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Un lugar en el mundo

  • 1992
  • PG
  • 2 घं
IMDb रेटिंग
7.7/10
2.9 हज़ार
आपकी रेटिंग
Federico Luppi and José Sacristán in Un lugar en el mundo (1992)
ड्रामा

अपनी भाषा में प्लॉट जोड़ेंMario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a ... सभी पढ़ेंMario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Span... सभी पढ़ेंMario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a clinic with Nelda, a progressive nun. Into this idealistic family comes Hans, a jaded Spanish geological engineer -- surveying the land for the local patron, to see if it can be da... सभी पढ़ें

  • निर्देशक
    • Adolfo Aristarain
  • लेखक
    • Adolfo Aristarain
    • Alberto Lecchi
    • Kathy Saavedra
  • स्टार
    • José Sacristán
    • Federico Luppi
    • Leonor Benedetto
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.7/10
    2.9 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Adolfo Aristarain
    • लेखक
      • Adolfo Aristarain
      • Alberto Lecchi
      • Kathy Saavedra
    • स्टार
      • José Sacristán
      • Federico Luppi
      • Leonor Benedetto
    • 7यूज़र समीक्षाएं
    • 4आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • 16 जीत और कुल 7 नामांकन

    फ़ोटो4

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें

    टॉप कलाकार28

    बदलाव करें
    José Sacristán
    José Sacristán
    • Hans
    Federico Luppi
    Federico Luppi
    • Mario
    Leonor Benedetto
    Leonor Benedetto
    • Nelda
    Cecilia Roth
    Cecilia Roth
    • Ana
    Rodolfo Ranni
    Rodolfo Ranni
    • Andrada
    Hugo Arana
    Hugo Arana
    • Zamora
    Gaston Batyi
    • Ernesto
    Lorena del Río
    • Luciana
    Mario Alarcón
    Mario Alarcón
    • Juan
    Juan José Ghisalberti
    • Don Gregorio
    Hugo Pertoni
    • Hombre 1
    Eduardo Arias
    • Hombre 2
    Roberto Rizotti
    • Cura
    Marcos Woinsky
    Marcos Woinsky
    • Locutor Marcos Woinsky
    Santiago Chade
    • Maquinista tren
    Arturo Fernandez
    • Jefe estación
    Esther Guevara
    • Monja
    José Vieira
    • Vallejo
    • (as José F. Vieira)
    • निर्देशक
      • Adolfo Aristarain
    • लेखक
      • Adolfo Aristarain
      • Alberto Lecchi
      • Kathy Saavedra
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं7

    7.72.9K
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    10

    फ़ीचर्ड समीक्षाएं

    9ElianaM

    Undoubtedly, one of the best Argentine films ever

    I think, and most Latin American critics agree, that A PLACE IN THE WORLD runs neck and neck with the Oscar winning OFFICIAL STORY as Argentina's greatest movie ever. This movie shows the maturity that Argentine cinema began to reach after the mid 80's Oscar winner, mentioned above. The wounds left in Argentina by the events depicted in THE OFFICIAL STORY are still there. They are in fact a central theme of this film, which shows vivid signs of these scars beginning to heal. The film also brings Cecilia Roth back from exile (in real life as well as in the film), and cements her partnership with Federico Luppi as the 90's equivalent of Norma Aleandro and Hector Alterio, who were the couple of the 70's and 80's. In fact, Roth and Luppi and this film's director went on to collaborate on another landmark Argentine film of the 90's (MARTIN HACHE), and Roth and Luppi have continued to appear on the screen together since. This film may be their greatest collaboration, but their acting is not the only reason to see this film. Life in the interior of Argentina's provinces was never so well portrayed and explored. And challenges that Argentina and indeed, all Latin American countries face are well addressed. A must see.
    8runamokprods

    Intelligent, emotional drama

    Interesting, thoughtful mix of two genres – a coming of age film that's sweet, nice, (if occasionally a touch sappy), and a deeply moving, complex political morality play about the price one pays for trying to live by one's ideals.

