Cry Freedom

Richard Attenborough is one storyteller. 'Gandhi' & 'Chaplin' are widely regarded & respected to this date. 'Cry Freedom', according to me, is his finest work since 'Gandhi'. This British drama takes place in a time of violence, and is executed with flourish. Even the performances are top-notch!

'Cry Freedom' is set in the late 1970s, during the apartheid era of South Africa and centers around the real-life events involving black activist Steve Biko and his friend Donald Woods, who initially finds him destructive, and attempts to understand his way of life.

'Cry Freedom' delves into the ideas of discrimination, political corruption, and the repercussions of violence. Based on a pair of books by journalist Donald Woods, this human-tragedy is wonderfully written by John Briley. Also, the dialogue at places, give you goose-flesh. Sure, the writing does drag a bit, but that doesn't effect it's impact.

Richard Attenborough knows what he's making. He knows this isn't an easy story to make. But, the veteran directs each frame with flourish. Cinematography by Ronnie Taylor, is excellent. Editing & Art Design, are perfect.

Performance-Wise: Denzel Washington is fantastic as Steve Biko. He delivers a performance that easily ranks amongst his finest works to date. Kevin Kline as Donald Woods, on the other-hand, is restrained all through. Not once does he go over the top. Penelope Wilton is effective. Kevin McNally scores. Others lend good support.

On the whole, 'Cry Freedom' is a terrific film, that over-shadows it's flaws, cleverly. Don't miss this one!

If you find apartheid-set films fascinating, you'll want to check out Cry Freedom, a drama starring Denzel Washington as the activist Steve Biko. Kevin Kline comes along for the ride, and as a journalist who clashes with Denzel, but as they get to know each other, he understands his methods and gets drawn to the cause himself.

Parts of this movie are very tense and exciting, as risks are taken to further the greater good. Keep in mind it was made in the 1980s, though, so it won't be as graphic or violent as it would be if made today. Still, for '80s audiences, I'm sure it was educational and eye-opening as to conditions in apartheid South Africa. There's still a modicum of "Hollywood" about this movie: Kevin's character is much more developed than Denzel's, and the entire point of the movie is his shift in support, rather than a straight biopic of Steve Biko with a side character of a journalist. Still, it's always a treat to see actors putting on difficult accents, and you'll also get to see a young Penelope Wilton as Kevin's wife!

This film is, quite simply, brilliant. The cinematography is good, the acting superb and the story absolutely breathtaking. This is the story of Donald Woods, a white South African who thought himself a liberal until he found out the reality of apartheid. Kevin Kline is completely convincing - so much so that when Donald Woods himself appeared on TV some years later, I recognised him from Kline's portrayal. Denzel Washington also turns in a masterful performance, as ever.

I urge you to watch this. It is long, but it is worth your patience because it tells such an incredible story. Remember, folks, this really happened.

I show this film to university students in speech and media law because its lessons are timeless: Why speaking out against injustice is important and can bring about the changes sought by the oppressed. Why freedom of the press and freedom of speech are essential to democracy. This is a must-see story of how apartheid was brought to the attention of the world through the activism of Steven Biko and the journalism of Donald Woods. It also gives an important lesson of free speech: "You can blow out a candle, but you can't blow out a fire. Once the flame begins to catch, the wind will blow it higher." (From Biko by Peter Gabriel, on Shaking the Tree).

Billed as the story of Steve Biko -- played excellently by Denzel Washington, as you'd expect -- this was actually more the story of Donald Woods, played by Kevin Kline.

This was undoubtedly the making of Kline as a serious actor, and he was surprisingly good in the role.

Attenborough gave this the sort of direction you'd expect, and the often spectacular scenes of the masses were those of the sort that only he can get across.

The remainder of the cast was competent enough and did a good job, in what ends up as an ultimately sad tale of a South Africa that is still nowhere near the distant past.