Rain Without Thunder

Firstly in 1992, when this film was made, and today, the US has and does give MORE rights to women when it comes to abortion than Sweden does. Yet this bizarre film has the protagonist going to Sweden to get an abortion.

Newsflash: in Europe people LEAVE Sweden to get abortions. today and for decades in Sweden after 18 weeks women cannot have an "at will" abortion, there must be a threat to the woman's health. In the US the average is 20-22 weeks.

This movie could have been an interesting look at the abortion debate, however what you get is a one-sided movie that is meant to provoke paranoia.

The movie over-indulges in perhaps one of my biggest pet peeves -- instead of letting me decide how I feel about a character and their views, it telegraphs what I'm supposed to feel, which is okay when characters are given dimension, however these characters are all pretty one-sided -- the pro-choice characters are portrayed as good but victimized people, while the pro-life side is portrayed as ominous, evil, vindictive and manipulative. No dimensions, no shades of gray, just black and white, pro-choice good and pro-life bad.

Let me add one caveat, I am not pro-life and my feelings on this movie are not based on my feelings about abortion. I would have felt the same if the movie had reversed the roles and made the pro-choice people "evil", much like you see on TBN or the like...

As a disclaimer, I should note that I am a friend of the director, who, by the way, is a wonderful person and very fun to work with. His film, however, has it's issues. The soundtrack is really terrible, and the all-interview, talking-heads format is limiting. These things, however, are obviously the result of a very small budget, not just bad filmmaking. The story was what impressed me, specifically the way Bennett describes the series of small changes in the political and religious arenas that could very plausibly lead to a reversal of Roe v. Wade. Unfortunately the film was released right after Clinton was elected, and people were feeling very comfortable and safe under a new, liberal administration. I think the purpose of _Rain Without Thunder_ is not "preach to the choir" but rather to keep the choir from growing complacent. And even if you're unimpressed with the plot, it's lots of fun to spot now-stars like Ming-Na and Steve Zahn (not to mention that woman from the Nicorette ads).

In the year 2042 a young college student is arrested with her mother under a new law charging them with 'fetal kidnapping', after flying to Sweden to terminate the girl's pregnancy. The set up might suggest nothing more than a thinly veiled pro-choice propaganda lecture, but the remarkably even-handed approach to a volatile subject helps make it one of the more provocative dramas in quite a while. First-time writer director Gary Bennett set himself a demanding task by designing the film to look like a documentary-in-progress, with the issues set forth through candid interviews with family, friends, lawyers, legislators, and so forth. The challenge was to write talking-head monologues that had to sound unscripted, and direct a cast of recognizable faces to look as unrehearsed as possible. The ominous music cues don't suit the mock-documentary format, and some of the pro-life fundamentalists are a little too unspeakably inhuman, but for the most part the film is a fascinating blend of science fiction with social fact, offering a compelling speculation into an all-too plausible near-future scenario.

RAIN WITHOUT THUNDER (dir. Gary Bennett) The title of the film refers to a quote by Frederick Douglass in which he postulates that to retain freedom without a certain degree of vigilance is like 'rain without thunder'. The Abortion Dilemma is the controversial subject of this rather stolid film. The movie is set in the year 2042, and employs an interview structure in which various 'talking heads' are given time to explore their points of view, and there is no 'action' in the usual sense of the term. We learn through the interviews that in this future, Women's Rights have been seriously eroded, and a tenacious female district attorney is able to apply a new law which allows the mother to be prosecuted for 'kidnapping' the fetus after she has obtained an abortion. However, It would seem to me that if Abortion was so aberrant in this future time, then it would be treated as 'Murder', and the mother would be tried and executed for a capital crime. Although the film touches on numerous interesting points, the lame presentation makes the film almost painful to watch.