Making Mr. Right

7 April 2010. This likable android becomes more human sci fi scenario offers Malkovich an opportunity to act multi-dimensionally as well as provide both comedic and some endearing emotional tenderness. Never completely over the top, this somewhat predictable storyline is pretty basic but with a snappy soundtrack and decent script, the pacing and editing, continuity make for an entertaining, fun, and feel-good experience. The movie while never probing into any depth, does offer some reflection on humanity and love. There are a few plot points that don't seem to have resolution (like Frankie Stone's sister's ultimate disposition), an abrupt cut away from Frankie Stone's climatic embarrassment as well as somewhat of a under-developed segment on the androids coming out. Overall, though this is decent, above average sci fi comedy with a heart (Wizard of Oz style and all).

After he is seen with a beauty queen, Florida advertising executive Ann Magnusson (as Frankie Stone) drops "not hard enough" politician boyfriend Ben Masters (as Steve Marcus) from her roster. Next, she accepts a pitch from the local "Chemtec" organization; in danger of losing their government funding, the company wants Ms. Magnusson to work on public relations. She meets the company's chief calling card, an anatomically correct blond android named "Ulysses" (played by John Malkovich). He's the spitting image of creator "Jeff Peters" (Mr. Malkovich again).

His "Dr. Frankenstein" wants "Ulysses" to be a spaceman, but the android gets lovesick for Magnusson, and wants to remain on Earth. This dilemma makes you wonder why they didn't leave a trio of parts off the manly Malkovich; probably, it was due to his creator not being very "good with people." It all works out just fine in the end. The cast is fun, if not always funny. And some of the supporting characters are cast aside by a quick ending. Still, Malkovich makes a great date; especially, watch for his hilarious encounter with Laurie Metcalf (as Sandy) at the mall.

****** Making Mr. Right (4/3/87) Susan Seidelman ~ John Malkovich, Ann Magnuson, Ben Masters, Glenne Headly

As a tremendous fan of movies, I have yet to see many directed by women. Rarely are they publicized, and rarely are they seen, for many reasons. This movie, Making Mr. Right, is one of the great films of the late twentieth century.

It is a film fraught with ironies and humor, and told from the perspective of a busy working woman, who is in the midst of making her life and keeping up relationships. Her life is changed when she is forced to train an android to learn some people skills.

The movie brings up all kinds of social questions – it feels largely told from a anthropologist's view – a perspective that is completely devoid of the subject at work. This is certainly very interesting, and becomes very engaging when it is forced to look at the way people interact and why.

There are the obvious questions – like can machines think? These conspicuous ones are less interesting to the audience since they are an old hat, something already presented to us by science fiction writers of the 60s and 70s.

The cinematography or other technical elements are nothing to rave about. You don't watch it for the special effects, obviously. John Malkovich puts on a startling real act of a machine, as well as the maddened scientist who cannot interact with the real world.

RATING: 8/10

"One day, when people have figured that out (the problems of love), then they will be more than just machines"

The two stars of the film are John Malkovich and Ann Magnuson. John Malkovich is now renowned as a consummate actor, and in this film he has a tour de force in a dual role playing Dr. Jeff Peters, an all-serious engineer/scientist and the look-alike android he created for a one-person multi-year deep space mission which the characters believe would be too lonely for a human to endure.

Unfortunately, Ann Magnuson did not enjoy similar success as a film actress following this part. I found that surprising because she was truly excellent as Frankie Stone, a respected publicist hired to convince the government to provide funds for continuation of Dr. Peters' deep space project. Frankie's approach is to make the android (named Ulysses) more engaging and interesting to the general public during interviews. That is, to make it more human-like. Magnuson, a red-head, was around 30 years old when the film was made, and I thought at times that I was watching a 30 year old Shirley MacLaine.

The style of the film as a whole seemed to me to belong to an earlier time in the film industry, more like 1950s era romantic comedies. I checked to see if the film had been made earlier and not released until 1987, but found nothing to indicate that. Perhaps I'm just not remembering that time period accurately.

This is a fantastic film, it really is. The director took a risk in casting a relatively unknown actress (Magnuson) in a lead role, but that risk paid off - she turned in a faultless, feisty performance, and I really believed that she was a top notch confidant businesswoman whose love life was a mess. John Malkovich is equally good, and it is so nice to see him cast against type and doing comedy for a change - and two roles to boot - which he manages very well. A far cry from "Dangerous Liaisons", Malkovich works hard to give the android depth and character, when Ulysses could have easily become so two-dimensional. Instead we have the pleasure of watching him grow and gradually develop the emotions and human characteristics that we take for granted, so that if you rewind and watch how Ulysses was at the beginning, he will seem completely different. Equally, Dr Peters, though arrogant and dispassionate, does evoke some sympathy and compassion with the audience. In an ironic turn, watch how machinelike Jeff seems in comparison to Ulysses towards the end, you will be surprised!

Brilliant! The scene at the wedding when Ulysses tells Frankie he loves her was perfect and particularly moving.