Wisdom

Only 13 years before this movie was made, in 1973, the father of Emilio Estevez (Martin Sheen) starred in the brilliant classic "Badlands", which has a similar storyline. This 1986 movie "Wisdom" is nowhere near as impressive as that seventies classic though, but "Wisdom" is definitely still worth a watch. Especially the acting is great. So if you like(d) Emilio Estevez and Demi Moore in the past, this movie is definitely worth a watch. Back to the eighties!

The story is simple. Emilio Estevez and his girlfriend Demi Moore, steal from the rich (the corrupt banks) and give to the poor (the American farmers). Will they get away with this Robin Hood kind of crime?

The good: the acting is really good. It's a lighthearted story, with a few subtle jokes and a few puppy love romantic scenes, but it's most of all a thrilling and suspenseful bank robbers movie, with lots of hold ups and chases.

Any bad? It's a bit silly now and then, credibility wise. It has got that eighties sound, with the silly synthesizer music. But overall these faults are minor. This is one heck of a charming action movie. Definitely a forgotten movie, that is worth more attention. Still quite enjoyable after 30 years.

why is this movie not on DVD?

and why when i ask if they've seen it do people look at me like i've got three heads?

and why have most of the IMDb comments ripped into it? its great!!OK its no empire strikes back or shawshank redemption but it does the job.good story,good soundtrack,demi moore,what else do you want? i have no doubt that some pretentious English lit grad budding movie reviewer is gonna shoot me down but it ticks all my boxes,if you've not seen it check it out, good old 80's semi post brat pack action pack fun!! that is of course my opinion, you are entitled to yours also.

I've watched Wisdom several times, and still enjoy it every once in a while. I've always been attracted to films with an original idea in them, and this is that kind of flick.

I like Emilio Estevez anyway, and to see him get his first chance to direct was cool. Demi Moore turns in an enjoyable, believable performance too, as did Tom Skerritt and Veronica Cartwright.

The particulars of Wisdom's methods might be a bit muddy, and the end not entirely satisfying to some, but this film is waaay more watchable than what's been out at the theaters lately. Can Hollywood really be SO out of good, original ideas?

I had the pleasure of being Demi Moore's stand-in and photo double for this film, after auditioning against 325 other young actresses for the "role." Normally, you don't have to audition for that crew job, but since this film was Emilio's directorial debut, he wanted to be able to look through the camera lens to "see" what he and Demi would (more or less) look like. The job of the photo double and stand-in is to do all of the takes where you can't really see the stars' faces (drivebys, long distance shots, etc. - yes, I was the one he had slung over his shoulder running in the school parking lot after Karen was shot), as well as to sit in for lighting and sound checks. It was, to put it the most succinctly, like running away and joining the circus!

Notwithstanding some of the legitimate criticisms of the film in other reviews, from a personal standpoint I have to say that Emilio was a total gentleman, and was especially respectful to all of the crew. He thanked the actors after every take and at the end of the day, and he never went into his trailer for meals - he always sat with the crew. The very first day on set, he asked if I had my SAG card, and when I told him I only had my AFTRA card, he wrote in a line for me so that I was eligible to join SAG (they ended up using the shot in the trailer). Emilio didn't have to do that, but it was the kind of thoughtful gesture that he showed others on a regular basis.

Emilio was also well aware of the trust placed in him, being such a young man with a considerable film budget, and he was surrounded by many Hollywood veterans who were equally patient and understanding (Robert Wise, Bernie Williams, to name a few).

While this may not be a true "review" of the film, I thought those of you who had written here might enjoy knowing some of the "behind the scenes" thoughts from someone who was there for the whole shoot. Personally, I enjoyed every moment of the experience, I learned a lot, and I will always be grateful to Emilio for his generosity of spirit and kindness. He was a class act, every step of the way.

The critics love dubbing this "Wis-dumb", but I've never understood the harshness. Sure, this film isn't amazing, kind of in one ear out the other entertainment, but in my opinion undeserving of the worst of all time list. I can honestly say "Wisdom" spoke to me, especially in my late teens and early twenties and I think a lot of guys that age may feel the same. You always reach that point after high school of what to do now, or trying to find a job that you love. Estevez character faces those couple of things plus the fact that he has a felony attached to his name after a night of mistakes a few years earlier. Deciding that there isn't much for him out there in life, he's intrigued by a tv report documenting the financial problems farmers are having in the midwest. So he ends up (and this is where it gets tricky when trying to explain the film's plot to people) bombing and burning loan information kept in banks. The odd thing is that he begins this close to home in LA, but then heads east where the cause will have effect. Along for the ride is his loving girlfriend, played by Moore in one of her more sweeter performances. I just feel that Estevez really nailed her character by making her the sympathetic "I'll do anything for you" type. Not to mention that she's gorgeous and gives him plenty of physical love, even while on the lam. She really came off as a semi-dreamgirl. Meanwhile, as they head from town to town, there's a subplot about a determined FBI agent out to get Estevez, nicely played by Young. Some acuse the ending of being a copout, but I'm with others who enjoyed its originality. There's a good amount of drama as to what he will decide to do in that one moment. The film also includes some excellent Danny Elfman music, an actual song at the end along with a sensitive piano score. Overall, this flick is far from Oscar winning material, but it has some interesting ideas and should pass the time either way, as a bad or good two hours.