Stagecoach

I think too many people are reviewing this as if it was a legitimate effort to remake the original. I believe this was an opportunity to get several greats On screen at the same time. When are you ever gonna see Willie ,Waylon, Johnny and Chris together? Their interaction and Believe it or not, some acting ability was very enjoyable to watch .

this is(a far as i can tell)the third version of the classic movie first directed in 1939 by John Ford and starring John Wayne.i haven't seen the second film(1966)so i can't comment on that one.this 1986 version though,i can comment on.in my mind,it doesn't come near to the original,which is a classic,and one of the best movies i have seen.this version has in many of the starring roles,Country and western singers of the era,including Willie Nelson,Waylon Jennings,Johnny Cash and Kris Kristofferson.also in the cast are John Schneider(TV's Dukes of Hazard),June Carter Cash,Jessi Colter(wife of Waylon Jennings),and Mary Crosby(TV's Dallas)the movie was an entertaining diversion,but the acting was underwhelming.The only decent performance of the bunch came from Kristofferson.most of the dialogue wasn't that great,either,including a lot of one or two word conversations.and what was up with Mary Crosby and those lips,which looked like she'd had an allergic reaction to peanuts or shellfish,or something.either way,it looked stupid.the movie was also slow,with not much happening of any consequence,and almost zero character development.when it was over,i was indifferent to it.it's nothing memorable and will probably have faded from my mind in a day or so.still,if you have nothing better to do,it passes about 90 minutes or so.for me Stagecoach(1986)is a 6/10

The original 'Stagecoach' from 1939 is to me a timeless classic and one of the finest westerns ever made. The 1966 film was a fair one, very much inferior and uneven and one questions the point of it but at the same time it had several big pluses to make it watchable.

Admittedly, when hearing of this 1986 film expectations were very low. As talented as these country and western stars are, the whole concept just screamed of one big gimmick that could easily have gone disastrously wrong. That it had a limited budget too further added to the intrepidation, which had potential to severely diminish the western atmosphere, which ideally should have excitement and tension which was likely not to happen with low-budget.

Seeing it, and judging it on its own merits, 'Stagecoach' (1986) turned out to be not as bad as expected with some serviceable things. As feared though, it is even more uneven than the 1966 version, has more (and bigger) flaws, it is a little gimmicky somewhat and even on its own merits many people (myself included) are likely to question the point of it or find any reason for it to be made in the first place.

Certainly, there are some good things. Things do pick up in the second half, where the pace is given a sharper kick and more happens while the build up to the climax and the climax itself are exciting and suspenseful. The soundtrack is infectious and a lot of fun, while the costumes suit the western genre well. Some of the performances are good. Anthony Newley clearly is enjoying himself in his brief appearance, while Tony Franciosa does his nervous act well, John Schneider is handsome and charismatic enough, Mary Crosby allures and Kris Kristofferson while not as charismatic as John Wayne has far more presence and likability (also appropriately stoic) than the wooden and vacuous Alex Cord.

However, Johnny Cash is somewhat stiff while both Willie Nelson and Waylon Jennings look uncomfortable, Jennings actually looks as though he didn't want to be there and Nelson clearly had no idea how to portray the character. Elizabeth Ashley looks pained throughout too, exposing a limited acting ability, lack of experience and lack of connection with her character (which is admittedly not an interesting one in the first place).

Furthering hindering the film are in particular a long-winded and drawn-out script that veers on the preachy at times. The direction is pedestrian, aimless even in the first half and failing to inject any urgency until late into the film. The story lacks the fun and tension of especially the 1939 film, and lacks the necessary grit too making everything feel bland. It also really struggles to come to life in the first half, although improving in the climax and its build up. The limitations in budget hurt 'Stagecoach' (1986) also, with a choppy and drab look that was crying out for more majestic sweep and the production design looking like it was constructed in haste. This is sad because the scenery is actually quite nice.

On the whole, definitely could have been much worse but just didn't see the point. Interesting to see so many country and western stars together, who are very talented at what they do in their own way, but some fare significantly better than others while others flounder. 4/10 Bethany Cox

The iconic characters of Ernest Haycox's Stage To Lordsburg is given yet another remake with four country/western legends in the cast. Kris Kristofferson is the Ringo Kid, with Johnny Cash as the US Marshal, Willie Nelson is Doc Holiday, and Waylon Jennings as the gambler Hatfield. It's not the desert poetical version that John Ford made, but this can hold its own.

As you can see the doctor on the trip is the famous true life Doc Holiday instead of the inebriated former Union Army surgeon that Thomas Mitchell won an Oscar playing in the first version. There are other plot changes as well.

However without the showdown of Ringo Kid with Luke Plummer and the Apache attack on the moving coach this would not be Stagecoach and rest assured it is most definitely included. They are staged well if different from the 1939 and 1966 versions.

Others in the cast are John Schneider as the driver and he's not the comic figure that Andy Devine was. Anthony Newley is the whiskey salesman and Anthony Franciosa is the banker Gatewood who makes a very sudden decision to travel just as in the original.

The women are Elizabeth Ashley as Dallas the saloon girl and Mary Crosby plays the pregnant army captain's wife Mrs. Mallory. Her father Bing Crosby was Doc Boone in the 1966 remake.

The quartet of legends makes this one really work.

The acting is fine. The scenery is great. The plot is famous. The directing is good. The country music is fantastic. And if you can't watch Willy, Waylon, Kris, Johnny, and a great cast you should stick with the Hollywood crowd cause you don't understand fine movies by legendary entertainers of several skills. Personally, I love all these guys and they made a thousand movies I'd watch them all.