Nails

Nails is one of those movies that since it's made for TV, then no one can see how bad two big stars can be. Dennis Hopper and Anne Archer should have known better. Hopper was in a pre-Speed slump and had I seen this stinker first, then I would've never seen Speed (What a mistake that would've been). I was suprised at the level of violence and language used in this movie. Never would I have believed that it could've made it to TV like this.

+ (GOOD THINGS) 1.) The car chases 2.) The opening credits

• (BAD THINGS) 1.) The sets (ugh!) 2.) Hopper's performance 3.) The script 4.) The direction 5.) Archer's performance

Total: 2/10

Deplorable this property has yet to be properly telecined (w exception of long out-of-circulation German DVD); still only accessible via used VHS cassette tapes. Infinitely better than Striking Distance (1993) or Boiling Point (1993). Nails is director John Flynn's Vice Squad (1982).

Fantastic casting; everyone steps up here - with Hopper eclipsing his crazy-mad Texas Chainsaw Massacre II (1986) performance. The narrative is not without its flaws and could have benefitted with an additional 12 - 20 minutes breathing room. Nails is still easily one of the best renegade cop flicks of the 90s, alongside China O'Brien (1990) imho.

In the post-The Wire world we now dwell in, we are forced to look upon the action/cop thrillers of the 1980's and early 1990's with somewhat fresh eyes. We now understand how a city is run, and how bureaucracy and politics can stand in the way of, say, the police force, getting their job done. No longer can a leather-jacketed, cocktail-stick chewing cop- on-the-edge cast aside the need of a search warrant and simply kick the door down. It used to be that as long as he drags out his man either in cuffs or in a body bag, and saves the girl, nobody will care about his disregard for the law, and if they don't, I quote Rambo, "f**k 'em!". But the enlightenment set by The Wire causes something like Nails, a made-for-TV, obscure little title probably forgotten by whoever has actually seen it, to fall from 'terrible' or 'run-of-the-mill', to 'outright laughable' due to it's complete lack of procedural logic and sense.

'Good cop with a bad attitude' Harry 'Nails' Niles (Dennis Hopper) and his partner Jack (Earl Billings) are lured into a trap by some gangsters, leaving Jack dead and Harry mourning. Getting no help from his police department, of which none attend Jack's funeral, Harry decides to use his street know-how to scour the criminal underworld of L.A. in search of vengeance. He discovers a dirty trail full of conspiracy and possible police cover-up that seems to lead all the way up to rich slumlord Noah Owens (Keith David), who is helping fund a Senator's campaign run. Battling alcoholism and a very bad temper, he must also try and win back his estranged ex-wife Mary (Anne Archer) before the gangsters get to her too.

I would probably have never even been aware of this film's existence had it not been for the poster in some cinema magazine or other back in 1992. My brother and I remembered it due to the hilarious title and equally hilarious tagline, so the temptation to actually go ahead and watch this proved too much. It's not quite as bad as I was expecting, given Hopper's energetic, but hardly convincing, performance at least managing to keep me half-interested. Common in early 90's movies, the technical aspects of the film are dreadful, and the action scenes are dull, with a few car chases and machine gun fights scattered throughout. It's so full of plot holes and weird narrative twists (Harry is paying his ex-wife, who is an important member of the Senator's campaign trail, for sex) that is best experienced on full mental shut-down, or else you're in danger of throwing things at the screen. Befitting of its obscurity, and a reminder of how bad the 90's really were.

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In Rebel Without A Cause, Easy Rider, Apocalypse Now, Blue Velvet and River's Edge, Dennis Hopper took us to the edge, this time he pushes us over! This man is an amazing actor who brings his trademark intensity to this film. He makes Dirty Harry look like a wimp! This film is a high wire through hell from start to finish and Hopper's performance is what does it. Anne Archer gives a great performance as his long suffering wife and the two have amazing chemistry. One thing that you have to say about Dennis Hopper, he is never boring and always delivers!

Nails is one of those good b film's, you pass in the video shop, and not give it a fair hearing. At the advice of my half brother, I decided to rent this very good actioner, made by a director, whose films I really like, Rolling Thunder being a favorite of mine. In this wild cop tale, kick arse cop, Hopper, who like Devane, or more so Seagal, is on a trail of hot revenge. In a double hit, half gone right, thanks to Hopper's survival, where him and his late partner (Earl Billings- One False Move) are set up, a maddened Hopper vows revenge, against his slain partner, and it's his character which is beautifully and excitingly delivered, that makes this film fun. By the way he acts, it's hard to believe that he actually is a cop. Harry Niles, (Hopper) is a loose cannon, but you love em' none the less. His older veteran partner/best friend (Milan) is a Mexican food lover, like me, where I got hungry watching him eat all the type. Some actors who show up in the film, you aren't surprised to see, or to see why they were cast. Political ties are brought into the story too, bigger bad asses, higher up. Though Cliff De Young, a corrupt campaigner, didn't really do anything for me here, his idol, Keith David an ex con who's now being elected mayor was much more effective, his nasty angrily smiling, sitting profile, a haunting shot etched in my mind. where especially, in a film like this, you wouldn't expect an open ending, where there's a lot more unfinished business between Hopper and him. Hopper's wife's (Archer) life is made very difficult, as unfortunately she works (you guessed it?) for De Young and cronies. With a cool upbeat soundtrack in the end credits, Nail's is not a badly formulated movie, although it's not without faults. It's kind of smart in bits too, the ambush in the opening, for starters, but congrats really go to Hopper, for forming just a exciting, entertaining, laughable and likable character, not the first movie, where he's acted like a kid, the revenge potboiler Boiling Point, was another one that sprung to mind. His partner, Milan is another asset. Watch for a younger John Hawkes, in a small but memorably great role, as antique thief, where Hopper busts up the joint, declaring, how he loves animals to people. It'd be great in reality, if they're were more Harry Nile's in the world. Things would get done more properly.