Moonstruck

This movie is brilliant in every way. It touches on the complexities of loving relationships in a meaningful way, but never lectures. The script never condescends toward any character, not even the hapless Johnny. It also and benefits from spot-on direction, production design, casting, and performances. The fact that Cher is so perfect in the film and is more unlike "Cher" than she has ever been is a wonder to me. I watch Moonstruck at least once a year and I just viewed it again this Christmas eve with my 16 year old twin daughters and they loved it as well. It has something for everyone with a heart and leaves you filled with joy in the end.

Deliriously romantic comedy with intertwining subplots that mesh beautifully and actors who bounce lines off each other with precise comic timing, a feat that is beautiful to behold. When Cher's spineless fiancé asks her to help him make peace with his estranged, moody younger brother, no one could dream the consequences which follow. Operatic symbolism, Catholic church confessions, love bites and falling snow..."Moonstruck" is timeless and smooth. It takes about 15 minutes for the picture's rhythm to kick in (there's an early sequence with the grandfather and his dogs at the cemetery that's a little rough, and a following scene with Cosmo and the elderly man at the gate that seems obtuse), but the patchwork of the plot is interwoven with nimble skill, and the movie's wobbly tone and kooky spirit are both infectious. ***1/2 from ****

When the above line is uttered by a tearful, elderly character at the end of this wonderful, funny, charming romantic comedy, I laughed so hard, my ribs hurt. The film is a heart warming look at a quirky Italian-American family in Brooklyn that happens to be going through some relationship issues. It is a multi-layered story with some terrific vignettes and the script, cast and performances are all first rate. Cher, Olympia Dukakis (both Oscar winners), Vincent Gardenia and Danny Aiello have rarely, if ever, been better and the tuneful and romantic score is an added treat. This is a must-see and another gem from the great director Jewison.

Wonderful romance comedy drama about an Italian widow (Cher) who's planning to marry a man she's comfortable with (Danny Aiello) until she falls for his headstrong, angry brother (Nicholas Cage). The script is sharp with plenty of great lines, the acting is wonderful, the accents (I've been told) are letter perfect and the cinematography is beautiful. New York has never looked so good on the screen. A must-see primarily for Cher and Olympia Dukakis--they're both fantastic and richly deserved the Oscars they got. A beautiful, funny film. A must see!

Maybe we should be committed, but my husband and I have memorized virtually the entire movie. Neither of us has ever been so in love with a film. The reason this movie "struck" us so I think is because it illuminates the human heart at it's romantic best. Not to mention that there is a line in this movie appropriate for almost any of life's experiences. I don't know how we would get through a day without it! I guess we truly are lunatics! Ha. Perhaps in our love relationships, we should see one another in the romantic glow given off by the bella luna. I can't pick a favorite line, but the scene when Loretta first confronts Ronnie in the bakery is powerful, moving, and Nicolas Cage at his very best "I ain't no monument to justice!...". Also, when he walks her to his place in the freezing cold and tells her "we're not here to make things perfect. We are here to ruin ourselves and love the wrong people..." Permission to be passionate and flawed.

Trivia-Did you know that the second slap Loretta gives Ronnie when she tells him to "snap out of it!" was impromptu, and that they both cracked up after that and filmed the rest of that scene struggling not to burst out laughing?