एक दाई को उस बड़े शहर से निकलने के लिए संघर्ष करना होगा, जब वह उन बच्चों के साथ फँस जाती है, जिनकी वह देखभाल कर रही है।एक दाई को उस बड़े शहर से निकलने के लिए संघर्ष करना होगा, जब वह उन बच्चों के साथ फँस जाती है, जिनकी वह देखभाल कर रही है।एक दाई को उस बड़े शहर से निकलने के लिए संघर्ष करना होगा, जब वह उन बच्चों के साथ फँस जाती है, जिनकी वह देखभाल कर रही है।
- पुरस्कार
- 2 जीत और कुल 4 नामांकन
Vincent D'Onofrio
- Dawson
- (as Vincent Phillip D'Onofrio)
John Davis Chandler
- Bleak
- (as John Chandler)
Lolita Davidovich
- Blonde
- (as Lolita David)
फ़ीचर्ड समीक्षाएं
10simspace
This is a really funny movie because you never really know where it's going. Basically everything that happens in it happens by accident. It's not only funny but also exciting if you aren't that old. I think it's great.
It sort of reminds me about "Afterhours" (starring Griffin Dunne) but this is the family version of that movie. Anything can happen during a crazy night or so it seems. Elisabeth Shue is good in this movie and everyone in it seems to have had a good time making it. If you just want to see a cute movie which makes you feel good , or if you've had enough of over-dramatic epics , action that blows you out of your seat and bloody horror movies , check this out. It's sweet , funny , lovable and adventurous all at the same time. If you don't like it , there are more than enough of violence out there for you.
It sort of reminds me about "Afterhours" (starring Griffin Dunne) but this is the family version of that movie. Anything can happen during a crazy night or so it seems. Elisabeth Shue is good in this movie and everyone in it seems to have had a good time making it. If you just want to see a cute movie which makes you feel good , or if you've had enough of over-dramatic epics , action that blows you out of your seat and bloody horror movies , check this out. It's sweet , funny , lovable and adventurous all at the same time. If you don't like it , there are more than enough of violence out there for you.
"Adventures in Babysitting" is an underrated gem featuring a very strong young cast. The movie opens with Chris Parker (played by Elizabeth Shue in a very early starring role) first finding out that her boyfriend can't make their big date that night. So she agrees to babysit Sara and Brad Anderson, played by Maia Brewton and Keith Coogan (both of whom have dropped off the face of the earth, apparently, in the last 10 or 15 years). Sara's kind of a brat, and Brad has a crush on Chris. Brad's best friend Daryl (played by Anthony Rapp, who went on to appear in "Dazed and Confused" and "Road Trip"), who is an annoying wise-ass, also drops by. Things go okay until Chris gets a call from her best friend Brenda (Penelope Ann Miller), who says that she ran away from home, and is now stuck at a bus station in the city with no money and no way home, and of course she can't call her parents. This prompts Chris to take the kids (including Daryl) on a little trip, and of course, hilarious hijinks ensue.
They have a tire blow-out, and are helped by a mechanic with a hook for a hand. Their car is then stolen, and they go to try to get it back. They're caught by the mobsters running the car ring, and have to escape (which they achieve by walking along a very thin metal beam overhead). But the mobsters catch them trying to leave, forcing them on the run and leading to one of the funniest scenes in the movie: going through a blues club, the singer stops them, saying "Ain't nobody leaves here without singing the blues." So they do, Chris leading, singing a song about their predicament. It's both cute and hilarious, with the others joining in singing back-up ("And we should be in bed!").
The rest of the movie is about them being chased through the city by these mobsters, and of course, there's one funny bit after another, with some suspenseful bits thrown in for good measure. This is all hilarious, but the best scenes are the ones interspersed throughout with Brenda trying to get along at the bus station. Penelope Ann Miller truly steals the show; scared out of her skull, she has to contend with such problems as a bum yelling at her to get out of his "house" (a phone booth); getting her glasses stolen by a bag lady (the look on the bag lady's face when she puts them on and realizes she can see is priceless); a hot dog vendor who won't help her out ("Then I don't have a wiener!" he says when she says she doesn't have any cash); and a jumbo-sized sewer rat she tries to rescue, thinking it's a cute little kitty cat (because she can't see). This is probably the best part Penelope Ann Miller has ever had, and she demonstrates a surprising talent for screwball comedy.