    Two leftists, almost killed by the Argentine generals, raise their son in the backwoods, trying to help organize the people there against the local land baron.

    Into their lives comes a charismatic, sympathetic, but cynical geologist, unhappily working for the land owner, but unable to buy into his new friends' idealism, leading to all sorts of emotional and plot complexities.

    I'd like to re-see this, and I could imagine rating it even higher, but the over the top score, and few more clichéd elements stopped me from really flipping out for it, while still finding it a solid, strong, thought-proving film.
    10FilmCriticLalitRao

    Argentinian director Adolfo Aristarain has created a world cinema 'masterpiece' by making "A place in the world".

    It is not so often that one comes across a film whose every frame, every scene is magnificent. As it speaks about ordinary people with extraordinary will power to change things, Argentinian director Adolfo Aristarain's "A place in the world" can be considered a masterpiece as it is a film made with utmost honesty. The theme of good versus bad is handled by a luminary of talented actors namely Federico Luppi, Cecilia Roth and Jose Sacristan. They play roles of strong characters who have the ability to remain apolitical while harboring implicit political ideologies. Apart from some shots of urban locations, the entire film has been shot in a small but picturesque location. The notion of honesty is disappearing fast in modern times but this film shows its usefulness by showing how a young boy returns an important sum of money received as tip merely for not having earned it. The greatest reason why one should watch this film is that Adolfo Aristarain illustrates how a man's place in the world would be made only when men stop exploiting other men for their selfish motives.
    8planktonrules

    A quiet little film about the rights of the common people.

    Up until the 1980s, films from Argentina were heavily censored by their rightist government and films critical of the system were unheard of in this country. However, when this government fell, many films critical of this old system began to proliferate and the most famous of these internationally was "The Official Story"--which won the Oscar for Best Foreign Language Film. "A Place in the World" debuted a few years later but was not submitted by the Argentines for this award--and so the filmmakers tried submitting it was a Uruguayan film! Later, the film was disqualified, since it WAS from Argentina and was about the country--a very odd footnote, as it's only one of two films every removed from consideration after submitted to the Academy.

    When you watch "A Place in the World", you might not see that the message is political--and it's not nearly as obvious as in "The Official Story". Instead of being directly critical of the federal government, the film is a socialist commentary about the abuse of the landlords and the need for the common men to work together to receive equality. In this case, a jerk rich guy is intent on buying up all the farmers' wool at HIS price...or else. However, when a German geologist arrives in town, the local agitator (the school teacher) is encouraged to fight back for what is right. At the same time, the story of a sympathetic nun is a metaphor for the traditional relationship between the church and state in the land. The story is told as a flashback from the teacher's teenage son's point of view and unfolds slowly and beautifully. The acting is nice but the direction is the star to me. Well worth seeing.
    9ex-x-treme

    A jewel

    I got to see this movie by chance after reading an interview to Cecilia Roth in La Nacion online newspaper. When asked for her favorite film, she mentioned "Un Lugar en el Mundo". This movie, as suggested in many places, it's as good (or better) as "La Historia Oficial", which is one of the best Argentine movies ever. Personally, I liked this one more. It's a very warm movie about the the relationships of the characters between themselves and with the place they inhabit. Certainly, the place to shoot it was chosen wisely. Argentinian pampa and Patagonia desert have a special appeal, very difficult to describe unless you visit them, some kind of special magic. The movie depicts also the strong gravitational effect that the Catholic Church has in Argentinian culture, mostly in the countryside. As you will see around the movie, besides the frequently shown green ford falcon, diesel train, horse carriage and old ambulance, the other constant are the gatherings in or around the church. A very strong recommendation if you liked "Un Lugar en el Mundo": "Historias Minimas". This is movie shares the same type of narrative it's about human relationships of a group of people in Puerto San Julian, an Atlantic town down south in Patagonia. The difference is that Un Lugar en el Mundo has a very heavy duty cast, all consummated actors and actresses. Historias Minimas only relatively known actor is Javier Lombardo, the rest are mostly first time plays.

