Vamp

Vamp (1986) was another one of those teenage sex/horror film that was widely popular during the eighties. This is one of the better ones. Not a great movie mind you but it's entertaining and it does the job. Vamp stars Chris Makepeace, Robert Rusler (whats an 80's movie without him?) Gedee Wantanabe, Dee Dee Phiffer , Billy Drago and Grace Jones.

A group of late teens decide to go to the big city and look for some kicks. They find a seedy strip club, inside are a bunch of wigged out patrons, sleazy strippers and a Reinfried like bartender. Robert is fascinated with one of the strippers whilst Chris falls fro one of the waitresses. Grace Jones co-stars as the main attraction. Billy Drago makes a guest spot as a crazy vampire who likes to slum it up in a kiddie corner. It doesn't take Chris too long to find out that the club has a dark secret and he tries to find a way out without drawing the attention of the owners. Can Chris and his buddies make it to safety or will they become part of the staff?

An entertaining film that was heavily borrowed in the nineties cult favorite From Dusk 'til Dawn. The similarities are too obvious. Q.T. must have had this movie in mind (along with about six others) when he wrote the script. I would have to recommend this movie for horror fans and lovers of eighties movies. Fun stuff with a lot of tongue in cheek humor!

After an unsettling start, this roars off in exciting manner through night streets, bathed as if by Mario Bava in streaks of green, pink and mauve. This could even be Planet of the Vampires, did we but know it. Inside a strip club we have a whole delirious section, fantastically designed and choreographed, the centre piece of which is the turn of Grace Jones. It is as good as anything she has ever done as she prances and dances and more to one of her own songs. Things get more vampiric and the delirium continues. Some time after halfway through, however, we suddenly notice the absence of the wondrous lady and realise just how flat and juvenile things have become. Things pick up towards the end and all in all, even including the music (very decent, especially for an 80s film) this is well worth a watch and much underrated.

To get into a highly regarded fraternity, Keith and AJ agree to come up with the goods. That is finding a stripper to perform at a party. They need wheels and they turn to the dweeb Duncan for a favour. The three head off, and they come across a rather sordidly dark neighbourhood, which the After Dark club catches their attention. After this the night turns into a very surreal nightmare, as the place happens to be run by vampires. The trouble begins when AJ gets a personal encounter with the fetching dancer Katrina to hopefully perform at their party.

What starts off like your ordinary teen comedy, turns into a spontaneously imaginative and tantalizing vampire feature. The horror/comedy element more often comes off, despite some awkward moments and bad timing. The wry humour is blackly broad and weird, while the ominous thrills are jarringly explicit. Director / writer Richard Wenk gives the oddball concept unpredictable twists with a wide range of sub-plots that work in a lot of tact on climaxes, and the highly witty and clever script is a saucy treat with its banter. The script had a rapid touch about it, but the pacing of the story and direction can get scratchy. Wenk stylishly floods the seedy locations with neon pink and green lighting for ample effect, and Elliot Davis' singular angle photography gaudily displays a sinisterly lingering and nocturnal atmosphere. The make-up FX by Greg Cannom is pretty top-rate with many wicked and grisly images. The direction can feel loose, but it's visually enticing and at times suspenseful. It does look cheap, but this only enhances the mischievously neurotic air and helping out that tenor is Jonathan Elias' spiralling, steamy music score. The cast are on a real high. Chris Makepeace and Robert Rusler are ably good as the two central characters. Gedde Watanabe admirably pulls the strings in his obnoxiously weedy comic part. Grace Jones gets top billing, despite saying nothing and having little screen time. However she's naturally imposing and her dominance comes from her luridly effective physical actions and appearance. Especially those eyes! A bubbly and sincere Dedee Pfeiffer steals the film for me, and you got a memorably eerie Billy Drago as an albino thug of a street gang. Sandy Baron was also good fun. The comparisons with "After Hours (1985)" are justified, as both follow a path of triggered events during one bad night in an unrecognisable part of town for the unlucky foe/s. Also I wouldn't be surprised if "From Dusk Till Dawn (1996)" was influenced by 'Vamp'.

A neat, showy and off-kilter little horror/comedy romp of the 80's.

In Kansas, the friends Keith (Chris Makepeace) and AJ (Robert Rusler) are trying to join the best fraternity in the university. Their pledge is conditioned to the presence of a stripper to entertain the veteran's members of the fraternity. They need transportation to go to the city to hire a stripper, so they invite the boring Duncan (Gedde Watanabe) to go with them in his car. They arrive in a bar called "After Dark Club" and soon they realize that the place is a nest of vampires, leaded by the evil Katrina (Grace Jones).

"Vamp" is a delightful, funny and very underrated vampire cult-movie. I do not know how many times I have watched this movie, but I loved it and it is one of my favorite vampire movies ever. It is funny to see in 2005, a common pre-AIDS gesture of affection between boy-friends and girl-friends: when Keith cuts his finger, Allison (Dedee Pfeiffer) sucks his blood. I found the IMDb User Rating extremely unfair and I really do not agree with such low rating. My vote is eight.

Title (Brazil): "Vamp: A Noite dos Vampiros" ("Vamp: The Night of the Vampires")

Note: On 11 November 2013, I saw this movie again.

This has to be the most underrated vamp flick that i have come across, most could be put off by bottom shelf, fading icon Chris Makepiece gurning his way through frat-cliche after another, but sit tight and you will become witness to invention in a low budget movie not seen since the likes of The Black Gestapo and You can't buy love. Grace Jones makes compelling viewing as the said vamp and the soundtrack is a lesson in the tried and tested sublime to the ridiculous pitch. All in all this is a quality movie and very creepy i might add, could have toned down the pink and green lighting though (maybe Jerry Bruckheimer got a job onset as exec producer)