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"Johnny Suede" is not a film for all tastes. Not because it's a very strange piece, but because it's not an example of that in-your-face cinema that many are accustomed to. This is Tom DiCillo's directorial debut. I saw one of his recent films, "The Real Blonde," and I found it to be very impressive. So I felt quite curious about checking out his early work. There's not even a hint of flashy direction, and it's obvious throughout that the makers of the film were running on a low budget, but I didn't worry about those things.

Brad Pitt (before he became a household name) is great--and perfectly cast--in the lead role. Next to his role as Tyler Durden in "Fight Club" I would say this is one of the best performances of his career. I just felt, in every aspect, he was made to play this character. Even the pompadour looked perfect on him, and I couldn't imagine any other actor wearing it better. His character, Johnny Suede, is so utterly likable that you feel obligated to scurry along on his little journeys. Johnny is not the smartest guy on Earth, not the classiest either and certainly not the most successful. He lives a pretty simple life in a ratty apartment, listening to vintage records by rock and roll legends. He has dreams of becoming a rock and roll legend himself, and is the leader of a band. However, the band never quite takes off. None of that "I dream of becoming a rock and roll star and the next minute I'm staring at crowds of screaming fans chanting my name" garbage we see repeatedly on VH1 as one of the "Movies That Rock." This is the life of a real struggling artist, who does have talent and potential, but can't quite get off the ground. Well...not yet. His love life isn't all too successful, and that's what's hindering his ability to proceed in his daily endeavors. First he falls in love with a beautiful girl whose current boyfriend likes to beat her. He has every right to believe that the sparks are flying between them, but suddenly she just blurts out, "I don't love you, Johnny." Then he falls in love with Catherine Keener. Things go well between them at first, but like in his previous relationships things also get shot to hell eventually. And we feel sorry for this poor guy. He may not be smooth or unusually charming, but that's the point. He's a nice, unpretentious average Joe who seeks true love and quite frankly he's doing everything in his power to make these relationships work. I've always admired Brad (A.K.A. Mr. Handsome), but I considered this performance especially unique. Though he's just as handsome as he was in "Legends of the Fall" and "Meet Joe Black," he's not on screen to portray his now-proclaimed status as the "Sexiest Man Alive." He just plays a normal guy, living a normal life and seeking a normal relationship. Though we may not all go for the "pompadour" look or listen to classic oldies on an old record player, we can all relate to his character in some sort of way. And speaking of music, I love that line where he says, "Real music has no time." When you listen to great songs by great artists like Bill Haley and the Comets or Ricky Nelson, you don't think about what time period they came from because they're timeless. At first, I thought this movie might've been set in the 1950's, but in all actuality it just involves a man who happens to be fascinated by the trends of the 50's, and I'm down with that.

Don't expect a plot, because this is strictly a character-driven effort. And with a strong central character like Johnny Suede, I felt amazingly captivated and had an unspeakable urge to keep on watching. I guess you can call it a slice-of-life comedy-drama. I highly suggest people check out this overlooked gem. You'll laugh. You'll have fun. You'll have a good ol' time.

My score: 7 (out of 10)

Johnny Suede is like underground-filmmaking lite. It comes almost around the end of that era of New York City filmmaking that started many years before with more radical types like Andy Warhol and Jack Smith, and continued on with Jim Jarmusch (whom director Tom DiCillo worked for at one time), Betty Gordon and the guys that made New York Beat Movie. It's something about the beat of the street that DiCillo is interested in, at least in some part. But at the same time his lead figure is played by Brad Pitt, and it's like the slightly dim-witted rockabilly version of Henry from Eraserhead. It's nowhere near as bizarro as that, but DiCillo does try to be sure. He even has his intrepid would-be lady's man walking around a downtown NYC that looks as run-down as could be at the time, right before the city got a little more gentrified. It's a place with oddball rock n' rollers and street bums, midgets and painters, and oddball types of other varieties.

If it isn't entirely great it's because the film inhabits a strange region where it's not entirely underground, and could never be something mainstream despite its young star (who had just finished being female eye-candy in Thelma & Louise). Pitt is very good in the role though, taking up a character who isn't quite as stupid as he looks, but not intelligent enough to live in the "real" world. He's more into being a kind of hunky rockabilly guy, Ricky Nelson his idol, his huge pompadour the envy of anyone except for Nick Cave's character Freak Storm, also with an impressive head of hair. Like a real 'indie' movie there isn't too much of a plot: Suede gets a pair of shoes that kind of define him, tries to make a band that doesn't work out, paints to make ends meet, falls in love with one girl who dumps him for another and dates another (Catherine Keener) whom loves him dearly but who he treats badly.