    इस तरह के और

    Martín (Hache)
    7.6
    Martín (Hache)
    Tiempo de revancha
    7.8
    Tiempo de revancha
    Lugares comunes
    7.6
    Lugares comunes
    La Patagonia rebelde
    7.5
    La Patagonia rebelde
    Últimos días de la víctima
    7.4
    Últimos días de la víctima
    Hombre mirando al sudeste
    7.6
    Hombre mirando al sudeste
    Historias mínimas
    7.4
    Historias mínimas
    La historia oficial
    7.7
    La historia oficial
    Caballos salvajes
    7.1
    Caballos salvajes
    El lado oscuro del corazón
    7.3
    El lado oscuro del corazón
    La parte del león
    7.1
    La parte del león
    Roma
    7.4
    Roma

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Official submission of Uruguay for the 'Best Foreign Language Film' category of the 65th Academy Awards in 1993. This is only the second film in the history of the Academy Awards (after the Bowery Boys movie High Society (1955)) to have been nominated for an Oscar and then removed from the ballot. The director Adolfo Aristarain had intended this to be Argentina's official entry for Best Foreign Language Film. When he took it to the Argentinean committee for submission he was told that Argentina had already decided on another film (Eliseo Subiela's El lado oscuro del corazón (1992)). Undaunted he went next door to the Uruguayan committee and offered it as Uruguay's official entry. This went against the academy's rule which states that the film must be directed, written, produced and cast with people from the country of the film's submission. The board submitted "A Place in the World" as Uruguay's official entry despite the fact that it was directed by an Argentinean, written by an Argentinean, produced by Argentineans, cast mostly with Argentineans and told the story of an Argentinean rancher facing off against an Argentinean hydroelectric plant in Argentina. Aristarain knew the rules but decided to submit the film because his wife was a native Uruguayan who had been the film's costume designer and had a hand in co-writing the screenplay. When the 1992 Oscar nominations came out, A Place in the World was among the nominees for Best Foreign Language Film (ironically, the film that Argentina submitted was not). The Academy's board of governors learned that the film was in violation of the rule after the nominations had come out and decided to remove it from the official ballot. Aristarain felt that the board was out of line and after failing to convince them to change their minds, he tried to sue on the grounds of "breach of contract". He lost the suit on the ruling that the Academy "has the complete, untrammeled ability to base the awards on whatever it wants". Angry at the ruling, Aristarain made the decision not to release the film in the United States. He relented and it did get a minor release in early 1995 (where it grossed $100,986). As for the Academy, in an effort to avoid this kind of problem again, they rewrote their official rules to make the submission process more mathematically sound.
    • भाव

      Mario: [to Ernesto] You don't like to be bossed around, do you? The more you know, the less orders you'll receive.

    • कनेक्शन
      Featured in Salvados: Sacristán: Retrato del compromiso (2016)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is A Place in the World?
      Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 9 अप्रैल 1992 (अर्जेंटीना)
    • कंट्री ऑफ़ ओरिजिन
      • अर्जेंटीना
      • स्पेन
      • उरुग्वे
    • भाषा
      • स्पेनिश
    • इस रूप में भी जाना जाता है
      • A Place in the World
    • फ़िल्माने की जगहें
      • Merlo, San Luis, अर्जेंटीना
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $99,707
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $9,970
      • 3 जुल॰ 1994
    • दुनिया भर में सकल
      • $99,707
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे
    • रंग
      • Color
    • पक्ष अनुपात
      • 1.85 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Federico Luppi and José Sacristán in Un lugar en el mundo (1992)
    टॉप गैप
    What is the English language plot outline for Un lugar en el mundo (1992)?
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