Blood Frenzy

Ah, the 80's...big hair, twelve step programs, bad slasher films..."Blood Frenzy" features all three, in a way that is at least mildly interesting. The central plot device involves a therapy group cavorting around Death Valley for a weekend "away from it all" in the 110 degree sun! Just as they are settling into their weekend digs (the whole thing would fall apart as a premise now because of cell phones) , the slicing and dicing starts. Of course, the van they came in has been sabotaged, so they have to figure out how to get away from the crazed killer, while dealing with their own psychological problems. This film is quite similar to the far better "The Hills Have Eyes". The dialog is sometimes laughably bad (the last line of the movie is "It's over"...) and the acting rarely gets to a level above your average student film. That said, there is something almost endearing about "Blood Frenzy", maybe in the way it encapsulates the first wave of Straight-To-Video movies, when local Mom and Pop stores were filled to the brim with cheap, knocked off junk like this. No one is ever going to do a delux DVD remaster of "Blood Frenzy", and even at a distance of 15 years it seems almost as quaint and dated as a 1950's low budget drive-in movie. To me, this is part of its off-the-wall charm, but if anyone actually wants to watch an atmospheric horror flick...avoid this title!I gave this movie a rating of **** , largely for personal nostalgia for this kind of stuff, but the actual rating in any sort of objective sense would really be a * or at best a **! Enjoy!

Supremely annoying characters are driving through the desert, when their van breaks down, only to be set upon by an unseen killer.

As in the vastly superior 1977 film, The Hills Have Eyes, the desert location gives a creepy atmosphere to the proceedings, but the characters are all so very annoying, and the gore effects are all so underwhelming they aren't worth waiting for.

Directed by hardcore pornographic filmmaker Hal Freeman, and allegedly based on a script by Ray Dennis Steckler , pointlessly​ titled " Warning - No Trespassing " , which was rewritten by Freeman's frequent collaborator, Ted Newsom, this will, at least, answer anyone's questions about why Wednesday Addams didn't continue acting.

There's two ways of looking at "Blood Frenzy": A very standard, run-of-the-mill slasher flick that tries to cash in on the success of the first two "The Hills Have Eyes" films, simply by using the same desert setting and a similar stack & slash routine. Or: A modest, unrighteously overlooked 80's slasher gem that sticks to the point and uses the at the time not-done-to-death-yet setting of a desolate desert to its advantage. Since it also specializes in nasty throat & stomach slicings, uses very distinguishable characters and even contains a very basic, but to-the-point twist at the end... I'm in the second camp. All-in-all, not a bad slasher movie from the 80's, although it's an obscure one and you first must have seen a lot of those to be able to acknowledge this.

A four is generous. This is a mediocre low-budget slasher with poor gore effects (that it inexplicably dwells on, so you really have time to appreciate how unconvincingly rubbery that neck-slashing looks) and dumb characters. The premise is entertaining--a psychiatrist takes a group of patients out to the desert for presumably healing encounter-group-type work--but even by the usual know-nothing standards for such subjects, "Blood Frenzy" really botches it. The characters are all one-note caricatures of various conditions (nymphomania, alcoholism, frigidity, anger management, post- Vietnam PTSD, and what seems to be simply a case of "bitchy lesbian"), and it's ridiculous that anyone would think they could all be treated together. But OK, it's a slasher film, we're not here for realism.

The "name" actor here is Lisa Loring, who plays the lesbian, which in this kind of movie of course means she's a "man-hater" and puts the make on every woman in sight. (She also wears too much makeup that still seems to be perfectly fresh after a couple days' desert camping and various travails...but there I go, looking for realism again.) Hoo man, she is terrible. She starts out yelling and just gets hammier. The other actors are adequate given their silly roles and sometimes sillier dialogue.

You don't expect a lot from a movie like this, but it really does a poor job of building any suspense, delivering shocks, and other horror basics. By comparison "The Hills Have Eyes" is a masterpiece of complex plotting (among other virtues), if we're talking stuck-and-terrorized-in-the-desert movies in general. Why DID I give it a four? Well, you know--we'll all seen worse.

BLOOD FRENZY is a SOV (shot-on-video) horror film I'd heard lots of good things about, yet after I watched it, I have to say that I feel it is overrated, which might be the first time I've ever said that about a SOV movie!

A psychiatrist takes six of her patients in an RV out in the desert for a little isolation therapy, where each will confront his/her problems in an attempt to fix them. However, someone begins killing them in bloody ways, leaving an old jack-in-the-box as their calling card. Is it someone in the group? Or is it someone else?

BLOOD FRENZY started off strong, yet petered out during the last half or so. One of the film's strong suits is the entertaining and three-dimensional characters. I can't really pinpoint many really likable characters, but as quirky as the bunch was, I thought they were all believable, due, in part, to the strong performances given by the cast.

The writing was above average, and I feel the desert setting is a sadly underused setting in slashers. There's a good amount of bloodshed and some realistic throat slashings, including a really good opening murder.

Unfortunately, BLOOD FRENZY became a little too repetitive for its own good. The murders seemed like they were all the same, and even the characters grew to be a bore. Throughout the film, the tone was serious yet a bit goofy at the same time. During the climactic showdown, it just turns to all out goofiness, which really doesn't work in the film's favor.

The movie also features Lisa Loring (Wednesday from THE ADDAMS FAMILY), who would go on to be in the much more entertaining slasher (this time in the snow!) ICED (1988). As it stands, I'd say it's worth seeking out, but don't expect much out of it.