Like I said, the rest of the young cast is great; Shue pretty much began her career here, and Coogan, Rapp, and Brewton (who was also very funny on the also underrated TV show "Parker Lewis Can't Lose", which I'm dying to see come out on DVD) put in funny, though clichéd, parts. "Adventures in Babysitting" is one of those movies that just sounded kind of dumb based on the title (like "Buffy the Vampire Slayer"), but if you haven't seen it, give it a try anyway; the brilliant gags and the strong acting made it work.
They have a tire blow-out, and are helped by a mechanic with a hook for a hand. Their car is then stolen, and they go to try to get it back. They're caught by the mobsters running the car ring, and have to escape (which they achieve by walking along a very thin metal beam overhead). But the mobsters catch them trying to leave, forcing them on the run and leading to one of the funniest scenes in the movie: going through a blues club, the singer stops them, saying "Ain't nobody leaves here without singing the blues." So they do, Chris leading, singing a song about their predicament. It's both cute and hilarious, with the others joining in singing back-up ("And we should be in bed!").
The rest of the movie is about them being chased through the city by these mobsters, and of course, there's one funny bit after another, with some suspenseful bits thrown in for good measure. This is all hilarious, but the best scenes are the ones interspersed throughout with Brenda trying to get along at the bus station. Penelope Ann Miller truly steals the show; scared out of her skull, she has to contend with such problems as a bum yelling at her to get out of his "house" (a phone booth); getting her glasses stolen by a bag lady (the look on the bag lady's face when she puts them on and realizes she can see is priceless); a hot dog vendor who won't help her out ("Then I don't have a wiener!" he says when she says she doesn't have any cash); and a jumbo-sized sewer rat she tries to rescue, thinking it's a cute little kitty cat (because she can't see). This is probably the best part Penelope Ann Miller has ever had, and she demonstrates a surprising talent for screwball comedy.
Like I said, the rest of the young cast is great; Shue pretty much began her career here, and Coogan, Rapp, and Brewton (who was also very funny on the also underrated TV show "Parker Lewis Can't Lose", which I'm dying to see come out on DVD) put in funny, though clichéd, parts. "Adventures in Babysitting" is one of those movies that just sounded kind of dumb based on the title (like "Buffy the Vampire Slayer"), but if you haven't seen it, give it a try anyway; the brilliant gags and the strong acting made it work.
The 1980s saw a proliferation of "teen movies". About 90% of them had nothing new to really say, starred teen "heart throbs" and were marketed ONLY to younger, dumber audiences. I was in my teens and twenties in this era, but even I thought these movies were awful==obviously I was the correct age but just "didn't get it". Uh, huh.
Many of these movies featured crude and dumb humor, ample boobies (which is odd, considering the audience technically was too young to be admitted to many of these dreadful films) and low production values. As I said before, the movies seemed to be marketed to dumb people. Don't believe me?! Well think back to such films as the PORKY'S movies, Freddy Kruger films, HALLOWEEN, the later ROCKY films, etc. These films truly were awful.
So, with all this dreck, it was nice to see a few teen-oriented films that didn't insult the audience or feature mind-rot. ADVENTURES IN BABYSITTING (as well as films such as BETTER OFF DEAD) was a decent film that actually had something to say to teens--and it could be enjoyed by adults as well (what a concept). While the story does have its sexy jokes, teens who know more than adults and silly escapades, it manages some originality and some genuine laughs. It's cute how an innocent little trek into the city results in a long series of unbelievable and dangerous consequences--many of which are quite funny. Give it a try--it's not "rocket science" or Masterpiece Theatre, but it's good old fashioned silly fun.
PS--watch ALL the movie--including the very end. Many times on TV they cut off the very end, but on video or DVD it's there. So, DON'T turn it off when the credits roll.
Many of these movies featured crude and dumb humor, ample boobies (which is odd, considering the audience technically was too young to be admitted to many of these dreadful films) and low production values. As I said before, the movies seemed to be marketed to dumb people. Don't believe me?! Well think back to such films as the PORKY'S movies, Freddy Kruger films, HALLOWEEN, the later ROCKY films, etc. These films truly were awful.
