In the Mood

In the Mood is like a 1940s version of Loverboy, which also starred Dempsey in the role of a young kid who manages to 'woo' older women while desperately trying to make things work with a girl his own age.

For those rent the video version, you'll get the mini-documentary of Sonny Elsworth Wisecarver, the man who's life 'In the Mood' is supposed to be based on. I'm not sure if this is shown during television broadcasts of the movie. But, even with the documentary of real-life Elsworth, it still seems hard to believe that the Woo Woo Kid shared the headlines with Hitler (the movie takes place during the second world war) unless of course, they were just small town headlines.

It is a nice romantic comedy. Wisecarver (Dempsey) narrates his days as a love struck 15 year-old who's wild romances become exaggeratingly probed by the press and law enforcement, making him the idol of young teenagers, the grievance of adults, and earns him the nickname, the 'Woo Woo Kid.' All he wanted was to meet a nice girl his own age. But that seems like one tough task for Wisecarver to accomplish. It all begins with a marriage to a 21 year-old married woman who Dempsey tries to help save from a rotten, abusive husband. After making the headlines, Wisecarver is the target of all the older ladies looking to get their hand on the romantic, but naive young man.

It is a funny little film and one you'll likely enjoy if you've like Dempsey's and Brian MacNamara's (he plays Wisecarver's friend) early 80s movies. Especially good in this movie are Michael Constantine (My Big Fat Greek Wedding) as Wisecarver's clueless dad, and Beverly D'Angelo as one of Wisecarvers girlfriends (sort of). It is a funny idea that a young boy's love life is so ridiculously probed by everyone as he's just trying to get along.

This film is so wonderfully quirky, it could be British. In fact, I was sure it was the work of a British filmmaker until I saw it was written and directed by Phil Alden Robinson, who then went on to make Field of Dreams and Sneakers.

It's nothing at all like those bigger, more "Hollywood" style movies. This is charming, low-key, and, well, goofy. It's played for oddness and smiles instead of big laughs. It's also smart and completely won us over. And it's a true story.

Definitely one of my very favorite sleepers.

Patrick Dempsey, in his very early film vehicle before LOVERBOY and HAPPY TOGETHER, played a lovestruck teenager known as the "Woo Woo Kid", circa 1944. He's the all-American boy who is always IN THE MOOD for women much older than him. To revive the 40s is an understatement; it could have been much more livelier and funnier the same way. When you first get a glance of this overlooked movie, it will almost be very puny and be best forgettable. This is probably Dempsey's best one, showing that he's been capable of being a kid out of the ordinary, and always ends up taking the wrong paths toward trouble. The "true" story of Sonny Wisecarver (which this is based on) seemed mightily uncommon and not often remembered to this day, but this piece of interest may catch your eye for a split second or two. Worth a valuable 49-cent rental.

I must have watched this film close to ten times by now and I've enjoyed it every time. The script is charming, the acting great, the direction masterful and the sense of time and place very convincing. To top it off, it's even a true story. I love this film and I wish they'd bring it out on DVD.

In these days of headlines about women abusing boys for their own emotional and sexual needs, this movie definitely is a creepy idea. Even though it is generally thought that boys and men will get "it" wherever they can, the truth is, inappropriate relationships cause psychological damage to all concerned. A 15-year old boy has an unformed character, the same as a 15-year old girl, has an unformed personality, not yet strong enough to withstand the impact of a sexual relationship and emerge unscathed. And a woman who would enter into such a relationship obviously is already damaged goods.

Patrick Dempsey himself did apparently have an appreciation for older women and went on to marry a woman who played a character on a train in the movie. He was 21 at the time and she was 48.