IMDb रेटिंग
4.3/10
5.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA man and his son vacation to the quiet vampire populated town of Salem's Lot.A man and his son vacation to the quiet vampire populated town of Salem's Lot.A man and his son vacation to the quiet vampire populated town of Salem's Lot.
Ronee Blakley
- Sally
- (as Ronee Blakely)
Janelle Webb
- Sarah
- (as Georgia Janelle Webb)
फ़ीचर्ड समीक्षाएं
There's an interesting story buried under the awful execution. Many interesting ideas and threads that warrant further exploration. It's a true shame this is what the result was.
In Larry Cohen's A Return to Salem's Lot, star Michael Moriarty plays the same kind of insufferable wise-cracking jerk as he did in Cohen's Q: The Winged Serpent; not only is the film's 'hero' thoroughly unlikeable, but so is his foul-mouthed rebellious teenage son Jeremy, played by Ricky Addison Reed. With these two on screen for the majority of the film, I found this 'sequel in name only' extremely irritating; my annoyance was compounded by a terrible script and the general tone of the film, which does away with the spine-chilling terror of Tobe Hooper's excellent mini-series of '79, and replaces it with scare-free drama and misplaced humour.
Moriarty plays anthropologist Joe Weber, a man so devoid of morals that, in the film's opening scene, he is happy to film the ritualistic murder of a native without trying to intervene. Joe is called back to civilisation to help deal with his wayward son, as if he would be of any use to the boy. The pair travel to Salem's Lot, where Joe has inherited a ramshackle property, but discover that the town is inhabited by vampires, led by Judge Axel (Andrew Duggan). Unlike the creatures of pure evil in Hooper's original, these bloodsuckers try to keep a low profile by feeding on cows, only occasionally taking human victims, and are keen to strike a bargain with Joe: they will spare his son if he writes a 'vampire bible' chronicling their kind. However, when Jeremy tells his father that he wants to integrate into the vampire society, Joe teams up with elderly Nazi-hunter/vampire slayer Dr. Van Meer (Samuel Fuller) to try and destroy the undead.
Forget blood-curdling scares; forget atmosphere; forget the intense horror of Mr. Barlow or the nightmare-inducing sight of Danny Glick floating outside a bedroom window: Cohen's film has nothing of the sort, instead offering viewers such awful, fright-free scenes as a bunch of giggling children attacking a pair of drunken bums, Joe having sex with a vampire blonde (he knows she's dead, but she's hot, so what the heck!), Jeremy having his first kiss with a vampire schoolgirl (the debut of Tara Reid), and Joe painting his porch (amongst other D. I. Y. Jobs). Thankfully, once Joe teams up with Van Meer, the film becomes a bit more lively and entertaining, as the pair go from house to house armed with stakes to pierce the hearts of the vampires. It's cheesy, trashy, and an insult to Hooper's classic, but at least it's more fun than watching kids in a schoolhouse learning about their vampire history.
For the cheap and cheerful special make-up effects and gore, and not one but two opportunities to see Katja Crosby topless, I rate A Return to Salem's Lot 3/10.
Moriarty plays anthropologist Joe Weber, a man so devoid of morals that, in the film's opening scene, he is happy to film the ritualistic murder of a native without trying to intervene. Joe is called back to civilisation to help deal with his wayward son, as if he would be of any use to the boy. The pair travel to Salem's Lot, where Joe has inherited a ramshackle property, but discover that the town is inhabited by vampires, led by Judge Axel (Andrew Duggan). Unlike the creatures of pure evil in Hooper's original, these bloodsuckers try to keep a low profile by feeding on cows, only occasionally taking human victims, and are keen to strike a bargain with Joe: they will spare his son if he writes a 'vampire bible' chronicling their kind. However, when Jeremy tells his father that he wants to integrate into the vampire society, Joe teams up with elderly Nazi-hunter/vampire slayer Dr. Van Meer (Samuel Fuller) to try and destroy the undead.
