Cool World

1992
UA
1 घं 42 मि

IMDb रेटिंग

4.8/10

26 हज़ार

आपकी रेटिंग

लोकप्रियता

2,943

1,270

Brad Pitt and Kim Basinger in Cool World (1992)

trailer प्ले करें2:11

1 वीडियो

99+ फ़ोटो

Adult Animation Dark Fantasy Hand-Drawn Animation Animation Comedy Fantasy

जब जैक डेब्स सलाखों के पीछे थे तब उन्होंने कूल वर्ल्ड नाम की एक कार्टून सीरीज के सृजन द्वारा कष्ट भुलाने का तरीका ढूंढ लिया, इस कार्टून सीरीज में होली वॉल्ड नाम की एक लोमड़ी थी. मांस स्याही ... सभी पढ़ेंजब जैक डेब्स सलाखों के पीछे थे तब उन्होंने कूल वर्ल्ड नाम की एक कार्टून सीरीज के सृजन द्वारा कष्ट भुलाने का तरीका ढूंढ लिया, इस कार्टून सीरीज में होली वॉल्ड नाम की एक लोमड़ी थी. मांस स्याही से कमजोर साबित होता है, जब होली लास वेगास में मानव रूप लेती है.जब जैक डेब्स सलाखों के पीछे थे तब उन्होंने कूल वर्ल्ड नाम की एक कार्टून सीरीज के सृजन द्वारा कष्ट भुलाने का तरीका ढूंढ लिया, इस कार्टून सीरीज में होली वॉल्ड नाम की एक लोमड़ी थी. मांस स्याही से कमजोर साबित होता है, जब होली लास वेगास में मानव रूप लेती है.

IMDbPro पर प्रोडक्शन की जानकारी देखें

IMDb रेटिंग

4.8/10

26 हज़ार

आपकी रेटिंग

लोकप्रियता

2,943

1,270

IMDbPro पर प्रोडक्शन की जानकारी देखें

पुरस्कार
- 2 कुल नामांकन

Mom Harris
(as Janni Brenn-Lowen)

Brad Pitt

Frank Harris

William Frankfather

Greg Collins

Maurice LaMarche

Interrogator
(वॉइस)
…

Joey Camen

Interrogator
(वॉइस)
…

Michael David Lally

Sparks
(वॉइस)

Michele Abrams

Jennifer Malley

Carrie Hamilton

Comic Bookstore Cashier

Stephen Worth

Store Patron…

Murray Podwal

Store Patron

Jenine Jennings

Craps Bunny
(वॉइस)
…

Gregory Snegoff

Bash
(वॉइस)

Candi Milo

Bob
(वॉइस)
…

Charlie Adler

Nails
(वॉइस)
(as Charles Adler)

Patrick Pinney

Bouncer
(वॉइस)

निर्देशक
- Ralph Bakshi
लेखक
- Michael Grais
- Mark Victor
सभी कास्ट और क्रू
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इस तरह के और

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6.6

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6.5

6.1

5.2

The Nine Lives of Fritz the Cat

5.8

Johnny Suede

5.2

Cheap

कहानी

बदलाव करें

क्या आपको पता है

बदलाव करें

ट्रिविया
As a publicity stunt, Paramount Pictures put a huge cut-out of Holli Would on the D of the Hollywood sign. The studio donated $27,000 to the sign's maintenance fund, another $27,000 to the Rebuild L.A. fund (it was just after the L.A. riots), and paid for 2 park rangers to guard the sign 24 hours a day. The stunt angered local residents, who picketed and demanded that the cut-out be taken down.

गूफ़
In the opening scene, as he gets off the plane, Brad Pitt's character is wearing the twenty-ninth division patch. Later, when he first shows his mother his motorcycle, he asserts that he won it in Italy. The twenty-ninth division was never in Italy.

भाव
Frank Harris: Baby, you and me, I can't have that in the real world. I can't live without you. But I can't be with you. What do you do, huh? What do you do?
Lonette: Well, we're just going to have to pretend, then, aren't we?

इसके अलावा अन्य वर्जन
When shown on the sci-fi channel, the following scenes have been cut:
When Sparks encounters doodle children in the alley he releases little coins with fangs that attack them, but they only show him say "I hate it when she meets guys without telling me".
While being chased by the popper police, Slash (the baby-like doodle) urinates on them: they only show the popper police get hit by the train
While waiting for the doodle telephone to get to Frank, Nails bites into his desk
The sex scene between Holli Would and Jack Deebs has been altered and some footage has been deleted
After Nails was "penned' by Holli, Frank encounters Sparks and knocks his French fries out of his hand, Sparks responded with "now you can buy me more fries, dick-head", but it was changed to "now you can buy me more fries, pinhead"
At the end, Holli's "pencil-dick" remark is deleted.

कनेक्शन
Featured in Siskel & Ebert & the Movies: A Stranger Among Us/Man Trouble/Honey, I Blew Up the Kid/Cool World/The Hours and Times (1992)

साउंडट्रैक
Play with Me
Written, Performed and Produced by Thompson Twins
Thompson Twins perform courtesy of Warner Bros. Records Inc.

उपयोगकर्ता समीक्षाएं122

फीचर्ड रिव्यू

6/10

A mixed bag, but imaginative.

A mixed bag, to be sure, but not (at least in my opinion) the disaster that's widely believed to be. The story may be weak and the technology sometimes flawed, but there is one thing you can't accuse Ralph Bakshi of, and that is a shortage of imagination and creativity. The screen is filled with mostly enjoyable throwaway characters and gags, and even though the film keeps changing tones rapidly (from "slapsticky" to erotic to sad), it doesn't lose your attention. Neither does Kim Basinger, at her most gorgeous here. (**1/2)