Cry Freedom

This film is, quite simply, brilliant. The cinematography is good, the acting superb and the story absolutely breathtaking. This is the story of Donald Woods, a white South African who thought himself a liberal until he found out the reality of apartheid. Kevin Kline is completely convincing - so much so that when Donald Woods himself appeared on TV some years later, I recognised him from Kline's portrayal. Denzel Washington also turns in a masterful performance, as ever.

I urge you to watch this. It is long, but it is worth your patience because it tells such an incredible story. Remember, folks, this really happened.

I think the context of the story has been covered by other posters so I would just like to write about the impact this film had on me.

I first saw this film the year of it's release around 1987. My school organised a trip to the cinema to see it, for an RE project I think. We all went along of course excited because we were on a school trip to the cinema! Little did we know what we were about to experience. To this day I still remember the feelings it invoked in me and i remembered crying a lot as were most of my friends. I think at the age we were we found it shocking and quiet rightly outraged in our own youthful way .It had such an impact on me that I joined the Anti Apartheid Movement the same year.

I think it served it's purpose in my case.

CRY FREEDOM is an excellent primer for those wanting an overview of apartheid's cruelty in just a couple of hours. Famed director Richard Attenborough (GANDHI) is certainly no stranger to the genre, and the collaboration of the real-life Mr. and Mrs. Woods, the main white characters in their book and in this film, lends further authenticity to CRY FREEDOM. The video now in release actually runs a little over 2 and a half hours since 23 minutes of extra footage was inserted to make it a two part TV miniseries after the film's initial theatrical release. While the added length serves to heighten the film's forgivable flaws: uneven character development and blanket stereotyping in particular, another possible flaw (the insistence on the white characters' fate over that of the African ones) may work out as a strength. Viewing CRYING FREEDOM as a politically and historically educational film (as I think it should, over its artistic merits), the story is one which black Africans know only too well, though the younger generation may now need to see it on film for full impact. It is the whites who have always been the film's and the book's target audience, hopefully driving them to change. Now twelve years after the movie's production, CRY FREEDOM is in many ways a more interesting film to watch. Almost ten years after black majority rule has been at least theorically in place, 1987's CRY FREEDOM's ideals remain by and large unrealized. It therefore remains as imperative as ever for white South Africans, particularly the younger ones who have only heard of these actions to see it, and absorb the film's messages. In total contrast to American slavery and the Jewish Holocaust's exposure, South Africans' struggles have been told by a mere two or three stories: CRY FREEDOM, CRY THE BELOVED COUNTRY (OK, Count it twice if you include the remake), and SARAFINA (did I miss one?). All three dramas also clumsily feature American and British actors in both the white and black roles. Not one South African actor has played a major role, white, coloured, Indian or Black!). And yes I did miss another international South African drama, MANDELA and DEKLERK. Though this (also highly recommended) biopic was released after black majority rule was instituted, MANDELA was played by a Black American (Sidney Poitier, who also starred in the original S.A.-themed CRY THE BELOVED COUNTRY), while the Afrikaner DeKlerk was played by a (bald) very British Michael Caine, a good performance if you can dismiss that the very essence of Afrikanerdom is vehement anti-British feelings. Until local SABC TV and African films start dealing with their own legacy, CRY FREEDOM is about as authentic as you'll get. As villified as the whites (particularly the Afrikaners) are portrayed in the film, any observant (non-casual) visitor to South Africa even now in 1999, not to mention 1977 when CRY FREEDOM takes place, will generally find white's attitudes towards blacks restrained, even understated. Looking at CRY FREEDOM in hindsight, it is amazing that reconciliation can take place at all, and it is. But CRY FREEDOM at time shows not much has really changed in many people's minds yet, and that the Black Africans' goal to FREEDOM and reconciliation is still ongoing. This is why if you're a novice to the situation, CRY FREEDOM, is your best introduction.

Cry Freedom was such a touching, unforgettable film. The acting was amazing, and they picked the perfect cast. I watched this at my school last year for the first time, and the first scene made me want to cry! Cry Freedom made me laugh, cry, confused, and made me just want to scream at those people who treated blacks cruelly! I recommend you rent this movie. 10/10

As anyone old enough knows, South Africa long suffered under the vile, racist oppression of apartheid, which completely subjugated the black population. One of the most famous anti-apartheid activists was Steve Biko, who was murdered in jail. Following the murder, reporter Donald Woods sought to get Biko's message out to the world.

In "Cry Freedom", Woods (Kevin Kline) befriends Biko (Denzel Washington) before the latter is arrested on trumped up charges. When Woods attempts to spread Biko's word, he and his family begin living under threat of attack, and they are finally forced to flee the country. The last scene gut-wrenchingly shows police firing on protesters.

As one of two movies (along with "A World Apart") that helped galvanize the anti-apartheid movement, "Cry Freedom" stands out as possibly the best ever work for all involved.