Slaughter High

Saw this film years ago on video and found a cheap copy of it recently.Yeah i know they're not exactly the right age for the parts they're playing and of course most of the cast can't disguise their British accents but i still like it for a laugh!

Some of the murder scenes are inventive though how did he know they'd end up on the bed or taking a bath???!!!!

Ending is a bit strange and sorry to hear about the suicide of the guy who played Marty.Otherwise an enjoyable film not to be taken seriously!

This film is the epitome of bad 80's slasher films: a decent idea that comes out really bad and rips off good slasher films in the process.

Marty, the stereotypical high-school nerd, is horribly disfigured in an accident caused by a prank gone too far. Years later, Marty invites the pranksters back to their old high school for a reunion. One by one, Marty stalks and murders them.

Sounds pretty good but given the bad script, bad acting, bad special effects and no trace of suspense, the film is nothing but a cheesy gore-fest littered with numerous plot holes. The illogical behavior of the characters is bad enough, but the dialogue is just plain painful to witness. Even if you like bad B-movies, this one is still awful.

I paid $1 for this movie in one of those dollar stores and would really like my money back.

"Slaughter High" is, perhaps, the most underrated slasher flick of the 1980s. It is one of the few films in the genre that is enthralling throughout. That being said, it also relies heavily on the standard slasher formula: A group of young men and women get killed one by one gruesomely until the final showdown.

The reason why "Slaughter High" stands above most movies in its genre is that it goes more over-the-top. Marty, the killer, has good reason to hold a grudge against his former classmates. They electrocuted him as he stood naked in a girl's locker room shower, jabbed at his crotch with a javelin, and, to top it off, rigged his science lab experiment so it could disfigure him.

So, the victims in this movie are about as unlikeable as you get. When they reunite years later -- at a high school reunion put on by Marty himself -- you realize they haven't matured all that much. They're a bunch of sociopaths.

It is mind-boggling why they would not wonder why they were the only ones to show up to the reunion, which, by the way, is held at a school that has since fell into disrepair. And who would think it's a good idea to drink beer and liquor found in the abandoned building in a room that happens to have their old lockers -- as well as Marty's -- on display? There are many leaps of faith the viewer needs to take to enjoy this film. The ending makes little or no sense. And the screenwriters have a strange understanding of how April Fool's Day works: The movie claims that pranks are no longer allowed after noon.

In all, the movie is one of the best examples of the slasher genre, despite all of its flaws. It is hard to understand why it hasn't yet found its way to DVD, when so many other run-of-the-mill slasher flicks are graced with special editions.

Producers Steve Minasian and Dick Randall certainly had an extreme flirtation with the slasher genre when it was finding its fortune in the peak years. Their credits include perhaps two of the most bizarre and blood-soaked movies of the early eighties, Pieces and Don't open ‘til Christmas. This was their last joint venture into the kingdom of stalk and slash and it was probably their finest hour. Carolin Munro (that name always makes me giggle, I'm not trying to be Marilyn Monroe sir, Honest!) returns to what she does best… well, gets most work from! Yes, she was the buxom beauty queen stalked by Joe Spinnell in both Maniac and Fanatic and she also made a somewhat brief appearance in the aforementioned Christmas-set hacker. Having discovered a themed-calendar date that had not yet been knifed/slashed/pickaxed, the movie was initially going to be called April Fools Day. But Frank Manucuso Jnr, the producer most famous for his work with the later Friday the 13ths, must've just beat them to the copyright for his flick of the same title. On the cover this claims that it too was from the makers of the Voorhees series, only I'm not quite sure how much truth can be found in that statement. If Minasian did have any involvement at all, it wasn't credited ANYWHERE, which hardly makes him worthy to call himself the ‘maker'.

The premise is even more archetypal than the category it so lovingly frequents. Marty Rantzen is the school nerd that suffers a constant barrage of bullying from a troupe of (middle-aged!) students, which includes the beautiful Carol (Munro) and the joker of the pack Skip (Carmine Lannacconne). He emphasis the fact by wearing a Jester's mask that we know from the off will reappear later for more sinister reasons! As if you hadn't already guessed, one April fools day they go too far and Marty ends up horrendously disfigured and transferred to a loony bin for lifelong imprisonment. You wanted by the book plotting? Well check this out: Five years later, the culprits are all invited to a reunion on their now abandoned campus, but no one knows who planned it (take a guess!). Almost as soon as they enter, the caretaker is nailed to the door by a nut-nut in the Jester's mask and soon they each find curious reasons to wander off and suffer gory deaths at the hands of the masked maniac…

