Matewan

You might say we have it pretty good today, we don't have to pick up a rifle to form a union. This movie is based on the Battle of Matewan that took place in Matewan, West Virginia in 1920.

The conditions these workers faced were brutal. Miners had to pay for all their own equipment, their housing was owned by the mining company and they also paid for it, workers were also paid in credits which they could only use at the mining company store. Workers who went strike were subsequently evicted from their homes.

This movie is great. It's a page from history which should be told much more often. James Earl Jones is terrific as a black miner who is signed up as a scab but he's actually a union sympathizer who encourages the black scabs to strike with the West Virginia workers.

Chris Cooper is also great as a union organizer. I think he's a highly underrated actor. He was very good in American Beauty as the hick next door neighbor and he's great in Matewan as well. Proof, I believe that he can really take on any role.

Bob Gunton is also a great actor. This movie was made long before he was playing every two bit villain of the week. I think that was due to his role as the warden in The Shawshank Redemption where he just let it all out.

I liked one scene in particular early in the film where the union men on strike try to weed out Cooper by finding out how much he knows about union history. Where was Joe Hill buried? In which eye was Big Bill Haywood blind in? Cooper also quips, "I was a Wobbly, back when that meant something" But he does support the notion of One Big Union. The IWW will rise again!

This 1987 film aims to document real events that concerned a small coal mining community (called Matewan) in West Virginia in 1920. The miners are trying to organize a union, much to the dismay of the company that employs them. All of the acting is great, including, in the starring role, Chris Cooper, (the Kansas City native who was the abusive father from American Beauty and who starred in another fantastic Sayles film from 1996, Lonestar), David Strathairn as the good-natured but stern police chief, and, in his only theatrical movie role ever (here at 14 years old), indie-folk legend Will Oldham, of Palace Music and Bonnie Prince Billie fame. He plays a preacher-in-training in the film, and does such a great job that it seems damn unfortunate for all of us that he didn't continue his acting career--though he would go on to make some great music, and continues to currently. It also features James Earl Jones, aka Darth Vader.

Anyway, the film is very honest, subtle and exquisite. You don't feel, as you do with many films churned out by Hollywood, that things have been altered and embellished for the sake of making it interesting--it's very natural, and it seems very real. You're confidant that Sayles is giving you the truth here, as best he can, through his visual style, restrained, natural dialogue and engaging historic atmosphere.

It's movies like this that renew my faith in period pieces. Important historical films at their best are able to capture a period and bring the audience as close as possible to experiencing the 'feel' of that time--I guess that kinda goes without saying though.

Matewan tells the tale of just one of the battles fought in the coal mining wars of the late nineteenth, early twentieth century.

Chris Cooper, as Joe Menehan, plays a union organizer intent upon bringing the miners of Matewan out from underneath the heel of the coal mine owners. When intimidation and terror tactics fail to cow the locals, the mine operators and their private security thugs bring in scabs, nominally led by "Few Clothes" Johnson - played by James Earl Jones. When the scabs join the strikers the mine operators resort to all-out warfare against the unionized miners.

David Strathairn, Chris Cooper, James Earl Jones, Mary McDonnell - everyone on the cast delivers a believable, wonderful performance. Everything in this movie makes you feel as if you were really there and depicts this often overlooked event in American history with a stark realism that will leave you thinking about it over and over for a very long time.

Such is the impact of the direction, acting, and writing of this movie that when I saw this movie on video about a week ago, it was still as fresh in my mind as when I saw it last on the big screen on opening day.

10 out of 10. Truly an overlooked classic.

This movie was obviously made as a labor of love, by someone whose ideals are deeply American. Director Sayles masterfully documents the nuances of the ageless conflict between those that would control others for profit and those that would not let themselves be controlled and thereby captures the essence of a battle that still rages between the American ideals of freedom and free enterprise.

Historically, the film documents a victory (some say massacre) by the miners over the power brokers and thugs of the early 20th century coal mining industry. Taken in the overall context of the history of Appalachian coal mining, however, what it truly documents is one battle in a war that was eventually lost when the government once again came down on the side of commerce as opposed to human dignity at the battle of Blair Mountain.

Fortunately for us, Mr. Sayles seems all too keenly aware of the tremendously important under-currents of this historical event. Rather than merely documenting the conflict and violence of this historic event, he artfully imbues the story with human elements of betrayal, regret, loss, resolve, and ultimately, sacrifice in the name of what is right and just. He reminds us that righteousness often comes with a price and that the real war is never won or lost but rages on forever, claiming the salvation and damnation of souls in it's wake.

This film is a masterpiece and deserves its due. It represents everything good about film-making and should hold a special place in the hearts of all free Americans aspiring to the ideals expressed in our constitution.

John Sayles is a national treasure! Ferociously independent --most of his films are made with privately organized funds-- and working with what has become a repertory company --most of his actors return to work with him for less than they would get elsewhere-- he has never made an uninteresting film. Even when his films may vary in overall quality, from merely good to great, they are each interesting and arresting.

My mother was an organizer in the southwest coal counties of West Virginia, arriving there in 1926 (having left college), near the end of the coal wars. Her only comment on the film, when I screened it for her before she died in 1988,was that the working conditions and the living conditions of the miners and their families were far worse than depicted in the film. She always spoke at union meetings surrounded by a body guard of 10-20 armed miners. A number of her young colleagues were assassinated (there's no other appropriate word for how they died).

The murder of Sid Hatfield, the town sheriff of Matewan, in the year following the year portrayed in the film, in broad daylight on the McDowell County courthouse steps precipitated the largest insurrection in the U.S. since the Civil War. More than 10,000 armed miners from the six coal counties, descended on the court house looking for the private detectives and law "enforcement" officers who were the assassins. They took over the court house and the town, and threatened open insurrection. Thew film is a great film. Unfortunately, like most of John Sayles's films, it did not play to a large audience.