A Few Good Men

Neo military lawyer Danny Kaffee (Tom Cruise) defends Marines accused of murder; they contend they were acting under orders.

Peter Travers of Rolling Stone magazine said "That the performances are uniformly outstanding is a tribute to Rob Reiner (Misery), who directs with masterly assurance, fusing suspense and character to create a movie that literally vibrates with energy." Richard Schickel in Time magazine called it "an extraordinarily well-made movie, which wastes no words or images in telling a conventional but compelling story." Todd McCarthy in Variety magazine predicted, "The same histrionic fireworks that gripped theater audiences will prove even more compelling to filmgoers due to the star power and dramatic screw-tightening."

I just wanted to share that, because all I can say is I agree entirely.

This is my all-time favorite movie. I've probably watched it 300 times and I can recite it line by line. I once wrote the script during the course of one semester in a class I hated. I still have the notebook.

Demi Moore definitely is the film's weakest link, but the acting is superb and Aaron Sorkin's story sucks you in from the opening minute. There is so much great dialogue, headlined by Tom Cruise's courtroom battle with Jack Nicholson at the movie's climax.

Too many people say the movie is average because it's "too slow," but I really believe anyone who appreciates good acting and good stories has to put this one near the top of their list.

In one of the most telling scenes in this movie, Navy Lieutenant Commander Jo Galloway (Demi Moore), a lawyer who is helping to defend two Marines on trial for murder, is asked why she likes these guys so much. And she replies, `Because they stand on a wall, and they say ‘nothing is going to hurt you tonight, not on my watch'.' Which veritably sums up the sense of duty and honor which underscores the conflict of `A Few Good Men,' directed by Rob Reiner, and starring Jack Nicholson and Tom Cruise. There is a code by which a good Marine must live and die, and it is: Unit, Corps, God, Country. But to be valid, that code must also include truth and justice; and if they are not present, can the code stand? Which is the question asked by director Reiner, who examines the parameters of that code with this film, which centers on the murder of a young Private First Class named William Santiago, who was killed while stationed at the Marine Corps base at Guantanamo Bay, Cuba. The case draws the attention of Commander Galloway, Special Counsel for Internal Affairs in the Judge Advocate General's Corps in Washington, D.C. Galloway, taking into consideration the impeccable service records of the two Marines charged with the crime, convinces her superiors that a thorough investigation is warranted in this case, though there are those in high places who would rather see this one plea bargained and put to rest.

Galloway persists, however, believing that Santiago's death may have resulted from a `Code Red,' a method of disciplinary hazing employed in certain circles of the Corps, though illegal. And if this was a Code Red, the real question is, who gave the order? Ultimately, her tenacity prevails, but though Galloway is a seasoned lawyer, she has little actual courtroom experience, so Lieutenant Daniel Kaffee (Cruise) is assigned to the case, along with Lieutenant Sam Weinberg (Kevin Pollak), with Galloway, as ranking officer, to assist. Kaffee, the son of a legendary lawyer, has skated through the first nine months of his Naval career, successfully plea bargaining forty-four cases. Outwardly upbeat and personable, Kaffee seems more concerned with his softball game than he does with the time he has to spend on the job. But underneath, he's coping with living his life in the shadow of his late father's reputation, which is an issue with which he must come to terms if he is to successfully effect the outcome of this case. And on this one he will have a formidable opponent: Colonel Nathan R. Jessup (Nicholson), who commands the base at Guantanamo.

As Jessup, Nicholson gives a commanding performance, and once he enters the film you can sense the tension he brings to it, which begins to swell immediately, and which Reiner does a great job of maintaining right up to the end. Jessup is a soldier of the old guard, a man of narrow vision and a particular sense of duty; to Jessup there's two ways of doing things: His way and the wrong way. He's a man who-- as he says-- eats breakfast three hundred yards away from the enemy, and he's not about to let a couple of lawyers in dress whites intimidate him. And that's exactly the attitude Nicholson brings to this role. When he speaks, you not only hear him loud and clear, you believe him. It's a powerful performance and, as you would expect from Nicholson, entirely convincing and believable.

Cruise, also, gives what is arguably one of the best performances of his career as Kaffee. He perfectly captures the aloofness with which Kaffee initially regards the case, as well as the determination with which he pursues it later. Cruise is convincing in the role, and some of the best scenes in the film are the ones he plays opposite Nicholson in the courtroom, the most memorable being one in which Kaffee exclaims to Jessup, `I want the truth!' to which Jessup replies, `You can't handle the truth!' And the atmosphere fairly crackles.

