Crazy Love

LOVE IS A DOG FROM HELL (a.k.a CRAZY LOVE) (Dominique Deruddere - Belgium 1987).

Three Bukowskian tales set in a Belgian, mostly rural, setting. How about that? Despite good reviews upon its release, winning several awards and getting support by Hollywood heavyweights Sean Penn and Francis For Coppola, the film vanished into obscurity almost immediately after its release. Perhaps it was bad timing, because Barbet Schroeder's star-studded BARFLY was released almost simultaneously. Who knows? By any chance, this film is a beauty, clearly deserving wider attention.

The film has a three-act construction, all set around the live of Harry Voss, focusing on his difficult search for love and affection. The first act is set in 1955 and follows Harry when he's twelve years old. He is struck by his first notions of true love when he sees a dream-like film in cinema, only to be helped out of his dream by a more mature friend who claims the only reason people get married is to get laid. Remember, it's fifties' rural Flanders we're talking here. In the second act, in the early sixties, Harry is a shy 19-year old, his face horribly disfigured by a grotesque form of acne. When driving in the bus, he is stared at by all the children, while the adults look away. There's a high school dance, but Harry can't get a girl. In the third act we get a more literal adaptation of Bukowsky's THE COPULATING MERMAID OF VENICE, CA., when Harry is a down-on-his-luck alcoholic, devoid of any aspirations, spending most of his time in shady bars. When he meets an old acquaintance, they go on a joined drinking binch and rehash old memories while patrolling the foggy streets. In their drunken frenzy ("for old time's sake") they decide to steal a body from an ambulance they see on a deserted street and take it to an abandoned house. This makes - how morbid it may sound - for one of the most beautiful and touching scenes of the film. The ending is a beauty.

In the first act the film starts of a bit slowly with some awkward moments. I found the second and third acts the strongest, but all three segments show remarkable cinematic harmony. Beginning and ending the film with nicely contrasted mirror images of "the Princess" running across some dimly lit corridor and Raymond van het Groenewoud's haunting musical theme, it makes for a very neat composition indeed. Cars also feature prominently in all three segments. Most of the key scenes take place in or around cars. It all a very American feel to it, especially the second act. A homecoming dance, a prom, lampoons, American cars, it's small town USA transferred to Belgium. The lead performance by Josse de Pauw who plays the adult Harry in the second and third acts, is a joy to watch.

All the more recommended, because of Mondo Macabro's excellent DVD-release. A bit of an oddity in their usual catalogue of all kinds of exploitational sewers of world cinema (which I often like, don't get me wrong), their treatment of the film is excellent, with a luminous new transfer and jam-packed with extras. Two documentaries, the "making-off" with some great footage of Bukowski and his thoughts on the film, a filmed interview with director Deruddere, a text essay on Flemish cinema, and Mondo Macabro's usual trailer reel of the wilder side of world cinema to top it all off. With an almost surrealist setting and touching subjects like necrophilia, it's not a film most audiences will embrace easily, but any fan of Bukowski, Belgian cinema or good cinema in general should really give this one a try. It might be a far cry from Bukowsky's usual settings but liberal interpretations usually make for far more interesting films. This is worth seeing. Damn, the man even approved of it himself!

Camera Obscura --- 9/10

A very nice debut by Flamish director in which he exposuse the works of writer Bukowski to the film world.

In the first part you see young harry being exposed to young male fantasies, which most guys of his age would not dare to do. You would say highly unlikely...but yet we all fantasies the same way.

The second part is set in his high school years. Harry now a student with the worlds' biggest acne problem. Really no joke, I myself had acne, but this guy... The acne was onpurposely over reacted, to give a real stamp on how hell teenage life can be(especially when you have acne, it really ruines your youth/life).

The third part shows a real black page out of the life of Harry. He know is a heavy alcoholic who meets an old friend, both get drunk and decide to....well for that you can better watch the film.

A very nice film with some great funny parts in the different timeperiodes. Very poetic, nice rock 'n roll music in the background (typical Belgium). Only sometimes the camerawork is really bad (intro at the cinema with the princess), but thats only a few (minor disadvantages) times. (Opposite)Check out the great camerawork at the end of part 1 (the face of harry) and the beginning of part 2, starting from the radio.

Enjoy

When it exploded onto screens in the mid 1980's, Oscar® nominated director

Dominique Deruddere's film CRAZY LOVE divided critics and audiences as few

films before or since.

Championed by Godfather director Francis Ford Coppola, the film was picked

up for US distribution. Stars like Madonna and Sean Penn attended the LA

premiere. But the films shocking subject matter and startling imagery were too rich a combination for audiences at the time. The film vanished from sight,

becoming an instant cult classic - much written about but seldom seen and now reappraised as one of the most underrated films of the 1980's.

Taking his cue from stories by cult American author Charles Bukowski,

Deruddere's film tells the story of a man's life via three nights, spread over 20 years. We see his hero, Harry Voss, first as a romantic young boy of 12, then as an acne ridden teenager, lost in unrequited love, and finally as a drink sodden drop out, for whom no act is too dreadful to contemplate...with terrible and yet deeply moving consequences.

It's a film that, once seen, is never likely to be forgotten. A film with a unique, bitter sweet and poetic mood that manages to be funny and tragic at the same

time. A minor masterpiece.

This movie shows the life of Harry Voss, from being a child with a romantic vision of the world to becoming a frustrated alcoholic. Only the third part is based on the short story "The copulating mermaid of Venice, California" by Charles Bukowski. But its development is so intense that it required two other chapters in order to make it even more meaningful. It mixes nice and entertaining images with black, depressing scenes and the end might not be everybody's taste. As one of the songs of the movie puts it, love hurts but it can also kill. Although the film can be funny at times it is mainly sad and it will not leave any spectator indifferent.

I can assure you that Mondo Macabro is truly the wild side of cinema. The flicks these guys dish out are of all levels of genre's. Drama, horror, exploitation, euro, thriller, cult, etc.. Nice tot see someone hand out films that are of quality from all walks of life. Crazy love is all about the other walks of life.

O.K., I can understand growing up in a town way out in Belgium somewhere in 55, attending local cinema and becoming enthralled amongst the gleaming screen of persuasion. I'm talking on a male perspective, sorry ladies. You come running home with the thoughts of kissing, petting and other boner reacting thoughts. You hang out with a next door pal which is a little older and tosses you into the whole scheme of things, of supposed love making. You both fail miserably but on you must go. That I can understand. What I can't understand is how someone could freely talk masturbation when you where such a pre teen, then have your buddy whip it out and throw one back in front of you? I don't think so. The director had that happen, and it was his brother. So maybe it could happen but look where he is from. Well, On to 1962, a few years older and a complexion only a mother could love. You feel really bad, you understand what he going through and he still can't land that lady he most certainly loves.

On to the 70's and by now, you would think he would at least have found Mrs. right? Wrong, still no luck and no a drunken loser. He hooks back up with old time budd and for old times sake. Lets steal a corpse and see what he does. You have to see what true love would do to you.

I thoroughly enjoyed the film, other then the jerk of class I was drenched in emotion. Kind of like an after school special if you will. The director talks a little about the flick and his reasoning. Sure, he knows what he's talking about but when he fessed up to the brother showing brother, or brother watching brother part of his life. I sort of turned the rest off and couldn't get that vision out of my head. A disturbing touch to an already disturbing story. An off the beaten path for this label to come out with but cult is cult and the wild side of cinema needs a home somewhere.