A Murderous Affair: The Carolyn Warmus Story

I disliked this 1992 melodrama for its writing, direction and performances by almost everyone in the cast. I'm not a Virginia Madsen fan, what else has she done, and this movie is an example of her work. First of all she should stop trying to be a Sharon Stone imitation, for Stone certainly has more appeal in the looks department. And she should learn to act, other than gyrating and posturing all over the place. Her entrance in the tennis outfit had to be a joke, right? Then we have an equally bad performance from Chris Sarandon, who plays a better vampire, as a weakling of a husband who doesn't seem to have any guts at all. He whines and cries throughout the film. I had wished the dame had knocked him off instead, he was that annoying. Two redeeming factors however remain in the film. William H. Macy, who I usually don't like, does well as the prosecuting attorney and Herb Mitchell, as the Judge at the trial, was excellent. I cheered when he told the dame to shut up and sit down in court. This is a bad bad movie and a waste of time, believe me.

They really need to make zero stars an option! Everything about this movie is a zero! Anything someone might consider ok about this is ruined by the bad acting and the ridiculous smoky haze. I was disappointed and surprised at how bad Chris Sarandon's acting was. I liked him in "Fright Night". The look on his face when he looked at his hands with all the blood on them was one of the absolute worst acting scenes ever....ever!

Virginia Madsen was the wrong choice for this film, but a good actress would have known to pass it over. This is one of those movies that could damage an actor's career . There is nothing than could have saved it.

***I strongly suggest you do not waste your time watching this if you haven't seen it. Only recommend this movie to someone you want to punish.*** I'm trying to think what could have made it better but it is so bad that it should have never been done in the first place. The next time I start a movie and realize early on it is terrible, I'm going to stop watching and save myself from wasting the time on it. I strongly suggest you do the same. Anyone who gave this movie 3 or more stars was just being nice.

The case of Carolyn Warmus, a beautiful teacher who was accused of murdering the wife of her boyfriend, a co-worker, resulted in a three-year, two-trial case. In fact, Warmus maintains her innocence to this day, and there were some weaknesses in the prosecution's case. But none of this gets noticed. Virginia Madsen gives a respectable performance as Warmus, but the script is of the tabloid trash variety. The scene where she comes on to him is so ludicrous, it would embarrass a first-time screenwriter. I didn't watch the whole film, it was so dull. In fact, even though it was based on a real life case, it plays like fourth-rate crime fiction. All one can do after watching this is to wonder what really happened. Too bad.

Director Martin Davidson has to be congratulated for being one of the few who has made Virginia Madsen look bad, and for presenting a story supposedly centred on a true life woman, with frustrating ambiguity and a general lack of skill.

Madsen plays Carolyn Warmus, a Greenville Springs New York school teacher who is accused of the murder of Betty Jean Solomon (Lenore Kasdorf), the wife of her lover and fellow school teacher Paul Solomon (Chris Sarandon).

The teleplay makes Paul the prime suspect until the narrative skips to Carolyn's stalking of him once he stops seeing her after Betty Jean is killed. Making Paul a womaniser is an interesting plot development, however writers Earl & Pamela Wallace and Davidson never add enough depth or characterisation to Carolyn to suggest that she is the murderer she goes on trial for being. Flashback memory is used clumsily in response to police interrogation of various people for the backstory, and the touches of Carolyn's relationship with her father in a pre-credit sequence and via his appearance at her 2nd trial are slight. This seeming unmotivated entrapment of Carolyn by the police is also highlighted by their insensitive ridicule of her during a search of her home. Paul is given a speech to Carolyn's defence attorney that no judge would ordinarily allow, and Betty Jean is shown to sleep whilst a war movie plays loudly on her television.

Matters aren't helped by Davidson's plodding direction, and cliched use of black & white, slow motion, tilted camera, lighting for flashbacks, and the overuse of saxophone to represent Carolyn's sexuality. Although he does use an interesting stylisation for Carolyn's hearing pleas and sentencing, otherwise Davidson paints her in the broadest possible strokes, where Madsen overplays being a femme fatale, and is particularly ridiculous in a montage of her being photographed. She only manages subtlety when looking at herself in the mirror on 2 occasions, where her sultriness is not forced, in a scene of anger and in some of her silent reactions at the trial. Davidson also strangely provides a lot of footage of Sarandon's bare and sweaty torso, though once works against an expectation, as the water splash from a pool where he sunbakes comes from a fat lady.

This film was made in the early 90's and it seems that was a time (before reality TV glutted the market) and when subject matter was scarce, so audiences were treated with "ripped from the headlines" type Lifetime movies. Some were okay, some not. A few (though not many) were memorable.

This falls into the forgettable category. Virginia Madsen is worth watching, although the little "get-up" costumes she wears are blatantly obvious and one-dimensional. Surely the director must know of other ways to portray a flirtatious and narcissistic woman other than the little tennis dress and obsession with stuffed animals - silly.

Chris Sarandon is in a thankless role, Lenore Kasdorf as the executed wife. Basically the story does not reveal Warmus' motives, (other than the flat notion that she was jealous). A tired idea, unless the audience is shown WHY she is the way she is; perhaps it was based in childhood?. There is a brief clip of Warmus' childhood, but no depth, no inference. We do not care about the characters.

By the time we get to the courtroom scene, we have lost interest. William H. Macy as prosecutor does nothing to redeem the film. This film with the material, could have been interesting. First we need to care about the characters. Many films may not be masterpieces but if we CARE about the outcome, the story becomes worthwhile. Not so in this case.