Death Before Dishonor

This movie is an ultra patriotic, one-dimensional all-American military hero movie from the Reagan era. Do we like this kind of stuff? YES! It's great for relaxation at home. It's not great by any means, the action is OK/mediocre, the acting is (just forget about the acting), the story is standard, in total it's nothing we haven't seen before. I guess you have to be a fan of this type of movie to enjoy them. The movie itself knows what it is and doesn't try to do anything else than stick to it's safe formula. At least you know what you'll get from this.

6 out of 10

"Death Before Dishonor" is a cheesy, nasty, jingoistic piece of work, and pretty fun on that level. In any event, it does exactly what it should be doing, and that's delivering lots of gunfire, explosions, and brutality before revving up for a nicely rousing finale. The villains are utter creeps whose demise we eagerly anticipate, and our hero is a jut jawed type who everybody knows damn well will take on all comers in order to do what's right.

It's also the sole feature film vehicle for TV star Fred Dryer ('Hunter'), who plays Marine sergeant "Gunny" Burns, who's stationed in the Middle East. When terrorists manage to kidnap his superior, Colonel Halloran (a lovably crusty Brian Keith), he goes into action. Luscious Polish babe Joanna Pacula plays a dubious journalist covering the terrorists' activities, Paul Winfield (rather wasted) is an officious, typical bureaucrat (the kind of guy in this type of film who will insist that the hero do things by the book), Sasha Mitchell is one of Burns's young soldiers, and Rockne Tarkington, Mohammed Bakri, and Kasey Walker play our unsubtle villains.

This marked the only 1st unit directing credit for veteran stuntman and stunt coordinator Terry Leonard, who's worked on films ranging from "McLintock!" to "The Green Hornet". You know it's comfortably familiar stuff, when, even if you're watching it for the first time, you can easily predict upcoming lines of dialogue. The on location shooting is a bonus, as is the excellent music by the under-rated Aussie composer Brian May. The action is first rate, and keeps us happily watching for the duration. And just to show us how sadistic the baddies are, the most memorable scene has them mutilating Keiths' hand with a power drill and threatening his young associate with similar treatment. That makes it all the more glorious when Dryer and associates, with the assistance of the Mossad, launch the climactic attack on the stronghold where Keith is being kept. It's guaranteed to get you cheering and pumping your fist, right up to the final frame.

Seven out of 10.

About the kindest think I could possibly say about this movie, is that it is funnier than 'Commando.' Starring Fred 'Where the hell did my career go' Dryer as a Marine who lives by his own rules.(clever huh?) After the killing of all his buddies, and the kidnapping of his gruff but loveable Colonel, Yep... you guessed it, he goes on a one man rescue mission (against orders naturally) to rescue the Colonel, and to kill as many non-english speaking persons as possible. Laughably cliched from start to finish. Whoever wrote this should have their crayons taken away.

Rather than the abomination that was released in 2010, this is what the A-Team movie should have been like. The necessary pieces are all there, desperate situation, chase scenes with vehicles jumping/flipping over or crashing through things, people falling or being flung through the air, thousands of rounds of ammunition expended and last but not least, big explosions.

Even with all that going on, this feature is only marginally entertaining. It is ham and cheese at it's best (or worse depending on your viewpoint). The dialog is bad and the plot is so formulaic that you know what will happen well before it happens. The buddy-buddy bonding scene in the beginning is not believable and adds no real value other than to give the audience a quick introduction to the team and their "We are bad ass" attitude/history.

There is a fair amount of violence which includes a graphic torture scene. The story, what little of it lacks cohesiveness and as a result jumps around more than a Mexican jumping bean on a pogo stick.

For those looking for mindless entertainment with gun play and explosions, they will probably be satisfied. For those wanting a good story to go along with the violence, probably not.

This was typical of the one-sided, unintentionally funny, and jingoistic action movies that came out during the Reagan Administration, and as such, clearly shows its age.

See Edward Zwick's "The Siege" instead.