourselves because you'll be blown away, I don't know why the rating is so low in quantity and in quality, I'm giving it a 9/10 for its strong performances and also a great theme where it touches the source of Black gang violence and how a small corrupted group can effect the whole community, on the other hand also how a corrupted gang member can also be saved by a strong willful cultured person like Ali.

Great Movie, a must see...

Though the film is "serious" and well intentioned, telling a heart-breaking story with a valid message, its impact is considerably weakened by a naïve story-line and a undistinguished screen-play. I hunted around to see if this was "based on a true story", like "The Birdman of Alcatraz", but I found no evidence; that might have excused some of the awkwardness. There are some movingly warm scenes, though I was never groping for a kleenex. It reminded me of one of those Worthy Westerns I watched as a kid, where the bad guy meets a good guy/woman who changes his life: it had too many predictable and not totally credible steps. When, at the end, the hoodlum about to shoot him says, "Prison sure turned you stoopid!", I was inclined to agree. He talked his way out of the jam, but only because the narrative demanded it: his speech would never have convinced me, any more than Eli's words in the prison cell would have made me turn over a new leaf. These key "speeches" lacked any eloquence, and I frequently found myself predicting the dialogue. Nevertheless its best moments, especially the confrontations, are really gripping - until the end, that is, when it's too easy to foresee that no harm will come to anyone and Good will prevail. It's unfashionable and courageous to give such a story a happy ending (cf. "La Haine", where the vicious circle of hate is NOT broken and a bleak future is foreseen), and perhaps its optimism speaks more deeply to audiences in the States.