Most of these ‘actors' are as English as the Tower of London, but try to convince us that they're American, which would explain their humorous accents switching between UK and US more times in 85 minutes than British airways do in a year. Cars are given foreign number plates, but there's no disguising the location's obvious English heritage. Ex-Bond babe Munro hasn't improved her characterization since the last time she was stalked by a maniac killer and by 1985, she was looking a little too ‘mature' to be a Hi-school teen. I'd love to know how she managed to wake up early in the morning with perfect hair and make-up too, but hey, I guess we're not supposed to ask questions like that and she did bring some much-needed beauty to the movie. Most of her support were outright first-timers, flat as a punctured tyre with no thread of speech pattern. But Simon Scuddamore and Carmine Lannaccone kept up the camp spirit - if little else. The really obscure thing about Slaughter High was undoubtedly Dick Randall's brief cameo appearance. Surrounded by posters from his previous ‘hits' (hey, there's Pieces!), he proves that his flair for dramatics was even worse than his taste for production.

There's fun to be had in the inventive murders that involve disembowelment by a tractor engine, exploding intestines and death by drowning in a bog of mud! (?) Perhaps the dumbest of the bunch was when one girl decides to take a bath after the blood from her friend's bursting guts sprays all over her face (Well, isn't that exactly what you'd do?) She climbs in the tub and turns on the taps and suddenly the water rushes in to boiling acid. Does she simply step out of the basin to save herself from scalding or does she stay seated until she completely melts into a bloodied skeleton? Yep, you guessed it… Perhaps on this occasion the killer actually did her a favour! Director George Dugdale shows very little potential in his directorial debut. His biggest mistake was relinquishing the usually redeeming stalking set pieces for rushed murders that lack any suspense or tension. His efforts at jump-scares were too slowly framed and he lacks the skill shown in the early additions to the series that he so desperately emulates. The ghost-like apparitions that pop-up as the runtime draws to a close were indeed silly and pointless, but if you keep watching they at least give us an explanation for their needless appearance. Harry Manfredini hasn't so much mimicked his score from Friday the 13th as simply cut and pasted it, which is no real mean feat, but at times it felt as if we were watching a (less competent) sequel instead of a completely different movie.

The most macabre thing about Slaughter High, is the fact that actor Simon Scuddamore tragically took his own life soon after it was released. It's a real shame, because he was probably the most talented guy in the picture. The reason(s) for his suicide are unknown, but watching him play the role with his tongue stuck firmly in cheek and clearly disguising the problems that he may/may not have been suffering at the time, makes his performance look far more credible. It also gives the film a somewhat morbid air of mystery as to why he chose to end his life at a time when he should've been celebrating. What is questionable, is why no tribute was added to the closing credits in memory of the deceased star? Perhaps the reason being that it had already been transferred to video when news of his suicide was announced.

Although it lacks the polish of the flicks it obviously wants to be classed alongside, this is still a great deal of fun. The unrated versions give some visually amusing splatter, even if it's nowhere near as gory as the producer's previous bloodstained offerings. The overall campiness spoils any chance of fear and it's a little too under-written even for a slasher flick, but it does manage to keep interests raised without ever becoming boring and it doesn't take itself too seriously. The net result is a movie that succeeds in doing exactly what it set out to. Have some fun and kill a few deserving victims along the way! It's as routine as brushing your teeth, but it gains credibility for accepting with warm embrace the knowledge that it's nothing more than that.

Stephen Minasian and Dick Randall, who also helped to bring us the original "Friday the 13th" and the notorious "Pieces", strike again with more ridiculous 80s slasher cheese. Cruel high school students play a prank on pathetic Marty (Simon Scuddamore), after which he becomes permanently disfigured. 10 years later, these same jerks attend their high school reunion, despite the fact that they're the only ones who show up, and the school looks like it's been shut for years. It seems that Marty, who now wears a joker / jester costume, is out for some sweet revenge, and fortunately for him, his victims tend to be *idiots*!

Minasian and Randall sure know how to give the audience what they want. Randall (who also appears on screen, as Caroline Munros' agent) deliver to us nudity, gore, creative kills - a spiked beer, electrocution, an acid bath - and some genuine atmosphere in this fairly enjoyable flick. The good thing is that the three credited writers / directors (George Dugdale, Mark Ezra, and Peter Mackenzie Litten), know full well that their film is blatantly cheesy, that their script is not so hot, and that the majority of their actors are not overflowing with talent. Perhaps the oddest touch is seeing veteran British sex symbol Caroline Munro play one of the worlds' oldest high school students. As usual, she's a joy to look at, and she must do most of the running around (and screaming) while the demented Marty stays close on her tail.

Dugdale, Ezra, and Litten waste little time, getting to the humiliation of Marty quickly, and rarely offering a let-up until the end. Overall, this is an amiable slasher that is never taken really seriously, and it creates good vibes for its entire 91 minute run time.

Young Scuddamore is memorable as the antagonist, although he sadly committed suicide in real life after the picture was released, so he was never able to see this picture become a sort-of cult favourite over the last three decades.

Seven out of 10.