What we have then is a movie without much of a story, and without much of a character that is iconic in ways that these indie films need to be. So why praise it so? Because of DiCillo's vision, and because Pitt does give the character what he needs as far as being real and raw enough to be taken seriously. He's a lunkhead, but not a bad person, kind of innocent and at his most vulnerable like a little puppy who needs help finding a woman's privates. It's a heady mix of grungy romance and some delirious dreams, some more touching than others. It could even be considered like a more "conventional" cousin to Eraserhead, where dreams and reality sometimes are indistinguishable to its protagonist, and whose direction in love and life is uncertain. If it's a little too light in the loafers to be fully embraced it may be expected as a first feature.

It's a fine jumping-off pad artistically for both its director (later to do the great Living in Oblivion) and of course its star, not to mention a very beautiful Catherine Keener and a perfectly weird Nick Cave.

Big hair-pieced Brad Pitt (as Johnny Suede) moves to a large American city, from North Dakota; he wants to become a Big pop music star. He has everything except "Black Suede Shoes". One evening, he discovers a woman being roughed up in an alley/alcove. While in a nearby phone booth, calling for help, Pitt is practically hit over the head with his blessed "Black Suede Shoes". Then, he feels he is on his way. Pitt is hampered by an underwhelming singing voice, and poor material; but, due to his muscular good looks, he is successful with women. Pitt has several sexy underwear scenes; and, he slips under the sheets with quirky Catherine Keener (as Yvonne) and alluring Alison Moir (as Darlette).

Pitt idolizes Ricky Nelson (who certainly would have gotten a *kick* out of this movie). For the record, the most frequently played song, Rick Nelson's "Teen Age Idol" could not have been turned over to play "Travelin' Man", as Pitt does in an effective scene with Ms. Moir. The two Nelson hits were on different Imperial singles. The record album hanging on Pitt's apartment wall is the excellent "Ricky Sings Again" album. "Midtown" is the best of the "original" tunes; it has some of the breezy feel evident in Nelson's early Decca material.

Moir, Ms. Keener, and Calvin Levels (as Deke) perform very well. Keener won an "Independent Spirit Award"; but, Moir and Mr. Leeds are also very impressive. Tempting Tina Louise (as Mrs. Fontaine), from "Gilligan's Island", has a leggy cameo; and, Nick Cave is a "Freak Storm". Debuting director Tom DiCillo's "Johnny Suede" is filled with style and good intentions.

****** Johnny Suede (1991) Tom DiCillo ~ Brad Pitt, Catherine Keener, Calvin Levels

Now, personally, I would give this movie a 7. But from a viewing perspective, and general public take, I would give it a 5 or 5.5.

It tells the story of a young man who is aiming to become a big shot musician. He is struggling to reach that state, and it is clear he is not trying very hard to get his career running. He meets a few girls along the way, performs with his band, meets some good industry connections, and then there's something about a suede shoe.

It's a good movie, and definitely a movie that's all Brad Pitt.

6 Stars

This was a strange kind of film about a low-lifes in New York City and centering around a main character (the title name, played by Brad Pitt) who thinks he''s a Ricky Nelson-type musician, except he has no real talent.

It's kind of fun to watch until a profane tough New York City-type woman with horrible accent enters the picture and takes over. That ruined the film for me. It must have been Catherine Keener, who usually plays tough and garbage-mouthed women.

The hairdo on Pitt - an exaggerated Pompadour - was fun to look at. I can picture Johnny Depp playing this role better. One last note: it odd to hear a film made in 1992 (other than Woody Allen's) with just mono sound.

Tom Dicillo, after Living in Oblivion and Box of Moonlight, has proved himself to be one of the best writers and directors in the business. This, his feature film debut as director, is a nice tale which is solid entertainment but not as good as his later films.

Brad Pitt looks a bit too pretty throughout the film (watch Living in Oblivion, the James LeGros character is a parody of Pitt) but there is a good supporting cast, and the film has some very good moments. Definitely worth watching. 7 out of 10

Several years before his roles as the leader of a fight club, a backwards-aging man, and a Nazi-slaughtering redneck, Brad Pitt played the title role in Tom DiCillo's "Johnny Suede". Johnny is man on skid row with ambitions to be the next Ricky Nelson. He already has a band, and even starts up a relationship with young Darlette (Alison Moir). But as his music career goes nowhere, she leaves him. Upon meeting the offbeat Yvonne (Catherine Keener), Johnny starts to wonder if maybe there's more to life than trying to be a rock star.