So, with all this dreck, it was nice to see a few teen-oriented films that didn't insult the audience or feature mind-rot. ADVENTURES IN BABYSITTING (as well as films such as BETTER OFF DEAD) was a decent film that actually had something to say to teens--and it could be enjoyed by adults as well (what a concept). While the story does have its sexy jokes, teens who know more than adults and silly escapades, it manages some originality and some genuine laughs. It's cute how an innocent little trek into the city results in a long series of unbelievable and dangerous consequences--many of which are quite funny. Give it a try--it's not "rocket science" or Masterpiece Theatre, but it's good old fashioned silly fun.
PS--watch ALL the movie--including the very end. Many times on TV they cut off the very end, but on video or DVD it's there. So, DON'T turn it off when the credits roll.
I grew up with this movie and always wanted to be like Chris. She was so beautiful and handled the toughest situations so well. She took the deadliest situations and got the kids out of them so safely. Well, now I babysit and I'm glad I never got in the same situation, but it still made for a great and fun movie.
Chris is a senior who has a big date planned with her boyfriend, but when he cancels, she is forced to babysit the Anderson's daughter, Sara. They also have a son, Brad is a couple years younger and has a huge crush on Chris and decides to cancel on his friend, Darrel to stay home with Chris. But when Chris's best friend, Brenda, calls her from the Anderson's, she finds out her friend is stranded at a bus station and can't get anyone else to help her. So Chris takes Brad and Sara and is forced to take Darrel since he won't leave them alone, they all go into the city of Chicago and end up getting a flat and get into one deadly situation after the next, even getting chased by the Mafia!
This is a fun flick that I still watch 'til this day and have so much fun with. I would always recommend this also for anyone, I truly hope it is discovered by new generations. I still enjoy singing along with the "Babysitting Blues", I think I finally feel Chris's pain, after all, I'm too old to babysit. :D
7/10
Chris is a senior who has a big date planned with her boyfriend, but when he cancels, she is forced to babysit the Anderson's daughter, Sara. They also have a son, Brad is a couple years younger and has a huge crush on Chris and decides to cancel on his friend, Darrel to stay home with Chris. But when Chris's best friend, Brenda, calls her from the Anderson's, she finds out her friend is stranded at a bus station and can't get anyone else to help her. So Chris takes Brad and Sara and is forced to take Darrel since he won't leave them alone, they all go into the city of Chicago and end up getting a flat and get into one deadly situation after the next, even getting chased by the Mafia!
This is a fun flick that I still watch 'til this day and have so much fun with. I would always recommend this also for anyone, I truly hope it is discovered by new generations. I still enjoy singing along with the "Babysitting Blues", I think I finally feel Chris's pain, after all, I'm too old to babysit. :D
7/10
"Adventures in Babysitting" is always an easy watch. I enjoyed it when I saw it in the theater (Sunrise Multiplex, Valley Stream, NY) and I still enjoy it. Elisabeth Shue is very good. The rest of the cast does a nice job as well. It fits nicely into the '80s teen movie genre. "Adventures in Babysitting" may not be one of the classics of that genre but it deserves to be watched every once in a while. Honorable mention: the Thor scene.
क्या आपको पता है
- ट्रिवियाBradley Whitford was allowed to use his own Camaro for the movie. It has the license plate "SO COOL," the actual license plate Bradley had on his car.
- गूफ़On Sara's skate, her first name is spelled as "Sarah". In the end credits, it is spelled "Sara".
- भाव
Albert Collins: Nobody leaves this place without singing the blues.
- क्रेज़ी क्रेडिटShot of the thug who chased the little girl outside of skyscraper whimpering about being stuck out there.
- इसके अलावा अन्य वर्जनOn television broadcasts (most notably Disney Channel) and on Disney+, the scene where Brad calls Thor a homo was changed to where he now calls him a weirdo.
- कनेक्शनEdited into Panggil Aku Ayah (2025)
- साउंडट्रैकBabysitting Blues
Lyrics by Mark Mueller
Music by Robert Kraft
Performed by Albert Collins, Billy Branch (uncredited), Maia Brewton (uncredited), Keith Coogan (uncredited), Anthony Rapp (uncredited), and Elisabeth Shue (uncredited)
Produced by Robert Kraft
Courtesy of Alligator Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Una noche por la ciudad
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $70,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,43,68,475
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $29,01,297
- 5 जुल॰ 1987
- दुनिया भर में सकल
- $3,43,68,475
- चलने की अवधि
- 1 घं 42 मि(102 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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