अपनी भाषा में प्लॉट जोड़ेंAnnie Nations and her husband Hector loved their life together in the Blue Ridge Mountains, but when Hector dies, Annie has to decide if she can handle the wilderness on her own.Annie Nations and her husband Hector loved their life together in the Blue Ridge Mountains, but when Hector dies, Annie has to decide if she can handle the wilderness on her own.Annie Nations and her husband Hector loved their life together in the Blue Ridge Mountains, but when Hector dies, Annie has to decide if she can handle the wilderness on her own.
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- 2 जीत और कुल 7 नामांकन
फ़ीचर्ड समीक्षाएं
It would be hard to imagine how a movie could better capture the essence of Appalachia. Hume Cronyn and Jessica Tandy simply nail their parts, and no doubt the fact that they were married in real life helped. Hume Cronyn also wrote the script, and a nearly perfect script it is. All in all, it couldn't be more realistic, heartwarming and sad. And I should know, because I have strong ties with Appalachia and I lived there for a while as a kid. I knew real life equivalents to every character in this movie. Maybe those without my background won't see it, but I consider this movie to be a masterpiece of American culture.
I really wanted to like Foxfire. I am a big fan of John Denver, and enjoyed his movie from a year earlier: A Christmas Tale, very much. Jessica Tandy was very good in Foxfire; I can't really say anything else good about it.
The dialogue was sub-standard and the scenes repetitive, but it was the unlikely, cynical and even shocking ending that killed this movie. The movie was going along well up to and including what should have been a fulcrum and the most critical scene of the movie: Harriet Hall (as Holly) criticised John Denver (as Dillard Nations) for being such a phony on stage. She was obviously in love with him, and the movie should have been re-written to have her lead Dillard to experience a change-of-heart about everything: The honesty of his relationships, his relationship to his work, his relationship to his mother and his relationship to the land, all of which are jaundiced and askew.
He has absolutely no appreciation for the appalachian life and land that he was raised on, and has no respect for the wishes of his mother. This is the first movie I have seen where John Denver plays a real self-centered creep: Did Dillard stop for one moment to think about what a trip to Florida could do to an old woman such as her? Did he think about how long she would last, being torn away from the land and memories that give her identity and roots? This is the cheapest, most callous ploy I have ever seen to get a free babysitter.
He had the opportunity, when Holly took-him-to-task, to get honest with himself and bring his children up there to live with her. He could have decided to help his mother, and respect her wishes, instead of fetch her to act as nanny in Florida to his then-motherless children.
When Jessica Tandy (as Annie Nations) decided to sell, it screwed with my head so bad, I threw the movie out. This would not, should not have happened, in real life. She would have lived her life there. I felt abused and betrayed by screenwriters Susan Cooper and Hume Cronyn. I haven't researched either of them, but what do you want to bet they are a couple of city slickers?
How can we feel good about Foxfire? A mountain girl like Annie would have lasted maybe 3 months best in the Florida high-rise retirement/tourist swamp.
(spit)
Foxfire could have been great, but instead of John Denver's character experiencing the transformation he did in A Christmas Tale, he remained the same careless, selfish lout he was at the beginning of the movie. I still love John Denver, but I'm sorry I watched Firefox. If you want to see a movie about appalachia, then watch Song Catcher, or Fire Down Below, instead.
The dialogue was sub-standard and the scenes repetitive, but it was the unlikely, cynical and even shocking ending that killed this movie. The movie was going along well up to and including what should have been a fulcrum and the most critical scene of the movie: Harriet Hall (as Holly) criticised John Denver (as Dillard Nations) for being such a phony on stage. She was obviously in love with him, and the movie should have been re-written to have her lead Dillard to experience a change-of-heart about everything: The honesty of his relationships, his relationship to his work, his relationship to his mother and his relationship to the land, all of which are jaundiced and askew.
He has absolutely no appreciation for the appalachian life and land that he was raised on, and has no respect for the wishes of his mother. This is the first movie I have seen where John Denver plays a real self-centered creep: Did Dillard stop for one moment to think about what a trip to Florida could do to an old woman such as her? Did he think about how long she would last, being torn away from the land and memories that give her identity and roots? This is the cheapest, most callous ploy I have ever seen to get a free babysitter.