I didn't find this movie to be any sort of masterpiece, but I still thought that it was worth seeing. More than just an early vehicle for Pitt - sporting an absurdly large pompadour - and Keener, it shows Johnny's eventually having to recognize reality, especially given the world that he inhabits (the movie doesn't present a flattering look at Brooklyn).

There are also two supporting cast members playing roles totally the opposite of their most famous ones. Tina Louise, far removed from Ginger Grant, plays Darlette's manipulative mother. Samuel L. Jackson plays one of the band members. Ginger Grant co-starred with the guy who said "mother---king snakes on a mother---king plane" (although they don't share any scenes).

Anyway, I recommend "Johnny Suede". A look at lost dreams - much of the movie is in fact made to look dreamlike, probably stressing the contrast between Johnny's fantasies and reality - along with some very surprising stuff. Nick Cave appears as another man with a crazy hairdo. Tom DiCillo later directed "Living in Oblivion", starring Steve Buscemi as a man going through hell trying to make a movie.

"Johnny Suede" is a slice of life flick which tells of a peculiar fictitious character, Suede (Pitt), who has a 10 inch pompadour, worships Ricky Nelson, is a wannabee musician/star, is naive or stupid or both, and has little else worthy of mention. The slice the film presents (the story) is off-beat and creative in the minutia and anticlimactic in the whole. Pitt and Keneer and Levels work well in their roles but can't make up for a story which is about as satisfying as a baloney sandwich on Thanksgiving Day. A no brainer for channel surfers.

This movie really comes out of nowhere, and stays fresh and intriguing from the first shot to the last. I couldn't stop smiling for a moment, it was so wonderfully weird!

The story centers around a pair of snazzy shoes, that are found by Pitt's character Johnny, then change his entire life. There isn't a great deal of plot, which is fine, because the story is driven by the bizarre people in Johnny's life, and the way in which he reacts to them.

The best thing about "Johnny Suede" is that you really don't know what people are going to say or do next. The most 'normal' person in the story is Keener's character, who is strange just for liking Johnny so much.

The photography and sound is fairly minimal, due to budget, but in a way, it really adds to the ambience of nothingness in Johnny's life. The directing of actors is really first-rate, and the script is a gem. Oh, and the hair is a must-see.

If you're in the market for something out of left-field, then this hits the spot!

This is absolutely the worst movie I've seen all year.

First, I will say that the acting was very good, and by all of the cast.

This was apparently meant to be very offbeat, and in that regard it succeeded. By the same token, the story revolves around a self-centered wannabe, who is a clueless, talentless chronic liar, whose source of self confidence comes from a pair of leather slippers.

This was worse than watching a car wreck.

Combining hard-edge cynicism with compassion, Johnny Suede looks like a cartoon, but it's serious enough to raise intriguing questions, specifically men's deep fear of women. In a role that makes one think of James Dean, Elvis Presley, and Ricky Nelson, the director crafts a lyrical portrait of a wannabe, a good-natured poseur mythically named Johnny. Mixing sight gags with deadpan humor, Johnny Suede works its magic as a fairy tale about a man who has to lose one shoe in order to find his true identity. Pitt is sensational and delivers one of his greatest performances. He could have made his character cartoony, but his subtleness is perfect. Not to mention his decent singing skills. Catherine Keener is great too, and Sam Jackson makes an appearance as well. Definitely worth a viewing if you are in the mood for a character driven picture, or are a Pitt fan.

This film is two movies, its scenes including Catherine Keener, and its scenes excluding her. The link is the iguana, now a symbol of Eisenstein's dialectical idealism montage theory of cinematic art, indicating Keener's pseudo-intellectual influence on this cinematic production. Soviet Cinematographer Sergei Eisenstein responded to the Soviets' perverting Hegel's "phenomenology of mind" into what they called dialectical materialism by calling his Zen koan approach to cinema dialectical idealism. And, since then, emulating his use of discordant montage has been a right of passage for cinematographers and directors. But Keener's dialectic detracts from the iguana's. HITRT

