IMDb रेटिंग
5.1/10
1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.A fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.A fighter pilot is reluctantly paired with a Hollywood actor who's researching a role, but are then forced to team up for real after being shot down and thrust into combat.
- निर्देशक
- लेखक
- स्टार
Deborah Moore
- Maj. Goode
- (as Deborah Maria Moore)
Hunter von Leer
- Lt. Col. Reynolds
- (as Hunter Von Leer)
फ़ीचर्ड समीक्षाएं
Well this flick is just that a flick. The real stars are the f-16 and some nice air to air footage.
There are so many technical errors it's unreal. The whole premise for the shoot down I would say is inspired by the old 1980's airspace dispute with Lybia. There is no way a number of things that happen in this movie could or would happen. Because if it did Dr. Strangelove would have happened and we would be all dead.
1) No way would the USAF allow a civilian a flight in a Hot Zone area as they did just for a movie and PR. That could and would have been done in the US, just to dumb to be believed.
2) I firmly believe that NO USAF pilot would take a civilian into a combat area especially when ordered not to. The writers screwed up big time on that one would have made more sense to have them jumped over the Med. in international waters than a pilot running to the fight.
3) In the dog fight scenes you get great shots of F-16s but they are attacked by a different aircraft with each pass, from a Viggen, to a Mirage, to a A-4, gee unify how the enemy pilots can change aircraft in midair during a dogfight from 3 different countries.
4) Gee Libyan soldiers armed with M-16s another error.
5) The mercenary American pilot, gee a fighter pilot who needs corrected glasses, don't think so. especially thin dainty framed ones that could break apart in high G maneuvers of a dogfight.
The script is bearly passable. The only scene missing is the court martial and law suits.
John Waynes "Flying Tigers" with their lawnmower powered fake P-40s and campy script still beats this flick for overall enjoyment.
The only reason I have kept this flick in my collection is for the aerial shots of the planes and they are really the stars of the film.
There are so many technical errors it's unreal. The whole premise for the shoot down I would say is inspired by the old 1980's airspace dispute with Lybia. There is no way a number of things that happen in this movie could or would happen. Because if it did Dr. Strangelove would have happened and we would be all dead.
1) No way would the USAF allow a civilian a flight in a Hot Zone area as they did just for a movie and PR. That could and would have been done in the US, just to dumb to be believed.
2) I firmly believe that NO USAF pilot would take a civilian into a combat area especially when ordered not to. The writers screwed up big time on that one would have made more sense to have them jumped over the Med. in international waters than a pilot running to the fight.
3) In the dog fight scenes you get great shots of F-16s but they are attacked by a different aircraft with each pass, from a Viggen, to a Mirage, to a A-4, gee unify how the enemy pilots can change aircraft in midair during a dogfight from 3 different countries.
4) Gee Libyan soldiers armed with M-16s another error.
5) The mercenary American pilot, gee a fighter pilot who needs corrected glasses, don't think so. especially thin dainty framed ones that could break apart in high G maneuvers of a dogfight.
The script is bearly passable. The only scene missing is the court martial and law suits.
John Waynes "Flying Tigers" with their lawnmower powered fake P-40s and campy script still beats this flick for overall enjoyment.
The only reason I have kept this flick in my collection is for the aerial shots of the planes and they are really the stars of the film.
I rated this a "9" because my criteria in judging a movie are adjusted to its genre; and as an action-comedy I felt it approached a Harrison Ford type comedy, which I rate as "10"
Acting was realistic, photography great, and we even got a bid of sermonizing (how a fighter's discipline works against his ability to be confidential about his feelings).
Deborah Maria Moore was a nice bit of frosting on the cake.
If you're not jaded as a movie critic, and like light comedy and air force action see this one!
Acting was realistic, photography great, and we even got a bid of sermonizing (how a fighter's discipline works against his ability to be confidential about his feelings).
Deborah Maria Moore was a nice bit of frosting on the cake.
If you're not jaded as a movie critic, and like light comedy and air force action see this one!
A pilot and an actor are thrown into a life of death situation when they are shot down in enemy territory.
For the budget director Fritz Kiersch (Children of the Corn (1984) delivers some well staged and directed scenes, Steve Grass' cinematography give the real locations scope, aside from the shoehorned aerial stock footage (taken from Iron Eagle). The sets are well lit and offer some atmosphere. Writers John Brancato and Michael Ferris offer a Rambo III-like second act with the borrowed concept of The Hard Way (1991) , an actor gets thrown into a real dangerous situation with mixed results.
