Where the River Runs Black

One of my all time favorite "Jungle" movies.

I first heard about this movie when I was living down south and a friend of mine mentioned it to me. A local TV station at that time, late 1980s, was trying to have it blocked for some reason. I never did get to see it at that time. A year later, a girlfriend of mine at the time told me about the movie and how much she loved it, so I told her what had happened in that little town down south. She'd told me that was stupid the move was awesome and if I ever got the chance to see it. Two years later, back in New York, I came across the movie for sale in a video store and snatched it up thinking I had to see what all this was about.

I wasn't disappointed.

However, for a short while after viewing the movie the fist time around, I did keep an eye out for large snakes hanging out in trees whenever I went hiking or cannoning. . .

Lazaro, after loosing his father--look out for big snakes--and later his mother, lives alone in the jungle for a short while. The villagers down the river eventually come to call him the Dolphin Boy, because he's often seen swimming with dolphins and they even believe he can become one and swim away if in danger. Later Lazaro is caught by fisherman and taken to a church and that's when the story takes a twisting turn that I found very interesting and thoughtful. I did get a kick out of watching them try and give the Jungle Boy a hair cut or make him wear sneakers. And there is one scene where Lazaro wants to share a snack he caught with his new friend that I found both funny and touching.

For some reason this story touched something deep inside me and I've loved it ever since. Visually it was very pleasing with lush jungles and the contrasting open mine pits looking like gaping wounds in the Garden of Eden. The young actors (brothers) who play Lazaro are very convincing in their portrayal of a child of the rain forest, very well acted and believable, and as other's have pointed out, very stunning looking.

It'd be great if they made more movies like this one . . . But as someone has already mentioned, movies like this come along maybe once ever ten or so years.

This is a very touching film, which has always fascinated me as I do have an interest in feral children. The film, based on David Kendall's novel 'Lazaro', revolves around young Lazaro, a child raised deep in the Amazonian jungle by his mother following the death of his priest father before he was born. Mother and son live a happy, idyllic life until gold-hunters enter their territory and end up murdering Lazaro's mother. Left to fend for himself, he is then taken in by the dolphins who live in the river and protect their human charge from predators as they would their own calves. Some years later, when Lazaro is about ten or so, he is then found and brought to the city where his father's mentor vows to care for him and make him civilised. But Lazaro is more intent in revenge when he sees the man who killed his mother...

The acting from Alessandro Rabelo, who plays Lazaro, and Ajay Naidu, who was cast in the role of Lazaro's best friend, was excellent. You can't help but grow attached to the boys and care for their plight. Charles Durning also gave a masterful performance as the priest who just wanted to do right by Lazaro; he had such a rapport with young Rabelo, leaving the audience convinced of the growing bond between the two. The haunting music only adds to the sense of mysticism and spirituality conjured up by the storyline of the film.

'Where the River Runs Black' really is a one of a kind and I highly recommend it to anyone just looking for something that bit different. It touches many issues, from the plight of rescuing feral children (is there a point where they should just be left alone?) to whether we have a right to seek vengeance when we are wronged to environmental issues (the cutting down of the rain forests). It's a film that stays with you forever.

It starts with a touch of awesome music and a priest making his way to give his confession to another priest. The story is his confession. He tells how he feels he has sinned against God, by allowing an event to take place. Lazaro is a young boy, raised dolphins in the jungle, after his mother is raped and killed (before his very eyes), by wicked men! The priest (Charles Durning) befriends Lazaro and tries to make the boy civilized. But Lazaro is vengeful toward the men who killed his mother, and has the opportunity to strike back!

This movie, if I remember correctly, originally aired on HBO.

A friend of mine taped it for me and sent it to me as a gift because he had an idea I would like it.

Boy, was that an understatement.

The movie reminded me of a Tarzan movie called "Tarzan And The Jungle Boy", where they find a boy who crashed in the jingle and spent years there before he was found.

The two brothers who play Lazaro, Alessandro Rabelo and Marcelo Rabelo, look so much alike that it's no wonder they chose them to play the same character at different ages. They both give a stunning performance as the adoreable jungle boy.

"Where the River Runs Black" (1986 - 97 minutes), directed by Christopher Cain, is a beautiful adaptation for the cinema of the awarded novel "Lazaro", of David Kendall. The film mix religion and mysticism when tells the history of a boy created in the Amazonian forest that is taken to be educated in an orphanage. The tram starts when an American missionary, the idealistic priest Mahoney (the actor Peter Horton) - that works in the region where the waters of the River Amazon becomes black -, knows a mysterious and sensual woman. A child is born of this relation and Mahoney dies. The boy, Lazarus, is played by a 10 years old Brazilian boy, Alessandro Rabelo who carried out the film side by side to the experienced actor Charles Durning (priest O'Reilly). Educated in the forest, Lazarus develops a strange relation with the "botos" (dolphins of the Amazon River). Of the wonderful landscapes of the Amazonian forest to the dirty and hard urban scenes, the story of magical realism maintain its attraction due to the delirious photograph of Juan-Ruiz Anchia. Entirely filmed in Brazil, the film had the participation of some Brazilian technicians and actors as Marcos Flaksman, Chico Diaz and Ariel Coelho