Pirates

Roman Polanski's Pirates, starring Walter Matthau as the avaricious Captain Red, is an absolutely hilarious comedy/adventure. The cast of characters is varied and interesting and the sets appear very authentic. The movie contains excellent dialogue, good swashbuckling choreography and plenty of physical humour which borders on the bawdy at times. The story is simple and dynamic and is completely driven by the characters.

I like this movie for its characters. Each one's desires become the focus of fanatical efforts. Throw in some fascinating (though often exaggerated) character quirks, and the cast makes this movie. The rough, oafish Captain Red desires gold. The handsome, quiet Frog desires Dolores. The stiff, foppish Don Alfonso desires power. In the end, who will get what he desires? Most assuredly not EVERYONE.

I only have ONE favorite movie and this is it. I know it is not for everyone (my wife hates it). However, for Matthau fans, or fans of the historical genre, this movie is a fun night out with plenty of laughs. I recommend it strongly.

This film is one of Polanski's masterpieces. He did to pirate movies what Sergio Leone did to western: showing the opposite of the usual sancticised glamorous movie portrayal of an era, yet achieving an epic effect, and images you want to see again and again.

But a difference to Leone, beyond a high dose of irony and situation comic, is the bittersweet ingredient of the Central-Eastern-European experience, of lack of success and constant failure, constantly hitting all of our heroes in the film.

Memories of living under communism might have also played a role in the (for me) most memorable part of the movie, the failed mutiny followed by the successful mutiny aboard the Spanish ship: the way the aristocrats have power over the people, and make Captain Red and The Frog eat the rat. And then, hilarious juxtaposing, the mutiny is like a parody of a communist revolution.

But the best thing about the film are the actors. Walter Matthau is at his best as the grumpy old liar Captain Red, Damien Thomas is terrific as Don Alfonso the hyper-arrogant Spanish aristocrat who'll never loses his superiority, Roy Kinnear the embodiment of ugliness as the Dutch, and also the young no-names Cris Campion (playing The Frog, the naive young Frenchman at Captain Red's side) and Charlotte Lewis (playing the even more naive daughter of the governor).

I agree with many of the comments here, but most have opted to concentrate on Walter Matthau's (forgive the spelling if it's wrong) delicious performance as Captain Red. While it is undeniably brilliant - a few dodgy accent moments aside - especially when you consider how few risks many actors take with their casting, I would like to draw attention to a fine performance by Cris Campion as The Frog. When I was watching this again the other day and getting my girlfriend to watch it, she at first despaired when I told her the frog was the romantic lead. I told her to have patience, and at the end she could, after all, see why he was the object of Dolores' love. Head and shoulders above nearly all young actors around at the moment, Campion exudes passion, swashbuckling- derring-do and smouldering charm as well as being an excellent foil for Matthau's comic exertions. This makes his love story with Dolores all the more heightened and genuinely affecting. In many modern "buddy" films, the onscreen duo have no chemistry and are simply put together to maximise box office interest, but Matthau and Campion are a perfectly matched pair, the frog's unfaltering loyalty to his captain matching Red's utterly selfish backstabbing. You get the feeling that if there is one person in the world that Red would not betray, it might be the frog - even if he might eat him!

This enjoyably foolish romp was apparently a flop, and mauled by the critics. Why? Good question. I speculate three reasons: lack of an obviously American lead and presence, an opening set-up that pays off in the long run but doesn't provide a beginning with a bang, and an anarchic, politically incorrect, almost amoral tone that was not digestible to Disneyfied mainstream audiences. These, and the length of the piece, would have been strengths if this had been released as a children's book, and I further speculate that it would have been well received in such a format, as a homage to old stories like Treasure Island. It could then have been adapted into a hit movie (with more explosions and an ethically impeccable American hero who does get the girl in the end).

As it is, there is much to admire, delight and entertain, with legitimate criticisms being some of the dodgy casting and (lack of)linguistics (especially as regards the Spanish characters) - Walther Matthau's gloriously over-the-top performance honourably excepted - some lapses of logic in the plot (why doesn't the Frog just swim after the rowboat and bring it back when they get stuck on the chain?), and the fact that it is slightly too long.

Ripe for a sequel, if, like me, you ever wondered what happened to Cap'n Red and his beloved throne, and The Frog and his beloved Dolores.

Captain Red (Walter Matthau) runs a hardy pirate ship with the able assistance of Frog, a dashing young French sailor.

Featuring a peg leg, cannibalism, a mutiny... this has everything that a pirate film should have. Fans of the Johnny Depp films may like this -- many of the scenes look like the exact same sets were used.

Written and directed by Roman Polanski and unlike anything else he has down. I could draw a line to "MacBeth" because of the period costumes, but that is the biggest connection i can force. Roman Polanski conceived this film several years before he actually made it. He had hoped to cast Jack Nicholson as Captain Red, and himself as The Frog. I think I would have enjoyed that more.