The Glass Menagerie

Stagey but handsome version of the Williams classic directed by Paul Newman. Fluid camera-work and beautiful lighting, an evocative score, and nice (if leisurely) pacing help immensely. The high school classes I showed this to didn't respond to Woodward's Amanda, though she certainly nails the comedy of the piece; however, it's a very animated performance, with flutey vocal mannerisms that can grate on one. (I've not seen the Hepburn performance, but she often gets criticized for the same thing; however, I'd love to see her tackle the dramatic stuff.) James Naughton is solid, if a bit stolid, as the gentleman caller. Malkovich etches a remarkable portrayal of Tom--defiantly unafraid of the character's possible gay subtext--that grows in poignancy to a heartbreaking final monologue. But it's Karen Allen's Laura that is the heart of this piece--if you've only seen her in "Raiders of the Lost Ark" or "Scrooged," you'll be astounded at her ability to cut straight to your heart with just her eyes. She's truly unforgettable.

the play. the cast. the atmosphere. short, a splendid adaptation , exploring, with grace and precision, the nuances of text. the entire tension, the fragility of Laura, the heavy-gray emotions of Tom, the Joanne Woodward's Amanda are pieces of a great science to remind the beauty of play, the South flavor, the failure and the impossibility of hope. the right sound of image and acting - that is the great virtue of the film. a film who has all the ingredients to be more than inspired adaptation but perfect support for reflection about a small universe and its borders. John Malkovich does an admirable role and that is important for the link between viewer and the close universe. the fragility of the scenes. and the voice of Malkovich as its frame.

I don't usually watch movies like this ... you know ... which is more on the artistic side. I could've just not watched ... but somewhere through it ... I was captivated. I don't know about the other things ... like directing... So I can't say much about that ... but technical stuff apart, I can say ... it is excellent. The theme of three different characters trapped in their different visions... and yet so connected ... We don't have to question Tennessee Williams gift for writing. Aside from that, the characters are played out beautifully. Karen Allen was effective as Laura, subtle and quiet and fragile ...... And John Malkovich ... he makes it so GOOD ... And I'm entirely willing to believe he IS Tom Wingfield himself, regardless of what I've read of critics. He intrigues and captures through every word and action... Or just his presence ... After watching this movie, I actually WANTED to read the play ... out of my own free will. Which is really something! Just watch this movie and let the story and characters overwhelm you.

exploration of nuances. this is the basic point for admire this admirable adaptation. the precise acting . the new senses of a well known play . and the portraits of the characters who, in vulnerability, force, hate and need of sense are realistic reflections of social facts. Paul Newman does more than a great job but the inspired translation of the essence of Tennesee Williams universe. a great film . for the science to use delicacy for create a powerful - touching world. for the art to give to the each character a special light for understand the motivation and the fight. and Tom Wingfield of John Malkovich is real impressive.

Under-rated beautifully realized version of a famous play - everything is just right and Karen Allen's work as the tragic Laura is deeply moving - one of the best screen performances never to have been nominated for an Academy Award.