Critical Condition

As much as I love Richard Pryor, this movie is well, awful. I haven't seen this movie in years and recently watched it on one of the paid movie services. I originally saw it when it was released in the theaters because I have always followed Richard Pryor's career. The concept of the movie just doesn't fly and having Randall "Tex" Cobb as a main character didn't help any. Honestly, I won't invest another hour and a half to ever watching this again. There are also some other "B" actors such as Joe Mantegna and Bob Saget but they are not very good either in this movie. Sorry Richard, you are a great performer but this movie stinks.

Basically a vehicle for Pryor, this is a rough and somewhat ugly movie, disfigured in part by a surfeit of swearing in a film that doesn't need it and a bunch of vaguely unsympathetic characters. The central plot – a framed man who has claimed insanity has to pretend to be a doctor during a blackout at a hospital – is intriguing if somewhat convoluted. As a twist on the fish-out-of-water story, it has much potential, in the same way that Woody Allen's "Hollywood Ending" has much potential in its premise of a suddenly-blind director having to go through the entire shoot without letting anyone know he is blind. Just as with that movie, "Critical Condition" mainly fails to capitalize on its potential, and the film is oddly slow-moving and genuine laughs are hard to come by.

Pryor does well to work with the underdeveloped material, and Rachel Ticotin adds solid support in the role of the hospital administrator. There is a nice addition of a subplot involving crooks roaming the hospital to add to the tension of the staff and patients trying to survive the power outage, and the film as a whole is at least watchable, but not very memorable. It does not have widespread appeal as a comedy/thriller and should probably be best recommended for Pryor fans only.

For a Pryor film, this one is disappointing, or may'be I just found it weaker than normal, but anything with Richie in, is worth it. Here in a great titled flick, he's a framed escapee, made a psychotic patient, that has him now masquerading as a hectic doctor. But the jobs does have it's perks, with Pryor examining a young hottie's goodies, one standout scene in the whole mad affair. This film is very entertaining, though, as in seeing how Richie will get out of this. The film has a very interesting cast, including a bit part with Wesley Snipes as an ambo, and Joe Mantegna, has a heartless, hospital director, who's taken a hostage by our loonies. The cast on the patient's arm scene with Pryor laying the cast on pretty thick, with Pryor showing a young intern, was another funny moment. As was too, him trying to convince the hospital board of his psychotic state, when he describes in unsavoury and disturbing detail, pictures that our show to him. The film's not unfunny. It's just not as funny as most of Pryor's stuff, where as you know, with his films, the bar is set pretty high. It's still bloody enjoyable, the "what a shame factor" present. Again in the end, it all ends well, for our framed ex con/conman, Pryor. Still one for Pryor fans.

A highly underrated film that is filled with Pryor's subtle brand of caustic humor.

If you have never seen this rent it tonight! Possibly Pryor's Citizen Kane.

Yes, I said it! This film may be slow in the script dept. but follow Pryor's every move and you will laugh your a$# off!! Garret Morris and Randall "Tex" Cobb are highlites to watch for. Bob Saget gets a nod for showing up.

Thanks Richard, you made us laugh, and did so admirably. You will not be missed, thanks to reruns and DVD's.

During an interview with Johnny Carson to promote this movie, Pryor mentioned that he had a 20 lb. weight loss and couldn't gain it back. A battery of medical tests found no problem. The next day, he lost the vision in his right eye. We now know that this was the beginning of his MS.