South Central

I would like to thank all of the fans and supporters of the the film; it pleases me greatly that you got the message. I am a retired (South Central L.A.) English teacher; I wrote the novel "South Central L.A. Crips(the story of the L.A. Street gang, 1971-1985)" in 1986 as a roman a clef (faction). "Deuce" was a euphemism for "Crip" (which was censored in movies in 1991) It had become obvious to me that the old canon of American literature would not inspire the will necessary to become literate for Crips and Bloods and many other lower class African Americans, so I interviewed hundreds of gangsters over a 4 year span and wrote a book about them that would do the job. The movie "South Central" was, initially, merely a vehicle to advertise the book and promote the message of literacy. I used the book and the movie in my curriculum for 12 years. Gangsters stole it out of my classroom and the local libraries. I considered it an ironic tribute and an effective way to distribute to the people who needed it the most. But, best of all, L.A.'s gang murder epidemic has been subsiding ever since until it's now lower than it has been in over 30 years. "South Central" was made to save lives and I believe it has as "Variety" predicted when it came out in the midst of over 1000 murders in 1992. I rushed it to the screen (I signed a 6 month option w/Steve Anderson for $1)because I knew there was a volcano about to erupt in South Central L.A. from teaching 100's of gangsters in the area; I partnered w/Steve and Oliver Stone because they had the sensitivity for the mission and skill to make the film. Unfortunately, "South Central", though completed in 1991, was not released until the summer of 1992 after the South Central L.A. Uprising which stigmatized it to the owners of theaters causing it to go from a projected 1200 (approx.) screen opening to less than 100. It was a big success immediately in video stores and on cable. Hopefully, it will last as long as "Huckleberry Finn". I am not a "Hollywood" writer; although I wrote the novel and collaborated on the screenplay (for which I received no credit), I was not able to join the WGA (I played Dr. King in the movie, so I am in SAG). However, I am honored to have made the film; I, even, believe it is time to remake it for today's audience. I would have liked to: keep it PG-13; eliminated the N-word and profanity; used more of the slang from the novel("h-nk-ball"?, "ginawagon"!, please); shown more of the L.A. Islamic influence and local history, obviously Bobby (Jimmie Black in the novel) is changed by copious reading like Malcolm X, and I, being a devout Muslim, wanted to note the great work Muslims have done in prisons (this, too, was pretty much anathema in 1991, but we sneaked it in subliminally). I have written a sequel, "Inhale Gasoline & Gun Smoke (the story of the L.A. Uprising)" which is probably too hot for Hollywood but will eventually be made one way or another. I am Executive Producer of SAB Productions and my film "Bilalian" shows on BET's Black Stories every now and then. My new book is "N*GG*S-The Black Curse", and completes my trilogy on South Central L.A.

As Salaamu Alaikum, Donald Bakeer P.S. 100% literacy for African Americans by 2010 (gangstas, too)!

Years ago I saw Donald Bakeer speak to talk about his book, "Crips", and upcoming movie, "South Central," based upon his book. I saw the movie then but I lacked the maturity and life experience to truly understand the significance of the movie. It wasn't Godfather, nor Scarface, nor was it Boyz n the Hood--this was a story of reformation.

Bobby Johnson (Glen Plummer) helped start the Deuce gang in L. A. (I remember Mr. Bakeer saying that the name "Crips" couldn't be used in the movie) with friend Ray Ray (Byron Keith Minns). Bobby earned his heart tattoo after killing a local drug dealer named Genie Lamp (Kevin Best). Bobby would serve time for that murder and reform while in prison. His sole goal became saving his son.

I really appreciated this movie's message and direction. Reforming would be hard, changing one's attitude would be hard, and doing all of that in the same environment would be doubly hard, but someone has to break the cycle so why not let it be you.

This movie is one of the best in this genre,I think of it among with "Boys N the hood" and "Menace to society". It shows how hard it can be to grow up in a bad neighborhood,and how easy drugs and criminal life takes over.

SOuth Central was a gripping drama about a former gang member who has to decide between being a daddy and being a gangster. He rolls with the wrong crowd and gets caught up, BAD MOVE! NOt to spoil the film for those who haven't seen it I'll just leave it at that.

THe direction was fluid and well executed. S. Anderson brings the viewer into the scene and captures the moment with sheer brilliance. THe only two acting performances even worth mentioning were Glenn Plumber's and Byron Minns's. The supporting performances where sub-par but good writing rescued them from seeming cheezy.

I enjoyed South Central. It made my collection and I recommend it for yours.

BUggie

South Central (1992) is a movie I recently rewatched on HBOMax. The storyline follows a man that grew up thinking the gang life would be the life for him. Shortly after his son is born he is sent to jail for ten years where his gang affiliation protects him from other inmates. When he discovers his son has joined the gang he is part of and starts his own life of crime, the father reforms, drops out of the gang, and works to gain parole so he can get out of jail and hopefully save his son from the life he lived. This movie is directed by Stephen Milburn Anderson (Ca$h) and stars Glenn Plummer (City of Lies), Byron Minns (Black Dynamite), LaRita Shelby (Martin), Reginald T. Dorsey (Hill Street Blues) and Tim DeZarn (Fight Club). The storyline for this film is very well done and does a great job of developing the characters so that you genuinely care about what happens to them. The roots of the storyline and why people make decisions is well told. The prison dynamics are also well presented. I really enjoyed the messages and the scriptures used to mentally get the father where he needed to be. The film also does a great job of showing how the responsibilities of parenting changes your perspectives on life. The evolution of all the characters in this film over the ten years are a delight to see and this is a powerful film that is really well done. While not perfect, I still strongly recommend this gem and would score it an 8/10.