'A' gai wak 2

This is a direct sequel to the Project A. All the casts from the previous movie returns to continue their roles.

Inspector Chun is the only Chinese police officer who is allowed to carry a gun under the British rule China. He's corrupt and stages his own arrest to make himself look good, killing the hired suspects during his arrest. His superiors are on to it and recommends Dragon Ma (Jackie Chan) to patrol Chun's territory along with him to find proof to his corruption. He becomes assigned to Sai Wan district as police superintendent. Two flower sales girls Yesan and Beattie (Maggie Chun, and Lau Ka Lin) is also into agitating the crowd to promote revolution. So police are keeping eye on them. They end up selling flowers to Dragon and his colleagues, and immediately after gets robbed. Dragon and his pals apprehend the thieves. The thieves are Tiger's henchmen, and at the Sai Wan police station they are released because supervisor Chu at the station is bribed by Tiger. Dragon reprimands the officers of Sai Wan station, but they are spineless and corrupt. Dragon must now face Tiger on his own with his own police department being not dependable. But he has his old supervisor Tung, and his troop's support.

This movie was made in Jackie Chan's prime, and his actions are superb. The story and his action has an edge that's refreshing to watch. The movie has an atmosphere of old school Hong Kong kung fu movies, but production is more polished and modern.

While not as comedic as the original Project A, this is an action packed movie that's a classic on its own right.

Sequels are a capricious lot with most nowhere near the stature of the original. Sometimes you find a sequel that is considered better than the original, some critics (such as John Charles) have stated that Project A2 is better than the original, I disagree somewhat but this movie is still a worthwhile follow-up and fits well in the output of brilliant Hong Kong action cinema in the 1980s as well as Jackie's own oeuvre. I do wonder how with such an awesome release of great films that his later films were not as good. He only has directed two films in the 1990s and none past that, but he has had much clout in many of the films where he is not officially the director.

Earlier in 1987 Jackie had brain surgery following a disastrous fall in the filming of Armour of God. This encouraged him to work on his next film close to home. This did not encourage him to stop risking his life and his stunt team for our amusement. What resulted is a smash hit at home that eclipsed the original in box office tallies (31 million HK dollars compared to 19 million for the original).

Jackie Chan is once again police officer extraordinaire Dragon Ma and he is ordered to work with "Three Wan" Superintendent Chun (Lam Wai, Royal Warriors) who is the only Chinese police officer allowed to have a gun yet is thought to be staging arrests to make himself look better and ignoring the crimes of a triad lord named Tiger Au (Michael Chan Wai-Man, Dragon Lord). Apparently Chun has too much power to be taken down directly, but he is relieved of the Sai Wan district (now he is "Two Wan") which Dragon Ma takes over. This inefficient and corrupt office will soon get a makeover and there is a great scene where three officers, who do not know who they are dealing with, attempt to assault Ma to teach him a lesson about complaining about police officers. He soon has that district ship-shape and Tiger Au taken care of. The fight choreography and stunts with Tiger and his men are quite awesome. My favorite stunt was a beautifully brutal fall from the second floor into a large vase and that vase did not appear to be soft.

Meanwhile a couple of subplots are happening. There are pirates who have survived from the first film who are looking for revenge and food. Then there are revolutionaries including Maggie (Maggie Cheung, In The Mood For Love) and (Rosamund Kwan, Casino Raiders) who are trying to raise funds for Dr. Sun Yat-sen to overthrow the Qing Government as well as government operatives who are trying to find these rebels. Throw in a mixture of corrupt Hong Kong and British Cops as well as legitimate ones and you have a stew that is getting a bit too many ingredients, but yet still seems to coalesce. This works well when there is a Marx Brothers influenced scene (the Marx Brothers have done this type of scene a few times with The Cocoanuts (1929) being the first) at Maggie's place where everyone is looking for someone while hiding from someone else. Many weeks were spent on this scene alone and the effort certainly shows.

There are several faults with the film. There is a certain didactic nature that creeps in the film that seems a bit out-of-place – especially one small speech towards the end that Jackie gives when dealing with the Mainland revolutionaries and the extremely easy conversion of the pirates that survived from the first film. Female characters are once again underused and under-appreciated, especially Maggie Cheung. I was not as satisfied with the continuance of the plot as much as the first film either. The individual scenes dominate my feelings for the film instead of thinking of this movie as a cohesive whole. I do not fault the film for not being able to have Sammo Hung and Yuen Biao like the first though (I have heard the main reason behind this was that those two were filming Eastern Condors, but I do wonder if Jackie could have waited a small while to get them to perform in this – they would work together for the last time the following year in Dragons Forever), but they are missed.

I found this to be quite an enjoyable and well-made film and it is rightfully regarded as one of the better comedic action films of the 1980s. This film is also quite good in a few unexpected places. The art direction is superb (Eddie Ma Poon-chiu), the costumes are exquisite, the cinematography is good and the movie looks quite authentic. But the stunts, comedy and the action is what I remember this film for. There is a chase involving a handcuffed Dragon and Chun that is superb (part of the axe throwing scene would be used in Shanghai Noon). The last twenty minutes is full of awe-inspiring hits, falls, chili-peppers as a mouth-mace (Jackie writes in his autobiography about how he used real peppers in this scene; you can see him in a lot of mouth pain during the outtakes at the end) and is a worthy conclusion to this movie. The most famous stunt from this sequence is his homage to Buster Keaton from Steamboat Bill Jr. (1928) with the exception that there is no hole and only a weak section where his head pops through.