In amongst the bookend dogfights and compound explosions underrated Michael Paré does a good job with the paint by numbers screenplay along with likeable Anthony Michael Hall. A few familiar faces pop up including Terry Kiser, Linden Ashby, Deborah Moore and Brian Haley. Tonally it's up and down, a comedy one moment, then serious action in a flash in a bid to appease as wider audience as possible.
Ultimately, it's better than it should be, probably more rewarding than 80 percent of the films that are churned out these days, thanks to the even production and cast.
For the budget director Fritz Kiersch (Children of the Corn (1984) delivers some well staged and directed scenes, Steve Grass' cinematography give the real locations scope, aside from the shoehorned aerial stock footage (taken from Iron Eagle). The sets are well lit and offer some atmosphere. Writers John Brancato and Michael Ferris offer a Rambo III-like second act with the borrowed concept of The Hard Way (1991) , an actor gets thrown into a real dangerous situation with mixed results.
In amongst the bookend dogfights and compound explosions underrated Michael Paré does a good job with the paint by numbers screenplay along with likeable Anthony Michael Hall. A few familiar faces pop up including Terry Kiser, Linden Ashby, Deborah Moore and Brian Haley. Tonally it's up and down, a comedy one moment, then serious action in a flash in a bid to appease as wider audience as possible.
Ultimately, it's better than it should be, probably more rewarding than 80 percent of the films that are churned out these days, thanks to the even production and cast.
I rented this movie only because I like Michael Pare, and the box looked nice, and (though I could've easily found something better) it wasn't bad.
Anthony Michael Hall (Just as his career was going going down the drain) and Michael Pare are well cast for their roles and the sets were well done. Hall plays a successful Hollywood megastar sent to an air force base to research his upcoming role. Pare is a pilot assigned to show him around and teach him the ropes. Pare instantly dislikes Hall, but can't back out. The two get caught up in the middle of a battle and are forced to crash land in the desert. They are then taken hostage and the movie keeps going, and going , and going. Though it was short, it felt like it was three hours, and going nowhere.
+ (GOOD THINGS) 1.) Casting of Hall and Pare 2.) Aerial shots 3.) The sets
TOTAL: 5.5/10
Anthony Michael Hall (Just as his career was going going down the drain) and Michael Pare are well cast for their roles and the sets were well done. Hall plays a successful Hollywood megastar sent to an air force base to research his upcoming role. Pare is a pilot assigned to show him around and teach him the ropes. Pare instantly dislikes Hall, but can't back out. The two get caught up in the middle of a battle and are forced to crash land in the desert. They are then taken hostage and the movie keeps going, and going , and going. Though it was short, it felt like it was three hours, and going nowhere.
+ (GOOD THINGS) 1.) Casting of Hall and Pare 2.) Aerial shots 3.) The sets
- (BAD THINGS) 1.) The bad guys 2.) The length 3.) The pacing
TOTAL: 5.5/10
loved it because i just love watching Hall act, he's absolutely amazing and natural.
plot wise, even though i'm not an action fan, i found it interesting. of course there is cinematic substitutions and allowances, it's not going to be a spot on representation of the army or war but it still managed to capture your interest. if nothing else you'll keep watching to see what Hall's character does or says.
it can get a little confusing at times but i guess that just might have been my problem at not fully understanding where the movie was set.
a great watch, i don't know why it didn't do better in the box office.
AMH is amazing as usual, very natural actor. I am going through all of his films and am completely captivated by him.
just watch the film, it really is great.
plot wise, even though i'm not an action fan, i found it interesting. of course there is cinematic substitutions and allowances, it's not going to be a spot on representation of the army or war but it still managed to capture your interest. if nothing else you'll keep watching to see what Hall's character does or says.
it can get a little confusing at times but i guess that just might have been my problem at not fully understanding where the movie was set.
a great watch, i don't know why it didn't do better in the box office.
AMH is amazing as usual, very natural actor. I am going through all of his films and am completely captivated by him.
just watch the film, it really is great.
क्या आपको पता है
- ट्रिवियाThe aerial scenes in this film mostly use stock footage from आयरन ईगल (1986) and Iron Eagle II (1988).
- गूफ़When Dragon was taking off to pursue Shotgun and Slade, the stock footage was of an Israeli Mirage with a star of David on the side.
- भाव
Lt. DeCarlo: When in doubt, whip it out.
- साउंडट्रैकYou're Lookin' at Country
Written by Loretta Lynn
Performed by Chaille Percival
Produced by David Feinman
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Into the Sun?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $70,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,41,886
- दुनिया भर में सकल
- $6,41,886
- चलने की अवधि1 घंटा 41 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें