Yin ji kau

A beautiful film - like a Chinese version of a European art film. A ghost who has been wandering around for fifty years looking for her lover goes into a newspaper office to write a missing persons ad. This film deserves more attention for its haunting story, wonderful acting and beautiful cinematography.

Sometimes films just take your breath away. This is one of them, for me. I first saw it when it aired on Channel 4 in the UK in the early 90's and then recently managed to pick up a copy on video. After all these years, it's lost none of the impact it had on me when I first saw it.

"Rouge" tells the story of two doomed lovers in the early 1930's. He is a high class gentleman, Twelfth Master Chan Chen-Pang, the heir to three successful medicine stores. She is Fleur, a famous courtesan. His parents disapprove of both his choice of lover and also his passion for the Cantonese opera. They are horrified when he decides to give up the shopkeeping business in favour of becoming an actor and immediately order him to return to the family. So he and Fleur take their own lives, vowing to meet up in the afterlife and be together forever. Fifty years later, her ghost returns to the world of the living, still searching for her beloved Twelfth Master.

On the surface, it's a traditional Chinese romantic ghost story but there's far more lurking underneath. Essentially "Rouge" is a lament on a bygone age of pre-Westernised China, a yearning for a return to the old values, traditions and passions that are now lost beneath the neon lights and soulless rush of modern-day Hong Kong. It's also a lonesome mediation on the nature of trust and the complexity of human relationships with a tragic punchline and a strong sense of alienation running throughout.

Deeply melancholy, loaded with ravishingly beautiful imagery and haunting performances from the two gifted leads (Anita Mui and the ever-mesmerising Lesley Cheung), "Rouge" is an unforgettable, understated and utterly unique piece of filmmaking. A very strange, subtle blend of genres that floats around the mind long after the end credits have finished rolling. 9 out of 10.

This is one of the best films I've seen. As far as ghost stories go, this is one of the scariest for me. It's not scary by way Stir of Echoes or Gothika, but it will give you chills like nothing before. Sure, angry ghosts are scary, but a heartbroken ghost is scarier. She could appear to your left right now and ask for your help. Isn't THAT scary?

If you love ghost stories, love stories, Hong Kong and Chinese music, this movie has all that. It was a pleasant surprise to find a film that told a familiar story so beautifully it becomes unique.

Leslie Cheung and Anita Mui were perfect for their roles. Watch out for the scene where Leslie wears Peking Opera makeup. Fans of "Farewell, My Concubine" will surely love the foreshadowing of Leslie's future internationally-acclaimed performance.

Anita and Leslie are pefect match of their roles in the movie. No doubt they can act so vividly the role in the movie. They both possess the aura of the beginning of twentieth century. The two superstars collaberated to create a melodrama that hits your heart so painfully, particularly when both are not with us now. There are so many flowers in front of the Mandarin Hotel from fans all over the world in April first. They are both living in the bottom of our hearts.

Lets hope that both enjoy singing together in another world.

"...like a dreamy moon, or a flower just out of reach..."

Stanley Kwan serves up a feast for the eyes in Rouge, with its gorgeous colors, lights, and the radiant Anita Mui. The connection between her and Leslie Cheung is electric from the very beginning when she sings to him. She plays a woman in 1930's Hong Kong who had been sold into prostitution as a teenager, and he's a customer of hers from a well-to-do-family. When they start getting serious, however, his mother politely objects.

I won't spoil it, but how the film transitions unexpectedly to the present, with a ghostly haunting, and then to melancholy is both dreamy and touching. Anita Mui is dazzling throughout, and the cute newspaper couple, played by Emily Chu and Alex Man, provide a nice modern relationship parallel. Aside from the feelings of romance and heartache the film stirs up, there are elements of sentimentality from things simply changing with time, like the city itself. The ending goes for the emotional jugular too, and succeeds.