Gau yat san diu haap lui

Saviour of the Soul radiates innovative action and gawping visuals for a non-stop hour and a half, spinning a tale of star-crossed lovers in a haze of delirious pandemonium. Aaron Kwok brakes test tubes and inhales colourful gases to possess his opponents, running through the torso at warp speeds and stealing their life support. As the cloak-cladded ‘Silver Fox', Kwok is the most dazzling out of the young cast (mostly made up of Cantopop starlets), yet not to be upstaged by the talented Anita Mui who takes on a clever duel-role as two sisters, one a fashion-conscious jabbermouth, the other a sultry law-abider named May. Fundamentally a futuristic sci-fi thriller (its glossy mise-en-scene and specialised camerawork dominate proceedings), May is the victim of a vengeful Silver Fox, longing to seek revenge for his master's subsequent killing, while Andy Lau plays the charmer after her heart and summarily her protection. Hectic showdowns involve flying daggers which explode on impact, Andy's nifty yo-yo that doubles as an extendable wobble-sword, and a completely surreal stuck-in-a-mirror routine that'll leave you both puzzled and enthralled. This film is just awesome, and there's nothing really quite like it.

Saviour of the soul is a mix of martial arts, shootouts and fantasy. It is obvious that it is a comic adaptation. The story isn't always clear,but it succeeds very well in keeping your attention, although sometimes i wanted to last the action sequences a little longer. There is a lot of humour in it and still succeeds in being serious when it has to. There are some special effects in it that will amaze you (without the use of digital effects which we are used to nowadays). I always enjoy the action sequences Hong Kong movie makers come up with. They really are the best when it comes to action. Saviour of the Soul is certainly a classic when it comes to the wonderful combination of action and special effects. Go see it!

This film demonstrates to young and novice film makers what can be done if you have real talent. The composition of every shot in every scene is what many film makers can only wish to achieve.

The story apart as this is a corny movie, this film will show you perfect camera angles, superior editing and how to use light, shadow and colour like a master. Please bear in mind that this was all achieved using basic film techniques and no digital effects.

You will see great washes of colour and lighting to which the actors are set against and into, the use of water and lighting is seen to produce a magnificent feel and add great drama and movement to scenes.

Andy Lau, seems to have located or created locations that reflect the scene being shot by the colours and lighting used and plays on this by not being restricted to primary colours.

Too me, this film seems like a test bed for superior camera work and set design and succeeds to that end.

Also to note is the direction of the actors. Their movements are measured and seem to strive for perfection. It seems like the most minute actions were included to endorse the objectives of the characters, so that even the most impossible actions can be seen as plausible in the world this film is set in.

Listen for the "your the one that I want" line sung in engrish in the scene before the toilet fight. Travolta eat your heart out.

I enjoy Hong Kong cinema quite a bit and i had pretty high hopes for this movie when i got i on DVD. Especially for the manga-like action-sequences which were rumored to be something very special. But unfortunately my hopes were all crushed within 45 minutes of the movie.

There are several problems with this movie. The first problem is unfortunately very common in Hong Kong cinema and that is bad acting. The actors are just horrible and can´t seem to say a single line in a credible way (which is strange since for example Andy Lau has since made good performances). The second problem is the misplaced comedy scenes. Several times the movie shifts from a very serious and emotional scene to slapstick comedy in the blink of an eye. This ruins both the comedy (which is very cheap) and the emotional scenes since you can never take anything about the movie seriously. The third and last major problem is the sub-standard action sequences. The action is both quite poorly choreographed and the effects look very cheap (people being cut to pieces by swords are VERY obviously dolls etc.). The action scenes are also too short and too far between. This creates a problem with the pace in the movie which is much too slow. And the story is much too thin and unbelievable to support the film. What might have saved this movie would have been a steady fast pace, but unfortunately it slows down and becomes very boring at times.

If you enjoy this kind of manga-style action-films there are a lot of better alternatives in the genre. This poor attempt is simply not worth the effort. I rate it 3/10.

This is the movie that got me hooked on Hong Kong action cinema, so regardless of its faults, I will always have a weak spot for it. Most ingredients are standard HK action fare: wooden acting, some forgetable cantopop song, dubious humor, and a slightly incomprehensible plot. Yet there's also lots of action, and this is where the film really shines. There is swordplay with flexible swords, there are vicious yo-yo's (!), there are silly supernatural villains, and there's a hero whose shirt keeps slipping from his shoulders. This hero is Andy Lau, who lets his charisma do most of the acting. he is supported by Aaron Kwok and Anita Mui (in a semi-funny double role). All in all, it's better-than-average HK fare, that probably will also appeal to non-fans.