Salvador

Salvador is a revelation. incredible movie about the horrors of US intervention in the third world.

however, stone would have been better off simply showing the situation instead of subjecting the viewer to long drawn out monologues. i think most viewers groaned when michael douglas launched into his "So Bud, do you think we're living in a democracy" speech in WALLSTREET, and there are a few such sermons here.

stone should watch THREE KINGS to see how it's done. let the viewer make his own conclusions instead of pounding him over the head with pre-fab ones.

for those who think the interventions in salvador, Vietnam, cambodia, laos, philippines, etc were justified, they probably have not been to any of these places. granted it was the cold war... which is the excuse that is generally used... but the cold war is over and US policy has not changed in the slightest. the US is always at war, the cold war, the war on drugs, the war on terror, it goes on and on.

anyone with a conscience should see SALVADOR, the world's first (and last?) political roadtrip movie. this is belushi's and woods' finest hour.

I'm not a huge Oliver Stone fan, I rented this because James Woods is so entertaining, but the movie itself was pretty good, too. The movies I liked that Stone directed didn't have a big political message, like U-Turn, The Doors, and Natural Born Killers (ok, that last one was slightly political) There was one scene in this where Woods and Savage were taking photos of a huge amount of dead bodies in a dump, and there's a subtitle saying "Blah-blah, dumping ground for corpses killed by death squads" (or something similar) Oh really? Thanks for the explanation Mr. Stone, I would have thought they were at the zoo. I probably wasn't supposed to find this movie as funny as I did, but God James Woods was so funny. It's just his timing, or the way he says stuff, or something, but he just totally steals the movie. He can just roll his eyes and I start cracking up. If it had a different actor in the starring role who wasn't as entertaining, I doubt I would have watched it so many times. He was definitely robbed of a Best Actor Oscar for this movie--there's a scene near the start of the movie where he is barreling down the street in his crappy car and gets pulled over, that made me laugh so hard I played it back for my husband. Some of the scenes where they are driving down to Mexico are very Hunter S. Thompson-esque. The scene in the confessional where he asks the priest if it would still be okay to take a few hits of a joint once in a while is priceless. If you're a Woods fan, what are you waiting for? Get a copy fast! I can't imagine any other actor in the role, the other acting in the film is great, but he just acts circles around everyone else. Oh yeah, and the movie itself is great, very emotional. You do care about the characters, even the sleazy ones. Woods is strangely attractive in a seedy sort of way. The ending also was unpredictable, and there a several scary, very tense scenes. One more thing--watch for John Doe of the punk band X in a small cameo as a restaurant owner-va va va voom!!!

Having seen this movie more than ten times, over the last decade and one half, it as taken on many shades of meaning, but it continues to show how the more things change the more they stay the same. The reporter's sense of gathering news seems to be one of self-sacrifice and a search for truth however, the director shows how the American reporter possesses a quixotic sense of right and wrong that is overwhelmed by self-interest and self-indulgence not unlike the American public. He is unable to report with the clarity of a John Reed. Other points of interest are the visuals of the local life of peasants, who just want to live. They are shown to be no different than the peasants of Chile or Vietnam. Contrasting this life is the ruling elite that manipulates the meaning of the simple needs of the peasants into an ideology that threatens the middle class and the business interests that exploit the resources of this third world country. When the environment becomes so intolerable that the peasants begin to revolt, the forces of the ruling elite call on the American military might to help quell the rebellion. Here we discover the atrocities that become the daily part of life and bring the audience emotions out of its dispassionate viewpoint into one that feels the helplessness of a beaten people.

It seems to me that the director was more into making a movie than selling tickets. For this we are grateful. This movie is as fresh with insight and meaning as it was when it was released. Dr. Zim Robert

Compelling civil war drama by Oliver Stone with a great James Woods (as well as a great Jim Belushi). Stone's best films have always been his highly political ones, and this is no exception. Brutal, realistic portrayal of the conflict in El Salvador and America's implications. This is one to re-discover by film fans as it seems to have fallen a bit into obscurity over the years. Highly recommended: 8 stars out of 10.

In case you're interested in more underrated masterpieces, here's some of my favorites:

imdb.com/list/ls070242495

With a touch of the Hunter Thompsons, Oliver Stone created a quality film about reporter Richard Boyle and his troubles in El Salvador during a civil war that breaks out around him.

Compared to other Stone films, I think this is his best, he has managed to take the true story of Boyle and craft it into a film in which you actually care about the on-screen characters, something he lost later on.

The performances are classic; James Woods, he was clearly on edge and it shows, he produces one of his finest to date. Doc would really have been only a fringe character if it wasn't for the fact he was played by James Belushie in fine form, he fits into the role of the degenerate with ease, he begins as somewhat uptight, but slowly dissolves into the seedy culture of Salvador in contrast to Boyle being ostracised by everyone he deals with.

As with most Stone biopics, there is an element of "you weren't there man!" anger as he unleashed another tirade against the US government and military through this film. You can take that as you like, what I found most fascinating about this film is the similarity to Fear and Loathing, right down to the battered red car they make most of the journey in. I found it fascinating that Boyle could live the kind of story that Thompson made his name creating, the two would make a cracking team, should they not die getting the story, just make it up.

If you're undecided on Olly Stone, but haven't seen this film, give it a try before you decide whether he is an overrated paranoid madman or an impassioned filmmaker with a message in there somewhere if you can get past all the shouting.