Forget blood-curdling scares; forget atmosphere; forget the intense horror of Mr. Barlow or the nightmare-inducing sight of Danny Glick floating outside a bedroom window: Cohen's film has nothing of the sort, instead offering viewers such awful, fright-free scenes as a bunch of giggling children attacking a pair of drunken bums, Joe having sex with a vampire blonde (he knows she's dead, but she's hot, so what the heck!), Jeremy having his first kiss with a vampire schoolgirl (the debut of Tara Reid), and Joe painting his porch (amongst other D. I. Y. Jobs). Thankfully, once Joe teams up with Van Meer, the film becomes a bit more lively and entertaining, as the pair go from house to house armed with stakes to pierce the hearts of the vampires. It's cheesy, trashy, and an insult to Hooper's classic, but at least it's more fun than watching kids in a schoolhouse learning about their vampire history.
For the cheap and cheerful special make-up effects and gore, and not one but two opportunities to see Katja Crosby topless, I rate A Return to Salem's Lot 3/10.
....that I had to force myself to see it through to the end.... how bad? Well the kid who played the exceedingly foul-mouthed boy has NO other acting credits to his name on this movie database! That should say something...to think that Michael Moriarty, an actor with many fine films to his credit, would appear in a piece of crap like this... I first saw it last year after renting it at a video store, because the original Salem's Lot is a pretty good film, but this movie has nothing to do with the original....it looked like they shot it about 10 minutes after the writer wrote it, and they had one shot only...if you forgot your lines, just adlib something...the plot was preposterous....the only attribute it made to vampire movies at all was the concept of the "drones" who could function during the day as normal people and guard the real vampires.
Really I must say, that of "major" studio movies, this one truly has a shot at worst of all time, as they had real actors, a real budget, location, scenery and etc....and it is still horrible. So you can't judge it against awful movies that were shot for video only with a $100,000 budget....No, this one really is unbelievably bad considering its backing and the name it had to trade on..... I gave it a "2" but I think I was charitable. Because of this movie, there will never be a "Salem's Lot 3" and that's too bad.
Really I must say, that of "major" studio movies, this one truly has a shot at worst of all time, as they had real actors, a real budget, location, scenery and etc....and it is still horrible. So you can't judge it against awful movies that were shot for video only with a $100,000 budget....No, this one really is unbelievably bad considering its backing and the name it had to trade on..... I gave it a "2" but I think I was charitable. Because of this movie, there will never be a "Salem's Lot 3" and that's too bad.
A good story can survive all but the worst treatment. Unfortunately, this really is the worst treatment.
The acting is terrible. The editing is worse--choppy and inept. It's the kind of editing that's so bad you have a number of those "What? How'd he get over there?" moments. It's hard to believe that Larry Cohen had ever directed anything before this, it's so amateurish. I would have guessed this to be a first film, if I didn't know better. It looks as if the director just didn't get the shots needed to cover the action and left the editor scrambling to stitch together a movie.
Similarly, lines of dialogue come out of nowhere, completely unmotivated, almost nonsensical.
The sad thing is, there are good ideas buried in this mess: vampires trying to run a sustainable community by feeding on cows' blood, their attempts to recruit a journalist to record the details of their lives for future generations, the protagonist's perpetually-17-years-old childhood sweetheart seducing him into the Devil's bargain. They're good elements for a story.
But the details don't hang together. None of it quite makes sense. And the one or two good special effects are overwhelmed by all the lousy ones.
If, like the inhabitants of Salem's Lot, you plan to live forever, you might want to take a look at this movie. But for the living: Believe me, you don't have enough time to waste two of your precious remaining hours on this one.
The acting is terrible. The editing is worse--choppy and inept. It's the kind of editing that's so bad you have a number of those "What? How'd he get over there?" moments. It's hard to believe that Larry Cohen had ever directed anything before this, it's so amateurish. I would have guessed this to be a first film, if I didn't know better. It looks as if the director just didn't get the shots needed to cover the action and left the editor scrambling to stitch together a movie.
Similarly, lines of dialogue come out of nowhere, completely unmotivated, almost nonsensical.
The sad thing is, there are good ideas buried in this mess: vampires trying to run a sustainable community by feeding on cows' blood, their attempts to recruit a journalist to record the details of their lives for future generations, the protagonist's perpetually-17-years-old childhood sweetheart seducing him into the Devil's bargain. They're good elements for a story.