Fans of Jackie and/or Hong Kong action cinema should consider this a must own and watch. I certainly do.

For me, this sits happily as the ultimate Jackie Chan movie: a super-fast paced journey of mad cap martial arts, hilarious humour, all mixed together in a fine comedy-cum-adventure concoction with plenty going on to keep the entertainment value high. Indeed, this film is so relentless and high-octane that I barely found time to breathe while watching it; every second brings something fresh and exciting to the screen, every plot point seems original and intriguing. At this stage in his career, Jackie knew exactly what the audience wanted and reached his cinematic peak of perfection with differing projects that all retained the same winning formula: comedy, action and danger, rolled into a fast and frenetic combination.

The ultra-complex storyline drags in a corrupt police official who plans to have Chan killed, an underground rebel cause who plan to overthrow the government, vengeful pirates, and of course the vicious crime element in the city. The script is witty and Jackie Chan is at the top of his game, whether it be with the endless magic stunt work, the genuinely funny comedy (the chilli-eating moment is something to be seen) or the exciting chases, which invariably see Jackie perform some superhuman manoeuvre - shinnying up a wall, running across a suspended horizontal pole - as if it were the norm for him.

PROJECT A PART II has plenty of memorable moments, not least being the raid on the hotel which mixes in suspense, drama, comedy, and plenty of action, as well as real danger. Then there's the finale at the building site, which lasts for ages but remains exciting and watchable for every single second, and the hilarious comedy set piece in which a succession of people attempt to hide inside Maggie Cheung's apartment and interact in various ways. Other great moments are too numerous to mention, but the handcuff chase is a real crowd pleaser anyway you look at it. Underneath the non-stop on screen action, the plot is rather thin and lurches from one set-piece to the next, but the formula is so stable and successful that I couldn't care one bit.

Supporting the ever-excellent Chan are a number of quality actors giving fine performances, namely Wai Lam as the corrupt and sinister 'Chun' and Wai-Man Chan as the genuinely threatening 'Tiger'. Plus there are the welcome returning bit players, including Mars and Jaws, and also Maggie Cheung and Bill Tung, two friends returning from POLICE STORY, along with a little-seen Rosamund Kwan. Tung in particular gets some fine comic interplay as he finds himself mending a leaky tap and getting handcuffed to a sofa! The martial arts come thick and fast and never lets up, and you'll need your eyes glued to the screen to keep track of all the super-quick kicks and lightning punches which roll across the screen in nicely choreographed punch-ups with plenty of prop destruction and choreographed chaos to keep them watchable and funny. A definitive and outstanding film. And okay, it hurts that Sammo and Yuen don't come back, but to be honest you won't miss them when the film's this good.

Many films claim to be like riding a roller coaster, but this more or less typical adventure from Asian sensation Jackie Chan is the genuine article: a fast, furious, and totally physical wide-screen action comedy. The convoluted screenplay, picking up right where Part I presumably ended, follows an incorruptible turn-of-the-century Hong Kong cop forced to contend with powerful mobsters, dangerous revolutionaries, crooked policemen, and a scruffy crew of pirates, separately and often all at once. But what passes for a plot is only an excuse for several hair-raising (and nicely choreographed) combat and chase scenes set (almost literally) at a breakneck pace, and performed without the benefit of doubles or trick photography. The writer/director/actor (and title song singer) single-handedly legitimizes the concept of mindless entertainment, at the risk of bruises and more than one broken bone, but never mind: the film is exhilarating, exhausting, and just plain fun.

(postscript: fifteen-plus years after seeing 'Project A II' I finally caught up to the first chapter, which is even more energetic than its sequel...)

Although I wasn't able to find an English or subtitled version of Project A, I was more than thoroughly entertained by the sequel, Project A2. There's a cute montage over the opening credits that recaps the best moments of the first movie, and when the villains explain their desire for revenge because of how Project A ended, you're all set.

Also directed by Jackie Chan, this action-packed police corruption story has fantastic production values. Set at the turn of the century, you'll see beautiful costumes, intricate sets, and very old-fashioned cars. Visually, this movie is an absolute treat. Women with their bustles and corsets, and grand balls hosted by British nobility (the setting is British-ruled Hong Kong), will sweep you away. And it's not every day you get to see Jackie dolled up in tails!

The screenplay is also a treat, as several different obstacles and plot lines converge: women revolutionaries, jewel thieves, corrupt policemen, and pirates seeking revenge. There's a hilarious sequence where Maggie Cheung has to hide six men in different places in her apartment, as one after another keeps knocking at the door. It's a funny comedy of errors, with a bit of danger thrown in.

Action-wise, the movie is a total treat. In the first Project A, Jackie paid homage to Harold Lloyd by hanging off the hands of a clock. In this one, he duplicates the most classic Buster Keaton stunt by standing still while a house falls on him. It's not exactly a house, but it's the same type of structure, and we all hold our breaths until we see him safe and sound on the other side. He falls down a flight of stairs, slides down a ladder, and balances on bamboo rods while fighting a bad guy. The outtakes reel over the end credits is fantastic, as a split screen shows Jackie singing in a recording studio (he often sings the song over the end credits) and also the stunts-gone-wrong. Since he directed the picture, we get to see rare footage of him working with the camera and helping his actors. I really enjoyed this movie, and if I can find an English version of the first movie, I'll definitely rent it.