Minbô no onna

This is one of those movies where it's hard to talk about without bringing up a real-life tragic event linked to it, as the death of Juzo Itami is said to have been related to his films about the yakuza. They either didn't like being made fun of in this film, or wanted to stop him from making another film about their organization; maybe both.

I don't think this is quite as strong/funny/moving as either Supermarket Woman or The Funeral, which are my favorites from Itami, but it was still very good overall. There are some decent laughs to be had, the plot is mostly interesting (drags a little here and there, though), and I think when it gets a little more serious in its final act, it's still compelling. It might not be an essential Juzo Itami film, but it's a worthy watch for anyone who's enjoyed any of his other films.

This is a very fine movie, definitely worth seeing, but as much as being a good film, it tells Japanese that they can stand up and act for themselves. The Yakuza have been successful at intimidation because of the Japanese propensity to feel that something is "shikata ga nai", or there's nothing they can do about it. This movie has a final scene that shows people standing up in the face of very real threats to their safety. This is not so unusual in an American movie because, for all our collective faults, there is usually someone here who will not put up with injustice and will do something heroic to change it. This is still highly unusual in Japan, and the fact that Itami Juzo made this movie and then suffered a knife attack by Yakuza for doing so, will hopefully produce a few more heroes there.

I have been so happy and satisfied to watch that Itami's movie. I have seen so many yakuza films, from the best contemporary directors of the gender (Fukasaku, Kitano, Miike), but maybe this is the first time I had the feeling of watching a real approach to yakuza's reality. Many books and studies on Japanese cinema says that the so famous Fukasaku's "Battles Without and Humanity" gives a more real image of what yakuza is, where traditional gentlemen behaviors are substituted by more rude and bloody ones. And it's true, but anyway Fukasaku's films still provided a very unreal image of Japanese gangsters, who spread their deaths in thousands of litres of blood. Itami's "Minbo no onna" goes further and shows reality, the dark reality that yakuza does not want to be known (and because of it, Itami was attacked by some yakuza members). This movie shows us that yakuza is not another dimension of Japanese society, but it is actually a dangerous and active part of it. "Minbo no onna" is a very iconoclastic film too, because it definitely breaks the romantic image of the Japanese criminal societies and shows all their bad points: cowardice, lack of honor (they just appear to be interested on it, but they actually have no honor), pure interest on money... 100% reality. Not to be missed.

As other reviewers have pointed out, Itami was stabbed by Yakuza after the release of this film. The reason: They felt it too realistic. I suppose they feared that if the public were to find out their "secret" methods of intimidation were just a bunch of hot air, so to speak, it would soften their scare.

And so when you watch this brilliant and dynamic piece of filmmaking, remember that for as outlandish as the characters and situations may come across on screen--as "over-the-top" as it may seem--there was enough realism in the portrayal of the Yakuza mindset to ruffle a lot of feathers.

Think about the fact that there are hundreds of Yakuza movies out there and that this one was the one to stir up outright violence. It's like a Japanese "Colors"; maybe not the most realistic film, but rather a representation that captures a certain animal instinct in some people--like bottled react juice.

Itami continued to provide strong roles for women in this film. And while I agree that this film is not as "wacky" as some of his others, it has just the right combination of farce and graveness to make it a gem.

Great movie, great director. 9/10

Like many of Itami's comedies the plot is simple, fun, and interesting. If you have ever lived in Japan, you can relate to the characters, and if you haven't you can just enjoy the immersion. The Yakuza were, and remain, an unpleasant side of Japanese everyday life. This movie gives hope to those who have been intimidated by this profession. In this story Miss Inoue, a lawyer specializing in Yakuza extortion practices teaches a group of hotel employees how to better protect their hotel's future interests. This results in lots of laughs and a few tense moments. Itami is a master. Try "Tampopo" for something a bit more off kilter. Overall I give it 8 out of 10.