Independent filmmaker Tom DiCillo made his debut here with this hip, refreshingly quirky character study, with Brad Pitt scoring as the central character. He plays Johnny Suede, aspiring musician who idolizes Ricky Nelson and occupies a fairly run down apartment in Brooklyn. The film follows Johnny around as he alternates between reality and his own dream world. His relationships with women are a focal point, first as he hooks up with Darlette (Alison Moir) whose mom (Tina Louise) has connections to the music business. Then he chances to meet schoolteacher Yvonne (Catherine Keener) and falls for her hard enough to be ready to make some changes in his life. DiCillo injects some moments of amusing surrealism into his film while still basically handling his material in a straightforward manner, never going for stylistic choices when it isn't necessary. The dialogue is sometimes quite funny, and really comes to life in the hands of these talented actors. Among the other people in Johnny's offbeat life are his friend and bandmate Deke (Calvin Levels); Samuel L. Jackson has a brief, one scene part as the bass player in his band. The brightest moments belong to real-life music star Nick Cave, playing a character named Freak Storm; his scenes with Pitt are fun. DiCillo does a good job with visual detail, right down to the clothes that his characters wear. The story, as has been pointed out, is about so much more than just a specific kind of music (although the music is wonderful throughout) - it goes to great lengths to depict this amiable, ordinary guy struggling not just to make it as a musician but to adjust to the highs and lows of everyday life. Pitt shows here, as he has on so many occasions, to be more than just a pretty face, and an actor of range and depth. You like Johnny and want to see him find happiness. And at the end you can't help but sympathize with him. Overall, this is an endearing little gem, one in which DiCillo refrains from giving in to predictability and finds a realistic centre amid the more offbeat aspects to the world he creates. Well worth a look. Eight out of 10.

It's very refreshing to see a quietly offbeat indy flick that isn't tripping over itself trying to be odd. This movie is a bit ragged around the edges, but rather then detract, this actually lends an enduring quality. Great acting throughout and the songs are funny and inspired, hitting just the right note of naiveté. You've got to love a guy who won't have a" band with no Bass", and it's got Tina Louise to boot! An all around great movie.

This is one of the very early films in which Catherine Keener appears, and if you are among her growing population of admirers, this film is amust see. Keener has never been better, except maybe in "Living in Oblivion". Aside from that, this film is about as forgettable as an offbeat film can be. Annoying at times, there are some bright spots in this film that make it worthwhile as a whole.

Definitely my favorite Brad Pitt movie, very cool. This film has a great humour all of its own that bounces against the bleak environment. Was good to see Nick Cave's cameo here, he is cool too. I very much appreciated the whole thing with the relationships with the first girl who soon dumps him and Yvonne who is now offering everything but unfortunately he has been scared. This film truly is a cross between Eraserfead and James Dean if you ask me, it has that Lynchian quality to it. This film got me laughing out loud which was great. Some good music in here too, timeless good music. this is a very entertaining film, it has the right tempo to keep you watching.

JOHNNY SUEDE is a very early role for Brad Pitt (he had just finished THELMA AND LOUSIE). yet he delivers a surprisingly nuanced performance as a clueless and childlike hipster. Many films of this nature boast a character who is in love with his own hipness, and delights in educating his contemporaries to this fact. Nothing can be farther from this than Pitt's take on Johnny. His reading of the character is so hesitant and tentative, as to be almost "challenged". Catherine Keener's character (who is introduced much too late in the film) becomes the driving force in the film, and attempts to show this carefully coiffed dandy what it might mean to be a man. A proper release of the film was held up because backers weren't sure his performance would connect with fans who were expecting a more polished Hollywood Heart Throb. Quirky and Mind-bending indeed. Excellent Commentary by Tom DiCillo.

Firstly can I just say that the acting in this film is dire, even Keener and Pitt act like planks of wood on screen. There is no feeling between the characters and they have a habit of standing completely still on the spot and it just looks uncomfortable. The synopsis is misleading as there isn't much music in the film but there is a startling cameo from Nick Cave, obviously under the influence whilst filming! There is even a parody of a Cave song, that Pitt sings later in the film. The original stage performance of this must have been a sight! A very thin looking Samuel L Jackson has a small role as a double bass player named 'Be Bop' who later goes to work on a cruise ship - his 2 minutes are priceless. The film is dotted with David Lynch inspired dream sequences which include windows smashing, naked men at bars and copious bleeding. The film even opens with a suitcase falling on a telephone box, opening to reveal a pair of suede shoes. Seeing really is believing, go and watch this film!