Hawken's Breed

I couldn't wait for the end. This is absolutely the worst film I have ever seen. If you thought that just about anyone could make a watchable movie, these folks prove that there is a minimum skill set required. This is a film with no redeeming features whatsoever. It scores a zero in every department. This is more than just 'amateur' as the audience is given no consideration or regard at all. There is no serious attempt to act or entertain. The storyline is aimless, pointless and senseless. The cast look very uncomfortable and completely lack direction. The technical aspects of the film are poor.

As a DVD it makes a good drinks coaster.

My review was written in February 1990 after watching the movie on Vidmark video cassette.

"Hawken's Breed" is an "Eastern"; a 19th-century tale of frontiersmen set in Tennessee. Minor pic played briefly last fall on its home turf in Nashville and currently is a home video title.

Peter Fonda is comfortably cast as a beaver trapper who falls in love with the beautiful Shawnee girl Serene Hedin. Unfortunately, she already "belongs" to mean trading post owner Jack Elam. A feud erupts when Hawken steals her away.

Atmospherically lensed story is slowly paced, and there is an unfinished quality about the film, which relies too heavily on voice-over to spin the yarn.

Bearded Fonda perfectly fits his role. Character actors Seamon Glass, Elam and Bill Thurman do a fine job building authenticity.

Hawken's Breed is much maligned. Those who say it is the worst film ever made clearly haven't seen many films.

This is an independent film made with a former major maverick film star (Peter Fonda), former major supporting player (Jack Elam), and former starlet (Sue Ann Langdon) supported by some solid character actors (Bill Thurman). I suspect all were working cheap or cheaper than they had in their prime.

And "cheap" is the operative word. Things are filmed on a small(er) budget. That does not diminish the film but you have to accept that what you are going to watch has that limitation. There are many films made on similar limitations that transcend them and outdo much bigger budget films but this isn't one of them. There is, however, enough here to keep one interested and enough to admire when it comes to film making on a shoe string.

At its heart this is a revenge themed frontier western. The story is simple and what is perhaps most obvious is the isolation of people in frontier times. A step the wrong way off a track or meeting up with strangers who are no good could end your life. The elements, the wild life, the Native Americans, other frontiersmen, all could leave you dead or dying in the middle of nowhere.

The director Charles Pierce (The Town That Dreaded Sundown (1976)) loved the frontier pre-wild west and post Civil war west and this film as well as Chasing the Wind (1998), The Winds of Autumn(1976), Winterhawk (1975), Sacred Ground (1983) and Grayeagle (1977) are all westerns that deal with individuals or couples against the elements or external forces, looking for a better life or seeking revenge against those who have taken that away from them. He has a rough consistency of themes, at least in his westerns.

Maybe because of budgetary constraints maybe because of temperament the action is short and sharp and a lot of scenes seem to be almost like "mood pieces". And, whether it is intentional or not, they work as a reminder that the old west wasn't all excitement and daring do.

On the negative there are some clumsy camera angles that don't show off the actors to their best, a couple of peripheral background actors that don't look authentic, and a out of place music score, which would have worked in an ironic comic 70s western but not here.

Also, through no fault of the filmmakers the video transfer is only average which is a pity as there are some great Tennessee landscapes The principal leads are all fine and Fonda's character especially fits in with his screen persona.

It may miss the mark but it is not the worst by a country mile.

6/10

This isn't just a turkey, it's turkeysaurus, mount turkeyest, the turkeyiana trench, turkey t-rex. One of the absolute stinkiest stinkers of all stinkiness. Absolutely unwatchable excepting as a drinking game. Some suggested rules would be every over-exaggerated use of the close-up - take a drink. Every time you physically cringe at how bad Peter Fonda's acting is- take a drink. Every time a gun goes off with no recoil - take a drink. For every awful awful line uttered by Spirit in perfect SATs English that makes you laugh - take a drink.

Drunk is the only way this might be viewable. If you live in California and has a medical prescription, then this should keep you laughing for about two weeks.

It is rare to see a film that achieves the unique distinction of being truly bad in ALL areas: directing, acting, script, make-up, costuming - but Hawken's? It be that bad.

Deserves cult status.

It is a strange movie, but it is absolutely not "the worst movie ever" as some other reviews say.

Don't watch it as an action movie.

There is a lot of music.

There is action too, but that's not what is important in this movie.

It's a kind of ballad, a kind of contemplative movie.

A kind of illustrated tale, with images and music.

The soundtrack is quite nice (especially the instrumental song played through out the entire movie, I suppose it's banjo).

It's a kind of "red neck" western.

It's not perfect, it's a Z movie made with no money, and the DVD I found had sound problems, but I like this movie.

There is poetry in it.