The Last Days of Chez Nous

A movie without character. You get nothing and it's just 1 hour and 33 minutes of your life getting wasted. More happy writing my criticism right now than watching this movie.

Full of wonderfully acted, beautifully observed moments in the life of an unconventional family, this was called, by one critic, 'an Australian 'Hannah and her Sisters'. And to an extent that's not a bad description.

But this film is messier, less complete in it's vision and less bold in it's style. None-the less it's still entertaining, moving, and very worth seeing.

Bruno Ganz's half French, half German accent is a bit distracting (he's terrific otherwise), and, for me, the ending felt rushed, as if things had to get to a conclusion.

It's a film I'd actually wished had gone on longer, or had been willing to leave things less resolved. Once you start with the messiness of life, you lose something with a last minute switch to the neatness of movies.

This is a moody and frank story of an Australian couple and how relationships change when the husband falls in love with his wife's sister. Lisa Harrow is the pent-up wife of J.P.(Bruno Ganz)and Kerry Fox is Vicki the younger sister and temptress. I saw this on IFC and was really reeled in with the straight forward atmosphere and personal subject matter. Cinematography is super and the Australian accents cool and pleasing. This is a powerful drama; and well deserved kudos for director Gillian Armstrong.

I liked My Brilliant Career back in 1980, but after seeing this effort from the brilliant turned masterful Ms Armstrong I suspect that its traditional feminist message ("I won't give up my dreams for a man") made it more palatable for the times. Chez Nous doesn't let you off the hook so easily. What I found so compelling is its gentle but firm refusal to adopt a condescending attitude towards the characters or the audience. I rented this film with Jane Campion's Sweetie, which I found audaciously weird but riveting, in fact I now own Sweetie. Like Chez Nous, it deals with heroines and their family relationships, particularly involving sisters and to some degree, fathers. Both films are from the same part of the world. I was happy to find a used copy of Sweetie a few months after seeing it, but I watched Chez Nous twice before returning it, and that's the highest recommendation I can give.

Half the time middle aged people acting like teenagers Not one likeable character