He had the opportunity, when Holly took-him-to-task, to get honest with himself and bring his children up there to live with her. He could have decided to help his mother, and respect her wishes, instead of fetch her to act as nanny in Florida to his then-motherless children.
When Jessica Tandy (as Annie Nations) decided to sell, it screwed with my head so bad, I threw the movie out. This would not, should not have happened, in real life. She would have lived her life there. I felt abused and betrayed by screenwriters Susan Cooper and Hume Cronyn. I haven't researched either of them, but what do you want to bet they are a couple of city slickers?
How can we feel good about Foxfire? A mountain girl like Annie would have lasted maybe 3 months best in the Florida high-rise retirement/tourist swamp.
(spit)
Foxfire could have been great, but instead of John Denver's character experiencing the transformation he did in A Christmas Tale, he remained the same careless, selfish lout he was at the beginning of the movie. I still love John Denver, but I'm sorry I watched Firefox. If you want to see a movie about appalachia, then watch Song Catcher, or Fire Down Below, instead.
Charming film about deep rooted memories of an Appalachian farm family. Tandy won an Emmy for her performance. She had won a Tony on stage in the play version which also starred Cronyn.
It's hard to think badly of a film like "Foxfire". It's so earnest that it's heartbreaking even when it goes a bit over the top. I watched this for Jessica Tandy, and she is good, but this is also the best I've seen of Hume Cronyn so far. The story itself is slight. There's a number of pretty ordinary clichés I've seen more than a few times in TV movies, i.e. the greedy real estate developer, the stubborn old homesteader, the country singer who lost his way. Two of these clichés are every bit as unessential as expected - Gary Grubbs plays a cardboard cutout, and John Denver is good, but too uncomplicated and underdeveloped here.
It's the relationship of Annie (Jessica Tandy) and Hector (Hume Cronyn) that provides the real meat of the film. Their interaction is so true, so painful that it's always emotional to watch. They carry the entire production, lifting it far above everything that surrounds. I almost found myself wishing that the story could have been told completely through them alone, perhaps with a few flashbacks interspersed. It's those flashbacks where much of the power is held. The last half hour of "Foxfire" hurts the most, brings the most joy. It's so pure.
The director, Jud Taylor, doesn't really bring much to the plate here, nor does the rest of the production crew. But you didn't come to see a great film - you came to see two great performers. And you got everything you were looking for.
It's the relationship of Annie (Jessica Tandy) and Hector (Hume Cronyn) that provides the real meat of the film. Their interaction is so true, so painful that it's always emotional to watch. They carry the entire production, lifting it far above everything that surrounds. I almost found myself wishing that the story could have been told completely through them alone, perhaps with a few flashbacks interspersed. It's those flashbacks where much of the power is held. The last half hour of "Foxfire" hurts the most, brings the most joy. It's so pure.
The director, Jud Taylor, doesn't really bring much to the plate here, nor does the rest of the production crew. But you didn't come to see a great film - you came to see two great performers. And you got everything you were looking for.
This movie is so very special as we live near the area and I was fortunate to know Harriet Hall who played "Holly". Her parents were our neighbors on Fort Mountain in Northwest Georgia . Sadly , Harriet passed away in her sleep due to a heart condition. She was living with her mother Betty Hall. Her dad had already passed away. Harriet's mother had the heaviest southern accent and Harriet could imitate her perfectly. She does an excellent accent in the movie also . We have the original hard copy Foxfire book collection . I highly recommend them . It is wonderful to read of the old customs of the area. Some are still followed today ! We Watch this wonderful movie each time it airs on Hallmark and pleased to see it on PIXL also .
क्या आपको पता है
- ट्रिवियाThe New York production of "Foxfire" by Susan Cooper and Hume Cronyn opened at the Ethel Barrymore Theater in New York on November 11, 1982 and ran for 213 performances. Hume Cronyn and Jessica Tandy recreated their stage roles in this filmed production. Susan Cooper wrote the screenplay for this production based upon the script she wrote with Hume Cronyn.
- भाव
Prince: You know Ruby Ridge?
Annie Nations: The old Burrell place, where they cut the top off the mountain.
Prince: You wanna have a look around?
Annie Nations: I believe I won't.
- कनेक्शनEdited into Hallmark Hall of Fame (1951)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Hallmark Hall of Fame: Foxfire (#37.2)
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