Moore is outstanding, as well, and she manages to hold her own and make her presence felt even in the scenes dominated by Nicholson and Cruise. It's a fine piece of acting by Moore, who deserves more than just a passing mention for it. Also turning in notable performances are Pollak, whose dry humor adds such an extra touch to the film, and Wolfgang Bodison, who makes an impressive screen debut as Lance Corporal Dawson, on of the Marines on trial for the murder of Santiago.

The supporting cast includes Kiefer Sutherland (Kendrick), Kevin Bacon (Ross), James Marshall (Downey), J.T. Walsh (Markinson), Cuba Gooding Jr. (Hammaker) and Christopher Guest (Dr. Stone). A powerful drama, superbly delivered by Reiner, `A Few Good Men' is a thought provoking, unforgettable motion picture that makes you take pause for a moment to consider some things that are for the most part out of sight and out of mind. Like who is on that wall tonight, and are we safe because of him. And it makes you reflect upon some things perhaps too often taken for granted. And that's what really makes this film so good; and it's all a part of the magic of the movies. I rate this one 10/10.

A good film is what A Few Good Men is. It is not perfect but especially the performances take this film to a higher level. Tom Cruise and Demi Moore as the 'good guys' are good, as is Kevin Bacon. But the 'bad guys' make this movie really good. Kiefer Sutherland and most of all Jack Nicholson are masterful.

The story is interesting and well told. We all know the truth from the beginning, or we think we do, but the movie is still exciting in its own way.

I liked this movie very much, it was never boring, and I was real pleased that some of the cliches you normally see in a movie like this one were left out. If you like a good story, good directing and perfect performances this is your movie. 9/10.

Guantanamo Bay is, apart possibly from the 38th Parallel in Korea, the only place left on earth where the US Military still confronts hostile Stalinism, eyeball to eyeball. Ceded to the USA after the Spanish-American War of 1898, Guantanamo is America's only outpost on the island of Cuba. Marines guarding the perimeter of the naval base are under immense pressure. Here in the Cold War's last remaining hotspot, they are responsible for protecting the Free World.

A border incident has occurred. A marine sentry has fired a 'live' round in the direction of the communists. One of his colleagues has informed on him, bringing on himself a 'code red'. The 'code red' is an unofficial disciplinary measure, imposed by a marine squad when a member offends against the unit's esprit de corps. Having been gagged, bound and beaten, the marine dies at his colleagues' hands. There will now be a court-martial.

Demi Moore plays Lieutenant-Commander Joanne Galloway, a lawyer in the Navy's Internal Affairs Department. A deft plot device has her rehearsing to herself a request to be assigned to the case as she walks across the parade ground, efficiently conveying necessary information to the viewer.

Dan Kaffee (Tom Cruise) is a smart, flippant, good-looking young Navy lawyer. His father was a renowned jurist, and Dan feels the burden of his father's reputation. Indeed, his casual, tongue-in-cheek attitude to the law is his way of avoiding comparison with his father. You can't fail if you don't even try.

Kaffee is assigned to defend the two marine privates accused of killing the informer. Why a junior officer should be given conduct of such a serious case is baffling, unless of course the Marine Corps wants these men to be found guilty, in order to protect somebody more important...

Colonel Nathan Jessep is fascinating. Jack Nicholson always turns in a magnetic performance, but this one is special. He makes his character by turns urbane, self-assured, sarcastic, professional and menacing.

Gradually, Demi and Tom start to pull together and to function as a defence team. The 'code red' doctrine is exposed as a pernicious practice.

If the film is a stock courtroom drama pretty much like all the others, it certainly has qualities which set it apart. Three outstanding performances from the stars, Nicholson, Cruise and Moore, make it a bit special. The denouement is very hard to believe, but there are things in the film which linger in the memory and compensate for the exaggerations of the plot.

The opening credits roll over lovingly-filmed images of a precision-drill rifle squad in action. The viewer is, from the very start, placed emotionally in the context of a severe, inflexible discipline which is both admirable and unnerving. Kaffee indulges in some sparkling legal jockeying. Though he may lack trial experience, we feel that he will defend these men ably. He is nobody's fool. The flirtatious bickering between Kaffee and Galloway is well done. Jessep's walk to the witness stand is a moment of high drama, with Nicholson filmed from a low angle, emphasising the formidable authority of the man.

This clever, highly-polished film finally convinced me that Cruise can act. As for Demi, I am still unable to figure her out. What is it about her that remains stubbornly unsympathetic? She has abundant intelligence and talent, and is exquisitely beautiful, and yet is is impossible to warm to her. Does she get these parts because of her dark personality, or do the roles colour our perception of her?