*batteries not included

Jessica Tandy and Hume Cronyn stole the show, as is expected. However, the film is a very fun and nostalgic trip, the remaining cast getting the job done well. While it could use some development, the ideas present and the general whim about the film allow it to stand amongst other contemporary classics.

Naturally, the film also sports great production values, with Spielberg, Kennedy, and Marshall at it once again. Go see it.

A true classic. This was the first film I ever saw, and it has stayed my favorite for almost 17 years! Obviously, some may hate it, and some may love it, but its one of those films you have to judge for yourself. OK, so, perhaps the storyline is a bit thin, predictable and slightly unbelievable, but, what film isn't? There are more good points than bad (I'm not giving the good ones away, you'll have to see them for yourselves!) It could do with a bit of updating, maybe a newer version could cover up plot holes and dodgy script, but then it would lose all its charm. And Batteries Not Included definitely has charm, bucket-loads!

In my opinion it should be up there with Star Wars and E.T as a cult classic. It'll make you laugh, cry and hate the bad guy.

I definitely recommend it! Go watch it!

This is a fun movie if you're not looking for heavy philosophy and just want some bubblegum for the eyes. Hume Cronyn and Jessica Tandy are brilliant - he as the husband who's watching his wife's mind deteriorate, she as the "living in the past" wife. My favourite part is when Carlos walks into the hut on top of the building. The expression on his face when he comes out is priceless.

*batteries not included is a very underrated movie, especially among reviewers on the IMDb. The pros, such as Roger Ebert seem to give it some respect (along with 3 thumbs up). There was nothing sugar coated about the performances of the 5 main characters in *batteries not included. Jessica Tandy gives one of the best performances of her career as Faye Riley who appears to be in the early-to-mid stages of Alzheimer's disease. Hume Cronyn is Faye's husband Frank, owner of a small diner with no customers. Elizabeth Peña is Marisa Esteval, a single soon-to-be mother who clings to her statue of the Virgin Mary for what little hope she has. Dennis Boutsikaris is the cynical artist/painter Mason Baylor, who has a heart as big as his artistic talent, yet no one other than Marisa seems to acknowledge his talent. Finally there's Frank McRae as the former boxer extraordinaire Harry Noble, now living in the basement of the building that houses each character and the Riley's diner. Oh... Harry watches way too much TV... especially the commercials. His only lines (which were few) in this movie were lines from commercials. This movie represents a cross section of people who are on the verge of losing their homes to a real estate developer, who will stop at nothing to get them out of their building. After throwing large sums of money at them (to no avail), the developer hires Carlos (Michael Carmine) to run them out using whatever means are necessary, including force. The characters are developed to the point that you actually care for all 5 of them. Just when it looks hopeless for our friends, small spaceships, compliments of Industrial Light and Magic show up and start fixing everything. And flipping burgers in Riley's Dinner. They also wash dishes, repair broken Virgin Mary statues and stopwatches and they replicate using spare pots and pans and electrical appliances, fused together by at least 1.21 gigawatt's of electricity. Although the aliens are portrayed as mechanical beings with heart, they certainly give hope to the residents, and help bind them together. The visual effects are a treat... especially for those of us who have tired of CGI effects that look more like a cartoon than reality. There's something about filming a real model, built by human hands against a blue screen, then matting it into the film that makes it look more realistic than computer animated visuals. Many have written that this movie tries to suck the viewer in, using emotional techniques, as opposed to making it an intellectual masterpiece. I believe it takes more talent to get the audience to emotionally invest themselves in a movie than to create eye candy. Thanks to great acting, a decent-enough script, good cinematography and an equally emotional score from James Horner, this picture works in every way... even 20 years later. If you haven't seen this movie in 20 years, go ahead and give it a spin. It's as good today as it was in 1987! Prices may vary in Alaska, Hawaii and Puerto Rico...

While I realize that this movie has been blasted as being one of Spielberg's low points, it does have it's strongpoints.

First and foremost, this movie contains stronger characters (and places more emphasis on them) than most popcorn movies of today. If only a movie like TOMB RAIDER or MUMMY RETURNS (or even CATS & DOGS) were to pay as much attention to characterization!

The sci-fi elements, while cheesy, actually serve a purpose, and work quite well within the framework of the story. It's essentially a feature-length episode of "AMAZING STORIES."

Ultimately, this is a small movie with a small scope and intimate feel. Is it dated? Yes. Is it perfect? No. But it is a charming little movie that might be worth a second look.