Guncrazy

We thought this film was a remake of the much better film noir of the same title, or as it's known in this forum, "Deadly is the Female", a 1949 Joseph Lewis' film with a screen play by MacKinlay Kantor. But no, this is another film altogether using the same title as the other one. As directed by Tamra Davis, with the screen treatment by Matthew Bright, this is a film that tries to deliver, but in the end, it's predictable, as we know the mistakes of the couple at the center of the story would work against them.

Anita Minteer seems to be a loner. We watch her in school, where she is not a popular girl in any shape, or form. Some of the pot heads from her school take her for a ride in which two end up having sex with her. Anita has been left to fend for herself by her absent mother, who has gone to Fresno to make some money and ultimately have Anita come live with her. Anita is being sexually abused by her mother's good for nothing boyfriend. The girl loves to learn how to use guns, and Rooney, who wants to keeps her, complies. A sad mistake! Her love for guns will ultimately be her downfall and that of the only person that really loved her.

At school, Anita, and her class, have been asked to find a pen pal, as part of a project. She finds one, but unfortunately, Howard, who writes to her, is in jail. Anita finds a kind garage owner, who is also the head of a weird congregation, to vouch for Howard, who is paroled and comes to work in the town. Howard, is a man who has had no luck, either with women, or in anything else. It's sort of inevitable Anita and Howard fall in love and are married by the minister. Fate is against this duo; in a series of events, Howard will go back to his old ways when forced to do so. We realize there's no way out for this doomed man, or for Anita.

The film doesn't disappoint thanks to the charismatic Drew Barrymore playing Anita. This is a girl too wise for her own good. James Legros, is as always, an interesting actor to watch. His take on Howard, is right. In supporting roles, Joe Dallesandro plays Anita mother's boyfriend, a creep that takes advantage of the situation. Michael Ironside is also seen as Howard's parole officer and Ione Skye plays his daughter, Anita's rebellious friend.

Tamra Davis directs with an eye for detail. This film will not disappoint to crime film fans.

Occasionally, I like stupid movies for stupid reasons. This happens to be one of them. Any movie that has someone eating a Hostess pudding pie (remember those?) in under two seconds gets at least two stars from me. The most memorable scene of the movie. Rating: ** out of *****.

The sixteen year-old Anita Minteer (Drew Barrymore) lives in a trailer and is an easy high-school student abused since she was nine that has sex with different teenagers and men including her stepfather. When her school teacher assigns each student to find a pen pal to write, Anita contacts the prison inmate Howard (James LeGros), who is trying to regenerate. Anita is encouraged to learn how to use a revolver and when Howard is released on probation, she convinces her friend pastor Hank Fulton (Billy Drago) to give a chance to Howard in his repair shop. Meanwhile her stepfather rapes her and she uses her gun to kill him and hides his body. Howard is released and meets Anita and they immediately fall in love with each other. He also becomes friend of Anita's girlfriend Joy (Ione Skye), whose father Mr. Kincaid (Michael Ironside) is coincidently his parole officer. Mr. Kincaid is a cruel man that wants Joy to stay away from Anita and Howard. When he finds Joy in Anita's trailer with the couple, he frames Howard to put him back in jail, unleashing a wave of violence of Anita and Howard.

"Guncrazy" is the love story of the outcast Anita and Howard that have serious problems. Anita is an abused young woman and Howard is a criminal on probation with erection problem and together they try to build a new (dysfunctional) life. However their environment of violence does not give a chance to the couple that become a sort of young "Bonnie and Clyde". The flawed conclusion is predictable and poorly resolved. My vote is six.

Title (Brazil): "Guncrazy - Howard & Anita, Jovens Amantes" ("Guncrazy - Howard & Anita, Young Lovers")

Guncrazy is directed by Tamra Davis and written by Matthew Bright. It stars Drew Barrymore, James Legros, Ione Skye, Michael Ironside, Joe Dallesandro and Billy Drago. Music is by Ed Tomney and cinematography by Lisa Rinzer.

"Love made them crazy. Guns made them outlaws!"

High schooler Anita Minteer (Barrymore) is abused at home and at school and by so called friends. Seeking some sort of solace, she befriends - via letters - a convict named Howard (Legros). When Howard is paroled, the pair hook up and quickly find a loving bond. A bond that also involves a passion for guns...

In spite of reports in some quarters, this is not a remake of Joseph H. Lewis' superb film noir of the same name (though the words gun and crazy are separated there) from 1950. Whilst it's also worth mentioning that it's not a knock-off of Bonnie and Clyde (outstanding and trailblazing pic for sure), because for that to be the case we would have to ignore the fact that Lewis' film, and the likes of They Live by Night (Nicolas Ray - 1948) , were not key influences and big movers in the lovers on the lam splinter of noir. It is of course, an amalgamation of said influences, and despite a relatively average rating on the big internet movie sites, this is a neo-noir well worth seeking out for those so inclined.

Students of classic era film noir can't but help to be pulled in by the many deviance's at work, themes involving sexual abuse, promiscuity, impotence, alienation, prostitution and foolish love, the latter pitching a classic noir character into a vortex from which they in all probability know they can't return from. It's not that Anita is a femme fatale, because she's so young and isn't written as a viper type, it's that her youthful ignorance, her teenage hormones tortured by a torrid upbringing, is enough for Howard to grasp onto as a semblance of normality. They are both fools, but honest with it, it's the classic romanticised dream going sour. Again, a classic film noir trait.

Visually there is much to recommend here. The use of slatted shadows and balustrade is cunning and nods appreciatively to influences past, the inference obviously that Howard may be out of prison, but he's still behind bars. Davis throws in a number of striking scenes, a camera shot looking out as a grave is dug, our lovers close and personal (sexy) as they shoot guns, and the finale has a sad grace that, "again," noir lovers can appreciate. Matthew Bright's screenplay also has black comedy elements, the script devious with Freudian smarts, while the cast turn in performances worthy of the form.

OK! So this formula has been done better before, and yes we want more of Ironside and Drago (wonderful characters), and this may have underwhelmed those after a gun crazy action thriller - while Barrymore fans back in the day may have been bemused - but it's a very smart and neatly constructed neo-noir. 7.5/10

Drew is the focus of this feature; for how old she was during the making of this film [15? 16?] she doesn't really disappoint. Her pouty beauty is on ample display in this film. That said, in a couple more years, I think she would have fit more into this role. I wasn't surprised that it was a Matthew Bright script; this has much in common with his later directorial/scripted work "Freeway" in terms of character development. (I feel Bright is an outstanding B-film auteur). Tamra Davis blew some important scenes that could have went another way, but she made up with this with some pretty inspired casting for some of the supporting roles. Ironside, Drago... and I don't remember the sleazy guy who played Drew's mother's boyfriend... but they were all in high style and rare form. You can't beat these guys when they're hitting their cues. LeGros certainly didn't embarrass himself and carved another good portrayal (this guy is a great actor!). For a film that seems to be now so cheap that it's practically in the public domain ($1 DVDs at WalMart and such...) .. I'm surprised this hasn't gotten more recognition, and I'd be sad if it was written off as badly by the producers as I assume it has been to be in such disarray marketing-wise.