एक प्रेप स्कूल का छात्र, पैसों के कारण एक अंधे व्यक्ति की देखभाल करने के लिए राज़ी होता है. लेकिन उसे इस बात का अंदाज़ा नहीं होता की उस अंधे कर्नल का कुछ और ही मक्सद है.एक प्रेप स्कूल का छात्र, पैसों के कारण एक अंधे व्यक्ति की देखभाल करने के लिए राज़ी होता है. लेकिन उसे इस बात का अंदाज़ा नहीं होता की उस अंधे कर्नल का कुछ और ही मक्सद है.एक प्रेप स्कूल का छात्र, पैसों के कारण एक अंधे व्यक्ति की देखभाल करने के लिए राज़ी होता है. लेकिन उसे इस बात का अंदाज़ा नहीं होता की उस अंधे कर्नल का कुछ और ही मक्सद है.
- 1 ऑस्कर जीते
- 6 जीत और कुल 14 नामांकन
- George Willis, Jr.
- (as Philip S. Hoffman)
फ़ीचर्ड समीक्षाएं
The movie is about Pacino. His acting is grand, superb, majestic, heart-wrenching, deep, emotional, so forth. His portrayal of a blind man dangling in the rope of his life, is not only credible but immensely touching. We see directly, through his crystalline performance all of the pain that griefs on his character. Any other actor would have given a corny, over the top performance. Pacino is the Ace.
Chris O' Donnell gives also a fantastic performance, shy and unsure will start to understand Colonel Frank Slade in a short trip that will change their future lives. This movie is not Hollywood Rubish. Martin Brest directs a movie that hits no cheap feelings and floods on great emotions that immediately contact the viewer. You have to be rock solid to not be touched.
A masterpiece, one of the best studies on man's desperation, helped by wonderful performances and and a stirring, poignant script, with no wasted lines. You will raise goosebumps with scenes like the tango scene, you will laugh, you will cry, you will feel empathy, sorrow, anger. Isn't this movie the Holy Grail of Emotions.
Don't miss it. One of a kind.
My rating is somewhat higher than the surprisingly low IMDb user rating: a memorable and classic piece of serious cinema which puts Pacino into a very high category.
The movie itself is not, technically, great. Very good, but not great. The plot is quite predictable and driven via patented Hollywood devices. The courtroom climax contains one of Pacino's most powerful monologues. However, its outcome is melodramatic.
Personally, I thought the whole idea of Pacino being more perceptive of the world than any man or woman with perfect eyesight was far-fetched and sometimes more implausible than stunning. I'm sure there are blind men in the world who ARE in fact very perceptive to what goes on in the world, but few--if any--who can recall a whole history triggered simply by the sound of one's voice. How is he able to tell Chris O'Donnell has pimples? He's not handicapped by blindness; this guy has psychic powers! He doesn't need sight!
I do have to say that some of the most memorable lines come from this movie. Pacino says some original and wildly funny monologues involving subject matter I cannot discuss in this message. And of course there's the timeless quote: "Hoo ha!" Which later became a Pacino trademark.
"Scent of a Woman" is a somewhat flawed, but effective and entertaining film. It's a must-see for Pacino fans everywhere! It's not everyday you can catch a performance this powerful!
My score: 8 (out of 10)
क्या आपको पता है
- ट्रिवियाThe scene on the street where Lt. Colonel Slade falls over a garbage can was actually unplanned.
- गूफ़There appears a missing day in the timeline of the movie. Considering Frank and Charlie have Thanksgiving dinner on the actual day, the following day (Friday) is spent meeting Donna and spending the evening with the escort. The next day (Saturday) is spent driving the Ferrari and the climatic scene between Frank and Charlie. It's that evening that they're informed they missed their flight and drive up to New Hampshire, arriving moments before the meeting of the disciplinary committee on Monday morning, thus eliminating all of Sunday.
- भाव
[Charlie refused to come clean with the names of the students responsible for the prank; Mr. Trask is furious]
Mr. Trask: [furious] I am left with no real witness. Mr. Willis's testimony is not only vague, it is unsubstantiated. The substance I was looking for, Mr. Simms, was to come from you.
Charlie Simms: [remorseful] I'm sorry.
Mr. Trask: I'm sorry too, Mr. Simms, because you know what I am going to do. In as much as I can't punish Mr. Havemeyer, Mr. Potter, or Mr. Jameson, and I won't punish Mr. Willis. He's the only party to this incident who is still worthy of calling himself a Baird man. I'm going to recommend to the disciplinary committee that you be expelled. Mr. Simms, you are a cover-up artist and you are a liar.
Lt. Col. Frank Slade: But not a snitch.
Mr. Trask: Excuse me?
Lt. Col. Frank Slade: No, I don't think I will.
Mr. Trask: Mr. Slade...
Lt. Col. Frank Slade: This is such a crock of SHIT.
Mr. Trask: Please watch your language, Mr. Slade. You are in the Baird School, not a barracks. Mr Simms, I will give you one last opportunity to speak up.
Lt. Col. Frank Slade: Mr. Simms doesn't want it. He desn't need to labeled, "Still worthy of being a Baird man". What the hell is that? What is your motto here? "Boys, inform on your classmates, save your hide. Anything short of that, we're gonna burn you at the stake"? Well, gentlemen, when the shit hits the fan, some guys run and some guys stay. Here's Charlie facing the fire and there's George hiding in Big Daddy's pocket. And what are you doing? You're gonna reward George and destroy Charlie.
Mr. Trask: Are you finished, Mr. Slade?
Lt. Col. Frank Slade: No, I'm just gettin' warmed up. I don't know who went to this place, William Howard Taft, William Jennings Bryan, William Tell, whoever. Their spirit is dead, if they ever had one. It's gone. You're building a rat ship here. A vessel for seagoing snitches, and if you think you're preparing these minnows for manhood, you better think again, because I say you are killing the very spirit this institution proclaims it instills. What a sham. What kind of a show you guys are putting on here today? I mean, the only class in this act is sitting next to me, and I'm here to tell ya this boy's soul is intact. It's non-negotiable. You know how I know? Someone here, and I'm not gonna say who, offered to buy it. Only Charlie here wasn't selling.
Mr. Trask: Sir, you're out of order.
[Trask hits the gavel; Col. Slade stands up angry]
Lt. Col. Frank Slade: Out of order. I'll show YOU "out of order"! You don't know what "out of order" is, Mr. Trask. I'd show you, but I'm too old, I'm too tired, I'm too fucking blind. If I were the man I was five years ago, I'd take a...
Lt. Col. Frank Slade: [slams his cane on the desk, screaming] FLAMETHROWER to this place! Out of order? Who the hell do ya think you're talking to? I've been around, ya know? There was a time I could see. And I have seen. Boys like these, younger than these. Their arms torn out, their legs ripped off. But there is nothing like the sight of an amputated spirit. There's no prostetic for that. You think you're merely sending this splendid foot solder back home to Oregon with tail between his legs, but I say you are executing his SOUL! And why? Because he's not a Baird man. Baird men. You hurt this boy, you're gonna be Baird bums, the lot of ya. And Harry, Jimmy, Trent, wherever you are, fuck you too!
[the student body and the committee are in shock as Trask's anger is further aggravated]
Mr. Trask: [yells; hits the gavel three times] Stand down, Mr. Slade!
Lt. Col. Frank Slade: I'm not finished! As I came in here, I heard those words, "Cradle of Leadership". Well, when the bough breaks, the cradle will fall. And it has fallen here. It has fallen. Makers of men, Creators of leaders. Be careful what kind of leaders you're producing here. I don't know if Charlie's silence here today is right or wrong. I'm not a judge or jury, but I can tell you this: He won't sell anybody out to buy his future! And that, my friends, is called integrity. That's called courage. Now that's the stuff leaders should be made of. Now I have come to the crossroads in my life. I always knew what the right path was. Without exception, I knew. But I never took it. You know why? It was too damn hard. Now here's Charlie. He's come to the crossroads. He has chosen a path. It's the right path. It's a path made of principle that leads to character. Let him continue on his journey. You hold this boy's future in your hands, committee. It's a valuable future. Believe me. Don't destroy it. Protect it. Embrace it. It's gonna make you proud one day, I promise you.
- इसके अलावा अन्य वर्जनThe heavily edited network TV version was disowned by director Martin Brest, and credits "Allen Smithee" as director.
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Perfume de mujer
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $3,10,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,30,95,253
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,57,468
- 27 दिस॰ 1992
- दुनिया भर में सकल
- $13,40,95,253
- चलने की अवधि2 घंटे 36 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1