Cobra nero

Stelvio Massi, the Roger Corman of Italy, cranked out an average of 4 films per year from 1954 to his death in 1994. Considering the haste, budgetary constraints and saturation problems this kind of schedule creates, Massi's films are much much better than they have any right to be.

Black Cobra stars a slightly bloated Fred "The Hammer" Williamson as an African American version of Dirty Harry - Detective Malone. Malone disobeys orders, doesn't compromise with people who he judges to be "scumbags" and is more than happy to contribute a little lead to anybody who asks for it. A female photographer has run afoul of a group of sociopathic, but nicely groomed, bikers and Malone is to be her protector.

Though not original, the story is decently told, and the script, although poorly dubbed, is OK. The acting is about what you would expect from a film of this nature, but some of the Italians are actually good. Nevertheless, the film did manage to cure my insomnia three nights in a row before I finally finished it last night and staggered off to bed in a daze.

For Completists Only.

When I popped "The Black Cobra" into the DVD player, I was in the mood for some undemanding, mindless entertainment, nothing more. Unfortunately, this film cannot even fulfill those expectations. It is overwhelmingly cheap - much of it appears to be set in and around abandoned warehouses - and almost completely uninspired. I bought the entire "Black Cobra Collection" online for 3 English pounds, which means a pound a film, but if the other two entries are of the same quality, and if the other two transfers are of the same quality (well-below-VHS-level picture, often inaudible audio), then maybe the buyers should be getting payed instead! Fred Williamson is always cool, even when he's sleepwalking (which he largely is here) and dubbed (which I also think he is here), and Eva Grimaldi is as beautiful as ever, but this is not the finest hour for either of them. (*)

Okay, this is a VERY low budget thriller. It makes Williamson's 1970s B-films look like "Ben Hur," but if you're a fan of the Hammer, you might find some enjoyment in this Italian import. I picked up the entire Black Cobra series at Big Lots for three bucks, and this first installment is bad, but tolerable. Williamson is a tough cop who rubs nearly everyone the wrong way...except for his cat, Pervis. A gang of not-so-tough looking bikers terrorize the city, and a key witness to one of their murders has the good luck of being in Williamson's custody. Of course, anyone can figure out the rest. The movie looks like it was filmed on the cheapest film stock that was ever produced, and the synth soundtrack is right out of the John Carpenter book of film scores. Still, Hammer is the Hammer. Williamson is not the best actor but he manages to breathe life into this pile of cheese.

Cobra Nero or The Black Cobra is more less like Stallone's Cobra although this film is trying to be like it.

It's a B-movie story as Fred Williamson goes after a group of bikers who threatens a community.

This film not only lacks characteristic wise, but it has its few dull moments. Fred Williamson's character Malone doesn't look too happy. The viewer knows he's tough but there's not enough life in this character.

The music score is well.. not good. The acting's not really up to scratch, but scriptwise? (I'm shaking my head) Not my cup of tea.

If anyone remembers seeing this movie, you could see it on a rainy day. I did. ..And I was slightly happy!

Cobra Nero(aka Black Cobra)has average music more suited to Italian zombie flicks than an action film and more than it's share of bad acting,dumb bad guys and sweaty close ups yet it has some well shot action sequences while Mr Williamson is on screen and some well done gore effects.The climax is a bit longwinded but it still left me wanting to watch more.Luckily there have been a couple of sequels since so we can all look forward to seeing Fred Williamson playing Malone again.