Gas Food Lodging

This film was the reason I became a film maker. Period. It is very inspiring to watch, with superb acting, quiet character building and developing. The film grabs you and pulls you into a small New Mexico town setting. You become completely engrossed with the story and the characters. It takes time to develop personalities within the female leads and the viewer becomes quite vested in their futures. I found Fairuza Balk's acting performance particularly compelling. One of my favorite acted roles in cinema (quality wise). This film is in my top ten favorites of all time, and also my twin has similar affinity for this superb film. Kudos to a film outside of the ordinary with a true independent vision.

Keen adaptation of Richard Peck's novel "Don't Look and It Won't Hurt", starring Brooke Adams in a terrific performance as the single mother of two headstrong young daughters who hopes for a better existence outside their backwater town in New Mexico, but not knowing just how to go about finding it. Arty, intriguing showcase for some very fine actresses (Adams, Ione Skye and the inscrutable Fairuza Balk), as well as James Brolin in a small but telling role as the girls' dreamy-quiet, estranged father. Director Allison Anders, who also adapted the screenplay, does hit an awkward snag or two in exploring these characters' emotions, but her feel for Nowhere U.S.A. is rich with complexity. Moody and unusual, it's a film worth seeing. *** from ****

Nora (Brooke Adams) is a single mom trying to raise two daughters in a small New Mexico town. Shade (Fairuza Balk) is a nice girl obsessed with a latina cinema heroine Elvia Rivero. Trudi (Ione Skye) is rebellious and sexually promiscuous.

Director Allison Anders has made a small movie about mother-daughter and sister-sister relationships. This is mostly about their love lives. The three female leads have created good compelling characters. There is one missing element from the movie. There isn't a one central idea to drive the plot. It's basically watching their love lives slowly unfold. The movie doesn't really have a direction. However, the three leads do a good job. The meandering love stories have memorable moments and are compelling.

I absolutely loved this movie. There's no other way to put it.

Great acting from Fairuza and Ione and no matter what anyone says Ione Skye is a fabulous, talented actress. Every woman should see this movie and ultimately relate to it. We're all in search of a long-lasting relationship, but there are worse things in the world than being lonely. That's what I took away from the movie. For a change this film actually had an intelligent screenplay and top quality acting and directing. Again, I highly recommend the movie especially to women. Don't let this one go unnoticed!!

Allison Anders motivation in making this film may be obscure, but I'm glad she made it. This, her debut feature, runs like a meandering stream through rivulets of teenage angst and single-mother frustration in small town New Mexico. Maybe its' the Mexico bit that made this movie seem more foreign than traditional action-based, marketing-oriented, formulaic American movies.

I'd heard the term "trailer trash" via Jerry Springer and guests, but this female family of free (alright, forget the alliteration - three) are far from "trash", just down on their luck. The mother, Brooke Adams is a waitress on a low income trying to bring up her girls; the older one, Ione Skye, discovers through a fraternisation with a gallant, geologically quizzical Englishman (for once, not Hugh Grant), that relationships beat one night stands.

Ione's brother, Donovan Leitch, also appears in this film, but it is Fairuza Balk as the younger teenager, who is outstanding. She wants the best for her mother, which she has difficulty in securing, but her film-buff instincts and a predilection for Spanish movies, enable her to find fulfilment for herself.

The movie concludes in a somewhat enigmatic manner without all loose endings tied up. But hey, when in life are any loose endings tied up? Our end, like this film's, leave us wanting more.