Neon City

I'm pretty apathetic towards this film and don't like or dislike it. It has good cinematography and decent direction. It's just that the script is...eccentric. And the times when it tries for comedy are very tedious. The action scenes are boring, and...well, this is an example of a flick that is average in every sense of the word. Ironside is excellent.

Neon City (1991) is a movie I recently watched on Tubi. The storyline follows a not too distant future where the sun has scorched the Earth leaving small pockets of inhabitable land. A group of survivors try to make their way across a Baron waste land to a metropolis known as Neon City where they hope to start a new life. This movie is directed by Monte Markham (We Are Still Here) and stars Michael Ironside (Total Recall), Vanity (The Last Dragon), Lyle Alzado (Destroyer) and Valerie Wildman (Salvador). The storyline, look, feel, props and weapons all have a super strong Mad Max feel to it. The vehicles scenes as well as the shootouts were awesome...the hand-to-hand combat scenes, not so much. Ironside is awesome as the main character and I love his demeanor and constant sternness. The final action scene and shootout across the snow wasteland is awesome and has a classic 80s/90s action feel to it. Overall this is far from perfect but entertaining if you enjoyed Mad Max. I'd score this a solid 7/10.

The plot: A bounty hunter joins a group of travelers seeking sanctuary at Neon City, a city deep in the dangerous, post-apocalyptic wastelands.

Neon City is obviously a big rip-off of Mad Max, but it also takes equal influence from old Westerns. Despite that, I still love this movie. Maybe it's the fact that Michael Ironside stars as a good guy, a rare role for this badass actor. Maybe it's because it rips off some amazingly awesome movies, and it reminds me of them constantly. Maybe it's because it was part of my college years, and I just couldn't get enough of these cheesy, late 80s/early 90s post-apocalyptic Mad Max ripoffs. Maybe it was because this is actually a pretty decent movie underneath the layers of "homage". I've always thought that this forgotten B movie could have been a cult classic if only it had gotten a little bit more attention.

If you're expecting a big budget, amazing sets, famous A-list actors, mind-blowing special effects, and an original plot, then, yeah, you'll be very disappointed. However, if you're a fan of B movies, then you'll probably have no problem overlooking the faults.

Michael Ironside plays the post-apocalyptic version of John Wayne in this low-budget, cheesy yet likable futuristic take on John Ford's classic STAGECOACH. Ironside leads a group of passengers aboard a transport vehicle through dangerous wasteland territory, having to contend with mutants, road warriors, and even each other, on their way to safety at Neon City. Most MAD MAX warriors-of-the-wasteland stories are basically westerns, so why not rip off from the best? THE ROAD WARRIOR was basically a remake of SHANE. Joining Ironside aboard his transport are a prisoner (Vanity, remember her?), a fish-out-of-water rich girl (Juliet Landau in her first film), a would-be comedian (Richard Sanders, AKA Les Nesmann from WKRP), and football player turned actor Lyle Alzado in his final film appearance before dying of complications from steroid use. The film was directed by character actor Monte Markham, who also appears in the film, and he handles the action quite well. That and Ironside do a good job of carrying a what's only a passable script, and make it worth watching for fans of these sorts of films. Also, shooting the film in a wintry, snowy setting rather than a sweltering desert was rather novel compared to most films from this genre. Overall, if you dig cheesy post-apocalyptic movies of the 80s and early 90s, you'll likely enjoy this one, even if it's far from a classic.

AI CAPSULE REVIEW: Neon City is a snowy, post-apocalyptic Stagecoach riff that coasts on Michael Ironside's gruff charisma and a fun B-movie ensemble. It's cheesy and derivative, but fans of early '90s wasteland flicks will find enough charm to make the ride worthwhile.

When I hear, or think of actor Michael Ironside. I'm so use to him in a genre film of this ilk playing the hissable bad guy/henchman, in one shape or another, so it was a nice change of pace to see him at the opposite end of the spectrum. His gruff, tough as nails anti-hero performance, ex-ranger turned bounty hunter, makes it worthwhile, as the straight-to-video "NEON CITY" is virtually unspectacular, yet a durable and smoky post apocalyptic low-budget action fare.

The story had its running themes, but for most part it keeps it simple and traditional in structure, like a western (that sees a small group of people travelling by vehicle through the harsh wasteland of erratic weather extremes and ravaging ozone affected nomads to reach their destination; "Neon City"), and something of a "MAD MAX" imitation.

Maybe it plods a bit after the hour mark; the humor can be dopey (a comic relief character that's virtually a standup comedian who does illegal business on the side) and the journey a little too low-scale at times, especially on the action front. But what we do get provides the rough and tumble, when it counts, even moments of slow-mo (showering), solar/sandstorms, cue in that synth, gushing blood and a little laser activity. All of this leading to a random, but amusingly over-the-top standoff, where Ironside doesn't want to disappoint. Also alongside him is Vanity as his feisty prisoner.