After Henry

Television chiefs in Britain, desperate for new comedy ideas, seize on any successful radio series. When it first appeared, the idea of three generations of women under the same roof, and the sympathetic depiction of a gay man not in the first flush of youth were quite fresh. "After Henry" lost something in the transfer to TV, possibly because on TV it made fewer demands on the imagination. The cast, principally Joan Sanderson (qv) as Prunella Scales's mother and Benjamin Whitrow (qv) as the bookshop owner, were fresher, too.

The Bottom Line - 2.5 out of 5

"After Henry" is a mid-grade Britcom. Britcom fans such as myself will enjoy seeing Prunella Scales (Mrs Fawlty from "Fawlty Towers"), as she is a fine actress and does admirably here. However, the show isn't memorably funny, the premise of multi-generational households is a well-tilled one and there's little new here, and the remaining cast is mediocre. The general impression left on the viewer after several episodes is that it's a rather run-of-the-mill program.

As an American who loves Britcoms, I try to watch and rent all that I can find on telly and in vid shops. I don't have the luxury of comparing "After Henry" to the regular programming that British viewers see each night. My comments on the show are in relation to the shows I have seen. The best shows would include "One Foot in the Grave", "Blackadder", "Fawlty Towers" and "Red Dwarf". "After Henry" is clearly not in that lofty class, but is passable. You could certainly find yourself watching worse... and better.

A sitcom about a widow, her mother and her daughter living in three flats under one roof would never get made today - some producer with an eye on the under 25 market would probably insist on it being three young girls flatsharing. But back in the 80s, After Henry was the sort of gentle yet clever sitcom that thrived on British screens. The relationships between Sarah, Eleanor and Claire were so realistic you could imagine they really were related, with Prunella Scales successfully shaking off memories of Sybil Fawlty. Joan Sanderson as Eleanor is the real star here though. Sanderson may have ended up typecast as the slightly snooty, abrupt old woman, but like many typecast actresses, she ended up that way because she played that part so well.

The show seemed to be running slightly short on ideas in its final run, but was still well worth watching. Sadly, Joan Sanderson died just before the 1992 run was transmitted, so the decision over whether to commission a further series was made for ITV. In a way, this may have saved the show from an undignified end, as suburban sitcoms suddenly became very unfashionable in the recession struck early 90s. A shame really, as all ITV's attempts at 'modern' urban sitcoms were appalling.

I enjoyed this show very much and only wish it would be running again. Very humorous with a good mix of characters. The lives of a grandmother, mother and daughter all living in a 3 storey flat. One of the Britian's BEST comedies ever made.

After Henry is a show I loved as a youngster, and have enjoyed rewatching over the years. As a sitcom it isn't one you could say is loaded with belly laughs, it contains no slapstick, but what it does have is a very strong sense of realism. The humour is very dry, very witty, a brand of humour that seems to have vanished off our screens. For me the enjoyment of the show comes from the often moving moments when Henry is remembered.

Prunella Scales and Joan Sanderson are both superb, both have great timing, superb actresses, they make the show. Janine Wood is good also, but the character of Clare is just a little less interesting then her more mature family members. The best laughs come from Eleanor, and her caustic comments, her delivery was always perfect.

Series one is very good, but in this case I feel that it gets into its stride in the second and third series. The forth is a little pale in comparison. Sad that Joan Sanderson died before it's transmission in 1992.

At times it feels a bit middle class only, but the eighties were a different time altogether. The awful fashion and hideous decor prove that. A lot of quality comedy also came from that era.

After Henry goes to show that when a radio show is made into TV, it can work. 8/10