Shadowchaser

A diabolical mashup of the above films, almost totally without merit. Meg Foster and Joss Ackland do their best with the clichéd script, but even they can't save this movie. Kove is not much cop as a leading man, and Frank Zag makes for a lousy Arnie impersonator.

In the near future, a top secret project named Shadowchaser is started to develop a robotic killing machine, named Romulus after the mythical founder of Rome. What the scientists forgot when they activate the robot was that it had no sense of loyalty and it killed them and escaped. A little later a terrorist group storms a city hospital and holds the upper floors hostage. One of these hostages includes the President's daughter. The FBI come in but realise that they need some help so they bring the architect, Dickson, out of deep freeze to help them storm the building. The only problem is that they defrost the wrong person, namely a football player name DeSilva.

This movie is a good action packed movie in the same style as Die Hard. The difference is that Die Hard was full of huge explosions while this movie is just one huge machine gun fight through a hospital. Don't expect much character development in this movie, but I don't think there is anything wrong with running machine gun fights. This movie never made the cinemas in Australia (and it looks like it is a straight to video release in the states), but that doesn't mean that the movie is bad. I quite enjoyed this movie, though the acting is bad in parts and the actors are unknown (not that there is anything wrong with that). This movie is not even mentioned in the Microsoft Cinemania 97, but I think it is a little gem.

The ideas in the movie are seen elsewhere but they seem to emphasise the point rather than to be a blatant cliché. The prison of the future being a deep freeze is seen in Demolition Man but the movie looks more at its merits rather than attacking it as Demolition Man does. The only comment that DeSilva makes is "when you are facing years in deep freeze and somebody releases you and asks you if you are such and such, what are you going to do, say 'sorry, you have the wrong guy, I'll just go back into deep freeze." He really does have a point there. He is looking out for number one, and honestly, I don't know anybody who would not do the same. He has been given a chance of redemption and he takes it.

The human desire for power coming back at them is another idea that comes out. Like Aliens and Terminator II, and other movies, Project Shadowchaser has humanity creating a devastating weapon only to have it turn on them. When it does they are absolutely helpless. Romulus shows us what we are really like inside and can be seen as a caricature of humanity. He was created and turned on his creators. Same with us. God created us and we turned on him, and like Romulus, our Creator is not too happy about this. Romulus says that he wants freedom, and we claim the same thing, but what is freedom and does it really exist? Romulus is a logical robot who probably does not understand what freedom really is, and even if he escapes his creators, who would have provided for him, he is still a slave to his logic, just as well are slaves to our sin.

Redemption also comes through this movie. DeSilva has committed a crime and is sentenced for this crime, but he sees a chance of redemption and seizes it. Not only does he seize his redemption, but he makes friends with the president's daughter and by saving her he is pardoned by the president. This is so much like God. He has given us an opportunity for redemption and he sacrificed his son for us, and we have the opportunity of befriending him as DeSilva befriends the President's daughter. Like her, Jesus will intercede on our behalf.

I like this movie. It is full of action and all you action freaks will probably like it as well. The villain is tough and comes out as a mixture of Die Hard and Terminator and I think it comes out quite well.

So you take a slice of "Die Hard" and mix it with "Blade Runner", add a dash of "Demolition Man" and "The Terminator" and stir. Since all of the above movies did decently at the box office one can only expect that a combination of those movies can only create a mega-awesome, super-movie that surpasses all of them in every possible way, right? Well, no. It's an OK time-waster, though, and a fair enough effort overall. Actually, it does a pretty good job in the first part but gets increasingly stupid towards the end. At one point the evil cyborg is chasing the good guys and it is just blazing away with his fully automatic assault rifle, shooting at NOTHING. How many rounds fit on one of those clips? You think the robot's actually dead after falling down the elevator shaft? Hyuk, hyuk, gosh, no, he's still movin'! And you don't suppose he's gonna jump out again for one last grab at the good guys after he's been set on fire? No way, man! Same slop, different movie, but the budget is OK for something of this caliber and I've seen worse.

Appearing at the height of the director's popularity, thanks to the inescapable, if short-lived, "surrealist action" phenomenon, Project: Shadowcaster (also know as Shadowcaster) is also the most stereotypically Eyres-ish of John Eyres's films, filled with state of the art special effects, surreal environments, complex characters, and oblique commentary on American life (we wouldn't expect any less!). As such, it will leave some viewers raving, others scratching their noodle in frustration. Staring the Martin Kove as Desilva a thawed out football player in an Orwellian American future should be enough to buy ten copies of this rare piece of art history. If Kove and Eyres isn't enough, keep in mind that Kove experimented with sensory deprivation meditations and self-controlled brainwashing techniques pioneered by the church of Scientology in addition to spending weeks along side Dan Marino to prepare for the role of Desilva. Shadowcaster takes "surreal action" to the next level and redefines the word "touchdown!"

In Project: Shadowchaser, we find ourselves in a rather brazen Die Hard rip-off with accidental hero Martin Kove (Cobra Kai).

Everything takes place almost originally in the Naka... ok, some skyscraper. Odd terrorists who just want to extort money take hostages. But that's not all, there's also a good pinch of Terminator and Escape from L. A., because a runaway killer android as the villain and a president's daughter among the hostages are also included in the script.

The ludicrous plan to rescue the First Daughter and neutralize the cyborg: get the architect of the skyscraper out of jail and send him in. Huh? And the government even fails and sends the wrong guy in. Oops.

The "hero" doesn't do a bad job at all and climbs dutifully through umpteen John McClane memorial ventilation shafts. Sigh. But even he can't save the bad script and formulaic production.