Il ladro di bambini

'Il Ladro Di Bambini' is one of the most moving pieces of cinema I've ever seen, and it reminds me so clearly why I love film. I've just seen it, and I'm still very emotional over what I saw. The children play the roles perfectly, and Enrico Lo Verso's performance is brilliant as well. It's such a simple film actually, but so incredibly powerful. The scene where Luciano tells Antonio that he'll come looking for him as soon as he's turned 15, no matter where he is, made me cry. This is a true, honest film about trust, that I will treasure for a long time to come.

This movie is the story of a journey, a common theme among movie-makers. In this film a policeman is charged with the transfer of two children (aged 11 and 9)from Milano to a Home for Children in Sicily. It is based on a newspaper report which gives authenticity to the story. Remarkable performances are given by the children who amazingly have had no previous experience in film-acting. Eye contact between the main characters is particularly powerful. The policeman also acts convincingly. He finds the resentful children a difficult pair to control. The 11-year old has a secret(about her life of prostitution) and her young brother is an asthmatic sadly in need of his father who has abandoned them. There are some tender scenes in the film where the policeman introduces the children to his happy extended family, where the policeman gives the boy some swimming lessons in the sea and where they agree to find each other when the boy leaves the Home at 15 years of age. A simple theme but so enthralling.

Amelio and Enrico lo Verso compenetrate perfectly. I believe is one of the most humanistic movies I have seen in a long time. The performance of the actors is great and the story is simple but very powerful. There is beautiful line that can be seen how the Enrico and the kids gel along the, movie and it is very interesting.

As another person said and I agree, it is one of the best child performances I have ever seen. Excellent.

The child actors are supreme and the plot development feels real from beginning to end.

There are very few films that can make us confront a difficult issue without resorting to maudlin tears or some other form of emotional manipulation. This is one of them -- no Hollywood treatment here.

And I like the fact that the trip is a journey -- both physically and spiritually. It starts in the north of Italy and leads us progressively towards its southern extremity in Sicily. As the children migrate to the South, our hopes and hearts warm as we come to expect a new emotional climate for them. As with any film intending to make a serious comment on the devestating nature of child abuse, something intervenes to prove to us that our hopes are premature.... This film betrays no compromise in its portrayal of innocence lost and regained and lost once again. The scene at the end with the girl comforting her brother is one of the most poignant I know in film.

I would put this film at the top of a narrow list of films addressing childhood trauma (including "Salaam Bombay!" and "Alice in the Cities"). But the perfection of the child actors, the tremendous care of the storytelling (director Gianni Amelio co-authored the screenplay), and the generous, ambulant scenery make this film a standout that has seldom been rivaled.

I saw this movie almost ten years ago, and once or twice since then on TV, and I have never forgotten it. It is both heartbreaking and uplifting, sensitively directed and beautifully performed. The relationship between the young carabiniere and the two children he's escorting evolves so quietly and naturally that it never seems forced, as relationships so often seem in movies. I hesitate to cite specific scenes for fear of spoilage, but there is one moment in particular, when Antonio and young Luciano are swimming in the ocean, that perfectly illustrates the growing trust between them. The scene is quite simply breathtaking.

I wish this movie were available on DVD, because it deserves to be seen by more people. I would add it to my collection in a heartbeat if I could. Instead, I can only hope that some local theater or art museum will screen it someday as part of a film festival.

A truly unforgettable movie.