But the details don't hang together. None of it quite makes sense. And the one or two good special effects are overwhelmed by all the lousy ones.
If, like the inhabitants of Salem's Lot, you plan to live forever, you might want to take a look at this movie. But for the living: Believe me, you don't have enough time to waste two of your precious remaining hours on this one.
I sat down to watch the 1987 "A Return to Salem's Lot" after having just revisited the 1979 "Salem's Lot". And with the movie sporting a cover similar to the original 1979 movie, I assumed that there was a chance that this sequel might actually be an okay movie.
Truth be told, 2021 was actually the first time for me to sit down and watch "A Return to Salem's Lot". And it will also be my last time. Wow. Just wow. "A Return to Salem's Lot" was bad, really, really bad. I mean it wasn't even on the same page as the 1979 predecessor. Nay, "A Return to Salem's Lot" was just something that felt like a spoof.
It was painful and gut wrenching to sit through "A Return to Salem's Lot" and watch the ridiculous storyline unfold on the screen. God only knows what went through the minds of Larry Cohen and James Dixon when they were writing the script for this atrocity of a movie.
The special effects in the movie were poor, and actually even worse off than the special effects in the predecessor that was made 8 years before. So that is a bad testiment to how bad "A Return to Salem's Lot" really is.
Then there was the acting, or what was supposed to resemble acting. There was a shared concensus of putting on poor acting performances among the actors and actresses, or so one would think by looking at the performances put on throughout the course of the movie.
I found "A Return to Salem's Lot" to so bad that it felt like a slap to the face with a cold, dead fish. Don't waste your time on this 1987 sequel, because it is horrible.
My rating of director Larry Cohen's "A Return to Salem's Lot" lands on a mere three out of ten stars.
Truth be told, 2021 was actually the first time for me to sit down and watch "A Return to Salem's Lot". And it will also be my last time. Wow. Just wow. "A Return to Salem's Lot" was bad, really, really bad. I mean it wasn't even on the same page as the 1979 predecessor. Nay, "A Return to Salem's Lot" was just something that felt like a spoof.
It was painful and gut wrenching to sit through "A Return to Salem's Lot" and watch the ridiculous storyline unfold on the screen. God only knows what went through the minds of Larry Cohen and James Dixon when they were writing the script for this atrocity of a movie.
The special effects in the movie were poor, and actually even worse off than the special effects in the predecessor that was made 8 years before. So that is a bad testiment to how bad "A Return to Salem's Lot" really is.
Then there was the acting, or what was supposed to resemble acting. There was a shared concensus of putting on poor acting performances among the actors and actresses, or so one would think by looking at the performances put on throughout the course of the movie.
I found "A Return to Salem's Lot" to so bad that it felt like a slap to the face with a cold, dead fish. Don't waste your time on this 1987 sequel, because it is horrible.
My rating of director Larry Cohen's "A Return to Salem's Lot" lands on a mere three out of ten stars.
क्या आपको पता है
- ट्रिवियाA rare instance in which a TV miniseries was followed up by a theatrically-released sequel.
- गूफ़(at around 4 mins) When Joe socks his camera man on the river in the jungle, he socks the guys left eye. When the guy reacts, he initially grabs his left eye but quickly moves to the right eye and makes a big fuss.
- भाव
Van Meer: I'm not a Nazi hunter. I'm a Nazi killer!
- इसके अलावा अन्य वर्जनThe German version was initially cut for violence by 36 seconds to secure a FSK-18 rating, however it didn't stop the BPjM from putting it on the index list which means limited sales and advertisements. The movie was eventually released uncensored in Germany in 2006 with the DVD release (using the same "Not under 18" rating). 7 years later the BPjM deleted this movie from the index list entirely.
- कनेक्शनFeatured in Minty Comedic Arts: Movie Sequels You Never Knew About (2017)
टॉप पसंद
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- How long is A Return to Salem's Lot?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- La hora del vampiro II: el regreso
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,20,00,000(अनुमानित)
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