IMDb रेटिंग
5.9/10
8.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA successful advertising executive finds his freewheeling life crashing to a halt when his parents end their longtime marriage.A successful advertising executive finds his freewheeling life crashing to a halt when his parents end their longtime marriage.A successful advertising executive finds his freewheeling life crashing to a halt when his parents end their longtime marriage.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
NOTHING IN COMMON (1986) ***1/2 Tom Hanks, Jackie Gleason, Hector Elizondo, Eva Marie Saint, Sela Ward, Bess Armstrong, Barry Corbin. Garry Marshall's winning serious comedy about ad exec Yuppie Hanks who faces the inevitable: caring for his at odds parents including separations, ageism and finally acceptance. Warm and slyly comic turn by Hanks with some great moments. Armstrong is adorable and Ward is sexy (just needed to state this for no other apparent reason). Best moment: Hanks telling off bullying client Corbin.
NOTHING IN COMMON was a smart and sentimental comedy drama that offered a pre-Oscar'ed Tom Hanks one of his best earlier roles. Hanks plays David Basner, an advertising executive whose lightning-quick advancement at his company becomes hampered when has to start taking care of his father (Jackie Gleason, in his final film role)who has become completely helpless after his wife (Eva Maria Saint) has left him. This comedy takes some pointed and effective jabs at the advertising industry and still manages to be a warm family story as well. Hanks beautifully walks a fine line between comedy and drama in one of his better and nearly forgotten performances. Gleason is abrasive as the dad, but Saint is lovely as the mom. Sela Ward, Bess Armstrong, and Barry Corbin are also effective in supporting roles and the ending has been known to produce a few tears. An intelligent and heartwarming look at the choices that we sometimes have to make regarding career and family.
This is a great movie. It combines several emotional aspects of the human condition. Classic Tom Hanks humor, emotionally touching realism as well as some serious drama.
Over the years since it was released I have watched this dozen's of times. I never get tired of it. I am moved as David Basner is forced to face the reality of his parents divorce and tries to build an individual relationship with each of his parents.
I think this is much better than Splash, probably on par with BIG. Of course, just about anything with Tom Hanks is great simply because he is able to carry the load.
Over the years since it was released I have watched this dozen's of times. I never get tired of it. I am moved as David Basner is forced to face the reality of his parents divorce and tries to build an individual relationship with each of his parents.
I think this is much better than Splash, probably on par with BIG. Of course, just about anything with Tom Hanks is great simply because he is able to carry the load.
David Basner (Tom Hanks) is a lovable cocky successful Chicago ad exec who just got promoted returning from vacation. He wants his boss Charlie Gargas (Hector Elizondo) to make him partner. Then his mother (Eva Marie Saint) leaves his father (Jackie Gleason). He must shuttle between his stubborn crass father, and his mother who is happy with her new found freedom. Donna Mildred Martin (Bess Armstrong) is his best friend and high school sweethearts. He is trying to land a big airline account and uses his charm on the owner Andrew Woolridge (Barry Corbin). He sleeps with the media director Cheryl Ann Wayne (Sela Ward) who turns out to be Woolridge's daughter. His father does nothing but complains and is struggling. Then he gets fired from his salesman job.
This movie tries too hard to be jokey. Director Garry Marshall is allowing Hanks to clown around a little too much. The broad comedy doesn't quite fit seeing how he's suppose to be a professional sweet talking the client. He is playing strictly as a wild creative ad exec who jokes around. The broad jokes don't fit either when the movie tries to move into more serious territories. The serious stuff has a bit more heft and that's due to genius of Jackie Gleason. He and Hanks have pretty good chemistry. I also have a minor problem with the over-use of montages to drive the story forward. It's lazy writing.
This movie tries too hard to be jokey. Director Garry Marshall is allowing Hanks to clown around a little too much. The broad comedy doesn't quite fit seeing how he's suppose to be a professional sweet talking the client. He is playing strictly as a wild creative ad exec who jokes around. The broad jokes don't fit either when the movie tries to move into more serious territories. The serious stuff has a bit more heft and that's due to genius of Jackie Gleason. He and Hanks have pretty good chemistry. I also have a minor problem with the over-use of montages to drive the story forward. It's lazy writing.
Tom Hanks had been around for a few years before "Nothing in Common", but it was this film that really showed how great he could be as an actor. He stars as a high-class advertising executive whose life is turned upside down when his elderly parents (Jackie Gleason and Eva Marie Saint) get divorced. While Saint adjusts and becomes happy with her life, it seems that Gleason just becomes more angry. On top of this, his health quickly worsens. While Hanks is working with Barry Corbin and daughter Sela Ward on a big advertising deal, it seems that Gleason's diabetic condition is becoming a real problem. Gleason has basically upset everyone so much that everyone has given up on him and do not even know about his condition. Hanks proves to be the only one that Gleason can count on in the end. The relationship between Hanks and Gleason makes "Nothing in Common" a somewhat forgotten treasure from the 1980s. Tom Hanks proved that he could handle delicate material and even mix it with smart comedy. All the players are great as well. Along with all the aforementioned actors, Hector Elizondo and Bess Armstrong do good work as well. The screenplay is solid and the direction is focused throughout. 4 stars out of 5.
क्या आपको पता है
- ट्रिवियाRumor has it that director Garry Marshall would not go ahead with the making of this film without the inclusion of Jackie Gleason. In poor health, Gleason had grown tired of filmmaking, and wished to retire from the business. After several attempts to get him on board, Marshall finally called Gleason on the phone and insisted that if he didn't do this film, that the last film he would be remembered for was the box-office bomb Smokey and the Bandit Part 3 (1983). Gleason immediately accepted the offer on the condition that this would be his last acting role. In Marshall's 2012 memoir, "My Happy Days in Hollywood," he credits Ray Stark with asking Gleason the question about if he wanted "Smokey and the Bandit 3" being how he would be remembered.
- भाव
[last lines]
Max Basner: [to David] You're the last person I ever thought would come through for me.
- इसके अलावा अन्य वर्जनOne "unedited" print, formerly in HBO's library, removes the exchange between Max and David about their "best friends."
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Nothing in Common?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Nada en común
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $3,23,24,557
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $32,79,650
- 3 अग॰ 1986
- दुनिया भर में सकल
- $3,23,24,557
- चलने की अवधि1 घंटा 58 मिनट
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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