The Big Easy

I found this to be a so-so modern-day film noir drama - not bad, but nothing super. To its credit, it provides a little humor to offset the ugliness.

It also provides the standard sex scenes, this one featuring Dennis Quaid and Ellen Barkin; the seedy New Orleans atmosphere and the standard cops-are- crooked angle. The last part plays a big role in this story as even the good guy Quaid admits to numerous minor offenses. Unfortunately, you can't always understand Dennis as he gives us his Cajun accent. He sounded - and looked - as if he had marbles in his mouth.

Barkin was not as rough-talking and rough-looking as she was in a bunch of other films from the mid '80s to mid '90s, which was fine with me. New Orleans was pictured, as it so often is, as very bleak and dingy. If city residents weren't happy with this movie, I could understand that.

The ending of the film is a little hokey but overall, the story was interesting and I gave it two looks over the years, liking it better the second time.

This movie was an unexpected delight. In general, I don't like thrillers or suspense, so I braced myself for something that would not be to my taste. Was I ever wrong! The moment the opening credits came on with that wonderful music playing, I knew I would love this film. Although I didn't meet anybody in New Orleans who talked like Dennis Quaid did in this movie, and his portrayal of Rennie McSwain came off as something of a caricature, I still found him extremely enjoyable to watch and as a leading man, he was as sexy as a romantic hero can be. Ellen Barkin was great as the leading lady. The suspense part of the plot was perhaps the weakest part, but the romantic storyline was perfect. The music was so great, it made everything work. Yes, the movie makers made some mistakes with their geography, but that was completely forgivable, as the overall film was such a delight to watch. And few movies nowadays have such a great soundtrack as this movie has. A true delight, this will be a timeless classic.

Dennis Quaid and Ellen Barkin star in "The Big Easy," a 1986 film set in New Orleans, and also starring Ned Beatty, John Goodman, and Grace Zabriskie.

I know an attorney who won a huge civil rights case in New Orleans and then had to run for her life with her family when her life was continuously threatened. The New Orleans police force has the reputation of being the most corrupt police force in the United States. That's saying something.

That corruption is visited here in this story of a mildly corrupt cop Remy (Quaid) investigating a series of murders of low-level drug people. The assigned assistant district attorney, Anne Osborne (Barkin) assumes from the get-go, because of the presence of a cop car at one of the murders, that the police are involved.

That's the background for a hot love affair between these two sexy characters who really steam up the screen. Quaid is delightful as the high-flying Remy, and he gets to show his range as an actor - going from flirtatious playboy to a grief-stricken man. Barkin is perfect as a woman trying to stay professional but finding it nearly impossible.

This film has some serious and disturbing moments, but the locale and the actors infuse it with charm and energy. Well directed by Jim McBride, who keeps up the pace.

Recommended.

Having just watched my video tape of this film again, I found it is just as enjoyable today as it was back when it was first released. People who live in New Orleans have written that it is unrealistic!! This is news about movies?! If we want realism we can go out our front door and go to any city and run with the cops for a shift. Almost all big cities have ride along programs.

No, this is a FILM. And a good one, perfectly cast. The story of the corruption in a big city police department is a staple of cop films but is done with a fresh set of characters who are believeable.

Dennis Quaid and Ellen Barken are at the top of their career curve and play off each other to great effect. Their steamy love scene is as good as has been done in film.

Many good character actors fill out the rest of the cast and of course the music is just wonderful setting the mood for film. I don't know if this was filmed in New Orleans, but it sure looked like some of the city I visited years ago. I came for a convention and the host committee had some men who spoke just like some of these people in the film. Of course, they were from all the different suburbs and the city too. So maybe some of the critics who live there should get around more.

Just watch and enjoy.

The Big Easy is directed by Jim McBride and written by Daniel Petrie Jr. It stars Dennis Quaid, Ellen Barkin, John Goodman and Ned Beatty. Music is scored by Brad Fiedel and cinematography by Affonso Beato.

Remy McSwain (Quaid) is a slightly corrupt New Orleans cop, who whilst investigating the murder of a mob man, finds himself under scrutiny by assistant district attorney Anne Osborne (Barkin). The waters start to become muddied when the pair begin to have a passionate affair, just as the can opens and worms spill out everywhere.

It's an odd film at times, a bit too jovial to be considered proper neo-noir, and Quaid's Southern accent takes some getting used too. It's also nearly derailed in quality as conventionality dominates the last quarter of film.Yet judged on its own thriller terms it entertains well enough whilst also having some neat technical touches to help it along. Petrie's script contains spiky dialogue and a number of bravura sequences light up the otherwise standard crooked cop story.

McBride dose good work on this, he opens his film up with a cracker of a camera tracker, and he makes good use of the New Orleans locations. He also has a good sense of prop choices to help the mood, none more so than with a scene involving Mardi Gras costumes, whilst he gets strength for the film by garnering tense and sexy performances out of Quaid and Barkin. Support actors also leave good marks, with Goodman as a cop colleague dominating the screen and Charles Ludlam almost stealing the film as McSwain's dry and near sleazy lawyer. Soundtrack, too, is well thought out, with the Cajun flavours spicing up the sweaty Orleans stew. 7/10